Glenn Kenny
@glennkenny.bsky.social
14K followers 4K following 2.5K posts
Critic and author and occasional cut-up. Just a soul whose intentions are good. Books include "The World is Yours: The Story of 'Scarface'" and "Made Men: The Story of 'Goodfellas'.”
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glennkenny.bsky.social
Give “Nostromo” a go! It’s a humdinger!
Reposted by Glenn Kenny
nortygirl.bsky.social
A very happy birthday to AOC ....we all appreciate you so much....
Reposted by Glenn Kenny
johnlichman.bsky.social
Let those among us who haven’t orgasmed at the nitrate picture show be the first stoned…oh god I’m really mixing my metaphors no don’t do this why did I hit reply
Reposted by Glenn Kenny
elleisanisland.bsky.social
"Round up the usual suspects"

Portland:
Graphic of "FBI's most wanted terrorist" 
Shows a group of puffy mascots standing in a witness line up
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downwithdan.bsky.social
They somehow captured his bald angle
paleofuture.bsky.social
Just in case the dramatically low Leni Riefenstahl-style angle was too subtle, they used a word from her most famous movie
Time magazine cover featuring a photo of Trump from a dramatically low angle 

HIS
TRIUMPH
by ERIC CORTELLESSA
THE LEADER ISRAEL NEEDED
by EHUD BARAK
HOW GAZA HEALS
Reposted by Glenn Kenny
noelmu.bsky.social
I'm back on the MATLOCK beat for Vulture. The good news: The season premiere brings back all the good, twisty storytelling that worked last year. The bad news: I don't know how long the show can continue in this direction. The worst news: The backstage drama is awful. www.vulture.com/article/matl...
Matlock Season-Premiere Recap: Continuance
Even with all their secrets out in the open, Matty proves that she’s still one step ahead.
www.vulture.com
Reposted by Glenn Kenny
Reposted by Glenn Kenny
therock1996fan.bsky.social
Mr Beast’s birth name
danhf.bsky.social
Who the fuck is Bret Easton Ellis? Wrong answers only.
Reposted by Glenn Kenny
mehdirhasan.bsky.social
The fact that top Republicans are already fearmongering about, lying about, the No Kings rallies this Saturday, across the US, tells you how worried they are about public pressure and protest against their reactionary, autocratic, anti-American agenda.
Reposted by Glenn Kenny
atrupar.com
tfw you're forced to listen to Trump
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amosposner.bsky.social
Chef Boyardee was a real Italian immigrant who produced huge volumes of rations for Allied troops during World War II.

en.wikipedia.org/wiki/Ettore_...
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aklingus.bsky.social
I'll tell you what One Battle After Another needed: more scenes involving animal torture so weirdly detailed it makes you wonder if the author actually likes torturing animals himself bsky.app/profile/hoov...
hoovybaby.bsky.social
[guy who’s written a dozen versions of the exact same tedious book about the early 1980s]: this seems musty, to me
'One Battle After Another' Is a Hit with Critics Because It 'Aligns with a Leftist Sensibility, Says Bret Easton Ellis: 'There's a Liberal Mustiness to This Movie'

lmao
glennkenny.bsky.social
Sean Duffy was as dumb as a rock when he was on MTV, nice to know some things never change
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joecorey3rd.bsky.social
One of my favorite Ultra Lounge releases
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dorothyparkerfucks.bsky.social
around two years ago i made the point that genAI technologies were a fascist project designed to undermine facts, truth and history and so here is some slop machine humiliating a hero of the american civil rights movement
Reposted by Glenn Kenny
24fps.bsky.social
Andy Ngo: speaks with a fake English accent, afraid of fake cookie monster
michaelehayden.bsky.social
“They are highly organized … [they] have purchased their own animal costumes”
Andy ngo mad about muppets again — this time in Chicago
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ditzkoff.bsky.social
There's so much poetry just in hearing Daniel Day-Lewis speak as himself, and about himself. The soul of this man, to the extent it's on display here, is fascinating. www.nytimes.com/2025/10/03/m...
Q Is the difference here that you’d rather talk about the work with your collaborators than with someone after the fact?

DAY-LEWIS The transactions that take place between you and your collaborators are of a very particular kind, and by the time I ever get to a set, I hope that the talking is more or less over and you’re inside that world you’ve tried to create for yourself. Talking about it now is a little bit fraudulent because I’m trying to reconstruct an experience that I have very little objective understanding of. I really will try to find my way to answer anything you ask me, but I can’t be entirely sure that it’s not just a reinvention in hindsight. Q Your father, the poet Cecil Day-Lewis, died when you were 15. You’ve said that you regret not having achieved anything of artistic significance that he could have witnessed.

DAY-LEWIS Of any kind of significance, yeah.

Q So I’ve got to think that to be able to watch your son embark on his biggest project of artistic significance thus far, and to do that alongside him, has got to be immensely satisfying.

DAY-LEWIS That’s a lovely observation, it really is. It was quite useful to me, and unique. We were both amazed that we were given this opportunity to do this thing. That quiet sense of joy ran through the entire period of time, sharing that precious time with Ronan. It was very, very special. Q When you were young, what did acting mean to you?

DAY-LEWIS At a very early age, it seemed to me not just that there was a good chance I was going to try to have a career as an actor, but that I needed to have that career to survive in the world. The theater, when I first discovered it in boarding school, really became a sanctuary. To be in that illuminated box, I felt relatively safe from what appeared in every other respect to be a hostile and cruel environment.

Q Still, you considered forsaking it as a young man to instead become a cabinetmaker, and even as an adult, you once put your acting career aside to work as a cobbler. What appealed to you about that path?

DAY-LEWIS The craft thing almost felt like an alternative, largely because it’s tangible. In performance arts, we’re dancing with shadows and it’s a matter of taste: You like his face, you don’t like his face. But if you’re making shoes or a piece of furniture or a musical instrument, the quality of that is tangible. To me, it was an antidote to the unknown. Q Do you consider acting a craft, too?

DAY-LEWIS I don’t really like thinking of acting in terms of craft at all. Of course, there are techniques you can learn, and I know that the Method has become an easy target these days. I’m a little cross these days to hear all kinds of people gobbling off and saying things like “gone full Method,” which I think is meant to imply that a person’s behaving like a lunatic in an extreme fashion.

Everyone tends to focus on the less important details of the work, and those details always seem to involve some sort of self-flagellation or an experience that imposes upon oneself a severe discomfort or mental instability. But of course, in the life of an actor, it has to principally be about the internal work.
glennkenny.bsky.social
Thank you my friend. It’s also an honor from my end — working at Ebert with you and the team is a privilege, a pleasure and a lifeline!
Reposted by Glenn Kenny
faineg.bsky.social
Utterly disgusting and sadly very indicative of this shameful, current moment in our history.