Bill H
@dahoovster.bsky.social
2.3K followers
540 following
5.4K posts
Not related to THAT Hoover. Or the other one. No, not the company either.
Still thinkin’ about the tardigrades abandoned on the moon.
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Reposted by Bill H
In social movement studies, we talk about how marches and protests expand the threshold of acceptable risk so that people take more and bigger social risks IN PUBLIC, EN MASSE. This is extremely important for the bourgeois white folks holding signs and building social rapport.
Not a shitpost: #NoKings is feel-good performative activism for comfortable mostly upper and upper middle class white folks and that’s good, actually. Millions of people in the streets protesting a fascist regime is good. It is good for the normie baseline to be massive displays of public dissent.
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
mtsw
@mtsw.bsky.social
· 12h
Reposted by Bill H
Molly White
@molly.wiki
· 12h
Well, you can finally cross “I’ve seen a handcuffed, inflatable penis” off your bucket list
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
Reposted by Bill H
Sorry to be corny but the aerial shots of these crowds are almost indescribably moving and hopeful
Reposted by Bill H
Reposted by Bill H
after a clarinet player was arrested at Sunday's ICE protest in downtown Portland, I talked to five artists, crafters and makers - a puppet designer, an illustrator, a graphic designer, a knitter, and a theatre artist - about creativity under fascism
www.orartswatch.org/resistance-c...
www.orartswatch.org/resistance-c...
“Resistance can be joyful” • Oregon ArtsWatch
Portland protest artists on creativity, resilience, inflatable frogs, and protecting the soul of the city.
www.orartswatch.org