Griselda Gimpel
@griseldagimpel.bsky.social
150 followers 66 following 5.6K posts
Author of The Tyrant, the Fairy, and the Au Pair. Married to calextheneko. White, bi, pronouns are she/her.
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The fake ads have been cracking me up. 🤣
Reposted by Griselda Gimpel
MAGNUS LIVE: THE HILLTOP, a new dramatic ensemble theatre production, opens in London later this month starring Shahan Hamza, Jonathan Sims, Alexander J Newall, Lowri Ann Davies and Sasha Sienna.
Five square black and white photographs of performers underneath the title: Magnus Live: The Hilltop Cast Announcement. On the top row, from left to right: Shahan Hamza as Samama Khalid, an office worker; Jonathan Sims as Jonathan Sims, a trapped memory; Alexander J Newall as Martin Blackwood, a trapped memory. On the bottom row, from left to right: Lowri Ann Davies as Celia Ripley, an apocalyptic survivor; Sasha Sienna as Georgie Barker, an apocalyptic survivor.
This week has been a parade of "plans changing for the worse." They're all manageable, but there's been enough that I kinda just want to go hide under a pile of kittens right now. Someone else can adult for a while.
Finished the second season of Foundation.

Honestly, I think Bel Riose's plotine is the best the series has done with conveying the core principle behind psychohistory.
Reposted by Griselda Gimpel
Quick cultural lecture time, from Sigrid Ellis:

As we are in Spooky Season, why do so many horror movies of the 80s and early 90s feature extremely creepy homeless people?

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Reposted by Griselda Gimpel
Would somebody please loan me £5 so I can commission DSB to write a sexy little scene with Borstal Boy and Lucky Lord Bonnet??? 🥹
Send me a screenshot of your receipt for £5 or more to the Oxfam Gaza fundraiser, and I'll write you a sexy little vignette of any OFMD pairing you like. Give me a one-word prompt and I'll spin you a little scene.

www.oxfam.org.uk/oxfam-in-act...
Oxfam GB | Gaza Crisis Appeal
www.oxfam.org.uk
I just looked up pictures of them, and 👀.
I did some experimenting with audio mixing before I start my first audio drama script - I need to know how it will sound before I start writing it - and audio mixing is so cool, y'all!
Alright! Signed up for Yuletide!
Reposted by Griselda Gimpel
Just about a week out from birthday and I'm only even considering a wishlist...

No pressure, no need but...

On the off chance that you want to get me anything...

www.amazon.com/hz/wishlist/...

🥰
Check out my list on Amazon
www.amazon.com
Me: Oh no. I've woken up an hour before my alarm. How will I ever be able to get back to sleep?

Carmen: Did someone request a 15lb weighted blanket that purrs?

Me: 😴😴😴
Reposted by Griselda Gimpel
Heaven Official's Blessing volume 2

Yeah, Hua Cheng has it *bad*.
Thinking about this with my audio drama WIP. Which tense I use changes the story. I'm leaning past tense, and I'll have diegetic audio because of limitation on voice actors. That means that the listener will know the main character has survived long enough to make an entry.
I don't think there's any inherent superiority to any particular tense. BUT...

My problem with the proliferation of present tense usage (as someone who's pubbed something like half a dozen books in present tense) is twofold.

First of all, most writers aren't exploiting the strengths... 1/
We like to pretend the endemic use of the present tense in modern fiction is a stylistic choice. But usually it's a cheap way to disguise mediocre prose, lack of structure, or both. It's like a row of showy petunias planted along a house to disguise cracks in the foundation.
Reposted by Griselda Gimpel
This is a much more in-depth and well-reasoned explanation of WHY present tense for the sake of present tense falls so flat. (And, conversely, the strengths of present tense which so often go underutilized.)
I don't think there's any inherent superiority to any particular tense. BUT...

My problem with the proliferation of present tense usage (as someone who's pubbed something like half a dozen books in present tense) is twofold.

First of all, most writers aren't exploiting the strengths... 1/
We like to pretend the endemic use of the present tense in modern fiction is a stylistic choice. But usually it's a cheap way to disguise mediocre prose, lack of structure, or both. It's like a row of showy petunias planted along a house to disguise cracks in the foundation.
I'm watching #Foundation episode 2.09, and I love Brother Day's ragged see through chainmail top so much. It's just so shitty [deliberately so]. He's raving about how he's going to avert the fall of the Empire, but he's doing it dressed like -that-.
And also it's my audio drama, so I can do what I want lol.
I try not to put myself down - and there are things I excel at - but I took drama classes through middle and high school, and while I learned a lot, I also learned I do not have a natural aptitude for acting.

But aptitude isn't everything.
Regarding my audio drama WIP, I have learned that I do, in fact, posses the ability to pitch my voice high. That means that regardless of who voices the main role, I can include the occasional line from another voice actor: me pitching my voice high.

I ain't Harlan Guthrie, but it's something.