#choreographic
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today.je
[Vibrant Jersey] Ballet d'Jèrri – Under_Score Ballet d’Jèrri presents an evening of choreographic premieres with live music Ballet d’Jèrr...
https://www.facebook.com/vibrantjersey/posts/pfbid0mUbf8Fstmxi6z5g98GQWCV2Uek4CasDQzTuFnA6Zsm67e5emNtgWK9AVVXLFu41Wl
February 2, 2026 at 8:59 PM
today.je
[Vibrant Jersey] Ballet d'Jèrri – Under_Score Ballet d’Jèrri presents an evening of choreographic premieres with live music Ballet d’Jèrr...
https://www.facebook.com/vibrantjersey/posts/pfbid0mUbf8Fstmxi6z5g98GQWCV2Uek4CasDQzTuFnA6Zsm67e5emNtgWK9AVVXLFu41Wl
February 2, 2026 at 8:49 PM
sewzinski.bsky.social
The Waiting Room, a new ballet premiered last night in Sarasota. We just saw the matinee and immediately wish I could see it again. So much was said in such a short period. Here’s a painting i did with the same title in 2022.
Abstract painting of orange red turquoise yellow pink of a waiting room. Digital mixed media. By me Sewzinski World Premiere The Waiting Room Choreography by Gemma Bond In a shift away from her typically abstract ballet style, Gemma Bond's The Waiting Room immerses itself in the unassuming atmosphere of a waiting room- though exactly what kind of waiting room remains undefined. Bond explores the idea of a space free from the distractions, and therefore the limitations, of cell phones and modern technology. What happens when people are forced simply to exist together in a space? Where does the mind wander? The dancers personify these unfiltered thoughts, allowing them to run wild and transform into tangible moments of contemplation. Dressed in thrifted and tailored pieces, the performers embody a shared experience that expands Bond's choreographic voice, shaping the work into a meditation on time, loss, and the quiet power of simply existing together. Gemma Bond Choreographer Gemma Bond got her first taste of choreography at 13 when she competed in The Royal Ballet School's Sir Kenneth MacMillan Choreographic Competition. From 2010 to the present, she has created works for American Ballet Theater and Studio Company, Atlanta Ballet, Ballet Nacional de Cuba, The Washington Ballet, New York Theater Ballet, Intermezzo Ballet Company, the Hartt School, Ballet Sun Valley, Kaatsbaan Summer Festival, and City Center's Fall for Dance. Her choreography has been performed at the prestigious Erik Bruhn Competition, The Royal Opera House, The Joyce, Jacob's Pillow, New York City Center, and the Metropolitan Opera House. In 2014 she was awarded the fellowship grant from the New York Choreographic Institute (an affiliate of New York City Ballet) and she has also received grants from the Virginia B. Toulmin Foundation. Ms. Bond is a 2017-2018 New York City Center Choreography Fellow, the recipient of a 2017 Princess Grace award, 2018 winner of the Clive Barnes Foundation Award for her choreography, and a 2020 Bessie for outstanding breakout choreographer. A pretty baby blue and cream rounded theatre space worn two balconies and red chairs. Gilded accents. Some sort of panting or tapestry on the ceiling.
January 31, 2026 at 9:46 PM
operachaser.bsky.social
Directed to extract every ounce of comic charm by Stuart Maunder with the assistance of hilarious choreographic moves, it’s sung with wonderfully sculptured variety — Nicholas Jones is my standout as Frederic — and raised to exciting musical heights by conductor James Pratt.
January 31, 2026 at 2:01 PM
auroragirl.bsky.social
i have studio time this afternoon! and then nothing booked after this one

can i get back to choreographic pursuits? more expanding my movement vocabulary? trying out exercises from past classes and workshops? more singing, inspired by monday’s show?
January 30, 2026 at 6:18 PM
cltampabay.bsky.social
Polk County's Justin Brock is a powerful mover who’s developing a choreographic style all his own www.cltampa.com/arts/polk-co...
Polk County's Justin Brock is a powerful mover who’s developing a choreographic style all his own
Justin Brock Creative Loafing Tampa Bay’s spring arts issue features more than a dozen artists to watch this year and beyond. Meet Justin Brock. His
www.cltampa.com
January 30, 2026 at 2:58 AM
mcmanly.bsky.social
bar graph.
1. A tally scratched on a beer mat to show whose round it is. 2. Any diagram drawn in a court room. 3. A choreographic practice chart.
January 29, 2026 at 9:32 PM
disruptingstages.bsky.social
A thrilling "Turandot" lifted by director Ann Yee’s fresh choreographic vision and a gold-plated Calaf from Young Woo Kim — opera that dares to soar.

www.disruptingstages.com/post/turando...
Turandot - Sydney Opera House
TurandotSydney Opera House Opera Australia’s new production of Turandot arrives with the kind of visual ambition and vocal firepower audiences hope for from Puccini’s final, extravagant opera - and, w...
www.disruptingstages.com
January 28, 2026 at 6:56 PM
bardcollege.bsky.social
Tania El Khoury, Bard professor and director of the Center for Human Rights and the Arts, has won a 2026 Creative Capital Award in support of her project, A Choreography of State Violence, an installation performance that examines state violence from a choreographic perspective.
Bard Professor Tania El Khoury Awarded 2026 Creative Capital Award
Tania El Khoury, distinguished artist in residence, associate professor in theater and performance, and director of the Center for Human Rights and the Arts, has won a 2026 Creative Capital Award in…
www.bard.edu
January 28, 2026 at 3:01 PM
blinkwavereviews.bsky.social
Taking the spirituals of the religion and turning them into truly compelling pieces of musical and choreographic art will not only attract viewers to the film but will further enhance the legacy of this truly fascinating group of people. Daniel blumberg did great work
January 27, 2026 at 11:13 PM
dancetactics.bsky.social
The American Dance Festival is a vital space for developing, testing & presenting new choreographic work. For danceTactics, it’s an environment that supports collaboration & the evolution of ideas.

Keith looks forward to sharing more as it develops! americandancefestival.org #dance #performingarts
January 26, 2026 at 5:08 PM
grammarous.bsky.social
Sorry, @itsallaboutde.bsky.social, not done today. 😂 I read this book, Go: A Coming of Age Novel by Kazuki Kaneshiro, in 1 day (today)! It’s about a young Korean man in Japan & his challenges with fitting in. The writing style is very cool. This review on Goodreads kind of nails it. #RootRootRead
My Root Roo Read bingo card, now with the “a book by someone of a different race, ethnicity, or religion than you” squared checked off. The beautiful cover of “Go: A Coming of Age Novel by Kazuki Kaneshiro” with a teal background that looks like folded paper being turned. Goodreads review about Go: This novel has the rhythm of a Japanese TV drama--fast pacing, ridiculously deep and emotional and/or violent reactions to conflict, a high school setting, and great attention paid to hierarchical obligation. Add a little yakuza, a little pachinko, a little social commentary, and a great sense of place (especially if you're familiar with Tokyo) and there you have it. I loved the matter-of-fact story-telling. I even loved the lack of nuance. Having lived in Japan and also having studied kickboxing there I especially loved the detail about which neighborhood/subway line/train station the protagonist was traveling throughout this novel, and the choreographic details given about the many fistfights. Also, I used to teach English in a Japanese high school where more than a few students had dads who were yakuza, so this was a perfectly nostalgic read for me.
January 26, 2026 at 2:06 AM
brewerspizza.bsky.social
I’m just such a choreographic genius
January 25, 2026 at 7:30 AM
artslink.co.za
Transmissions & Trajectories Roundtable - www.newslink.co.za/transmission...

Gregory Maqoma Industries & UJ Arts & Culture present Transmissions & Trajectories: African Choreographic Futures in a Global Landscape.
Gregory Maqoma Industries & UJ Arts & Culture present Transmissions & Trajectories: African Choreographic Futures in a Global Landscape.
January 24, 2026 at 4:51 AM
nrcraddock.com
My favorite moment was the choreographic quote of Appalachian Spring in the montage 2/3rds of the way through
nrcraddock.com koopa kleric 🦖📿❤️‍🔥 @nrcraddock.com · 10d
The Testament of Ann Lee was an absolute delight. Cracked me open in unexpected ways, and the music was delicious. Highly, highly recommend. #filmtok
January 24, 2026 at 1:02 AM
vpurple.bsky.social
Orchestral music that is either heavy on piano or cello gets me every time. Einaudi has a particular place for me given my previous career and some of the choreographic I've done using his work too.
January 23, 2026 at 9:48 PM
mjrichards.bsky.social
I had to ask Christian who that was, and thankfully, with an MFA in choreographic theory and practice, he could tell me.
January 23, 2026 at 9:03 PM
art.bsky.social
BIG WHITE BOUNCY CASTLE INSTILLATION

Joel Ryan’s soundtrack within William Forsythe’s White Bouncy Castle. Created in 1997, this choreographic installation offers a distinctive integration of art and movement. The exhibition was curated by Pedro Portellano. #art #artist
BIG WHITE BOUNCY CASTLE INSTILLATION BIG WHITE BOUNCY CASTLE INSTILLATION BIG WHITE BOUNCY CASTLE INSTILLATION
January 23, 2026 at 10:29 AM
debbieli.bsky.social
As I watch my umpteenth choreographic sequence, I can’t help thinking again that I miss the required dance pattern. #4ContsFigure #FigureSkating
January 23, 2026 at 6:52 AM
dplyukhin.bsky.social
The 2nd Workshop on Choreographic Programming (CP 2026) is co-located with @sigplan-pldi.bsky.social this year! Talk proposals are due in just a couple months. Please out the website and please share widely. pldi26.sigplan.org/home/cp-2026
CP 2026 - PLDI 2026
Choreographies are coordination plans for concurrent and distributed systems, which define the roles of the involved participants and how they are supposed to work together. In the paradigm of choreog...
pldi26.sigplan.org
January 22, 2026 at 3:21 AM
jlev451.bsky.social
You are obviously a person of discriminating tastes & vast erudition-I like the line preceding as well. "And tediousness the limbs and outward flourishes"-to the "unique" choreographic efforts (to YMCA) that we have seen from time to time. In all my years playing for dance-this is indeed "different"
January 21, 2026 at 5:01 PM
olfac.bsky.social
to conclude the second Day of the #Symposium, our Artists in Residency Paola Bianchi and Stefano Murgia performed their Piece "WERKSTATT Pathosmells". they developed the #olfactory and #choreographic work during their #residency in Linz. more info on our website! olfac.kunstuni-linz.at
January 21, 2026 at 12:14 PM
leilaboos.bsky.social
All of my choreographic creations are inspired by the human condition and my desire to capture these stories through movement. Macbeth is a story fuelled by the human condition; love, grief, guilt, pain and ambition. - Alice Topps

Read our interview in Dance Aus ♥️ www.zinio.com/in/article/d...
January 19, 2026 at 12:06 PM
mkglimpse.bsky.social
Yeah, that tracks. The judges favor teams with a bunch of individually creative choreographic elements and bigger concept programs this quad, which is probably at least in part being burned out on P/C’s style from the prior two quads
January 18, 2026 at 1:07 AM
thrustersbonanza.bsky.social
🇮🇹
Choosing to do that split choreographic move on the crescendo music instead of a curve lift was a wise way for this team to stand out.
#eurofigure #figureskating ⛸️
January 17, 2026 at 7:48 PM