Clare Hickman
@drhick.bsky.social
3.1K followers 1.5K following 520 posts
Environmental & medical historian at Newcastle University - hospitals, gardens, landscapes, senses, inclusive interpretation, story teller.
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Reposted by Clare Hickman
levparikian.bsky.social
Today I learned there’s a penguin called Jane Goodall and she’s travelled 5000km since April.
A map of the east coast of South America, with several tracking lines, each representing a penguin. Jane Goodall’s line is highlighted in pale pink. There is also an inset with her facts and figures: body weight 4600g, tagged 25th April 2025, distance travelled 4769.3 km, average speed 2 kmh.
Reposted by Clare Hickman
hetanshah.bsky.social
Graduates are facing a tough entry level market, but they are doing better than others who recently entered the labour market for the first time shows @jburnmurdoch.ft.com
on.ft.com/3IXwY3F
Graphs: Unemployment has risen faster among new labour market entrants without a degree on both sides of the Atlantic Unemployment rate among new entrants to labour market
Reposted by Clare Hickman
ehunineteen.bsky.social
We are delighted to announce the first seminar in our 25/26 series: the wonderful @drreznicek.bsky.social will be presenting on ‘Too Bodily: Disability, Care, & Belonging in Romantic Novels’ on Wednesday 29th October at 6pm.

Free! Online! All welcome!

Register here: us06web.zoom.us/webinar/regi...
This is a sneak preview of our poster image as we finalise details - it’s a coloured etching by Thomas Rowlandson after G M Woodward from 1801 called ‘The Quack Doctor’s Prayer’ with a kneeling doctor praying over a box with a duck drawn on it. In the background there’s a candelabra and pink hangings.
Reposted by Clare Hickman
hcraddock.bsky.social
Looking forward to chairing this event in just over a week!

#envhist #envhum
hcraddock.bsky.social
I'll be hosting an online event on encountering extinction in the archives with @dollyjorgensen.bsky.social as part of The National Archives' Research Routes series.

Come along to hear about researching animal histories in the archive!

www.eventbrite.co.uk/e/extinction...
Extinction and hope: Navigating animal encounters in the archive
What hope can be found in encounters with animals in archival documents?
www.eventbrite.co.uk
Reposted by Clare Hickman
eseh.bsky.social
👀 ESEH 2027 will be held in...

Salzburg! Read more here: eseh.org/eseh-confere...

#envhist
Reposted by Clare Hickman
petraboynton.bsky.social
McFadden has previously spoken at length about wanting everything to be like a start up - the whole 'move fast and break things' mentality.

He's ignoring evidence of what works in community/health settings and where previous approaches that stigmatise or alienate sick and disabled people cause harm
Reposted by Clare Hickman
josserme.bsky.social
Interesting study which recreated a 100+ year old Swiss plant survey.

The bad: Average plant diversity -26% (~-40% in the Mittelland)

The good: Loss can be halted & even reversed! Biodiversity areas work, as well as farmers adjusting their methods

#envhist

www.theguardian.com/environment/...
Century-old papers saved from the bin reveal changes in Europe’s plant life
Plant inventories dating back to 1884 and nearly thrown away enable unique time-lapse study of biodiversity in Swiss meadows
www.theguardian.com
Reposted by Clare Hickman
corinnefowler.bsky.social
2. The current rhetoric of those who mobilise racism for political gain proposes that those who investigate colonial history and modern racism are the problem. Not racism itself.
Reposted by Clare Hickman
corinnefowler.bsky.social
3. Meanwhile Jenrick says he's concerned that "people are living parallel lives". Yet his home county identifies as 96.9% white and his constituency identifies as 98% white. The parallel universes in his own back yards speak volumes. Meanwhile, Handsworth is one of Britain's most diverse areas.
Reposted by Clare Hickman
corinnefowler.bsky.social
1. On political gaslighting. Yesterday Jenrick defended his comments on Handsworth by lashing out at 2 pieces of work I was centrally involved with to imply it's people like me who are divisive, not him...
drhick.bsky.social
Inspired by @draflint.bsky.social's poem, 'To all Walkers' (currently on display at the Farrell Centre in Newcastle) the Farrell are running a series of masterclasses, led by poet Anna Woodford. Info and booking here: www.farrellcentre.org.uk/whats-on/cit...
Explore language and landscape in this poetry masterclass series led by poet Anna Woodford. 

Join us for a poetry masterclass series inspired by the Farrell Centre’s Ideal City project. Focusing on one of the project’s exhibitions, Keep on the Grass, we will work from the urban landscape finding poetic inspiration in unsung places – from road signs to public footpaths and much more.

Over the course of four sessions, facilitator and poet Anna Woodford will guide you through a series of writing exercises, prompts and walks to expand your writing practice. Open to all levels, this four-part series will help you develop your poetic voice, try new techniques, and look at your surroundings with fresh eyes.
Reposted by Clare Hickman
hibbertsalex.bsky.social
Sign-up for the Northern Environmental History Network's first talk of 2025/26 is now available!

📆28/10 15:00

@eseh.bsky.social @royalhistsoc.org @ihr.bsky.social @imems.bsky.social @durhamhistory.bsky.social @cemsexeter.bsky.social @esehnextgate.bsky.social @asle-us.bsky.social
northernenvhistory.bsky.social
For those looking forward to Thomas' talk on historical environmental medicine in a a couple of weeks, you can now sign up using the eventbrite link below. Looking forward to seeing you online at 1500 GMT on the 28th of October.
eur01.safelinks.protection.outlook.com?url=https%3A...
Reposted by Clare Hickman
onslies.bsky.social
REALLY appreciating Lucy Noakes's clear connecting of the dots between the announcement of maintenance grants for 'priority courses' and the Cold Spots mapping by the @britishacademy.bsky.social.

You can't ensure access in a system that ties disciplinary coverage to competition.
On the ground, this fall in total enrolments is sharply exacerbated by changing recruitment practices, as previous high-tariff institutions revise their offers to secure larger undergraduate intakes. Those bearing the brunt are, of course, the institutions which currently serve the most disadvantaged and least mobile students. The risk is now of a worsening spiral of decline—driven by a failed policy of institutional competition and marketisation—which results in options for the most in-need aspirant history students being, quite literally, closed down. Without this core provision, any lingering question over which subjects might qualify for maintenance grants becomes obsolete.

If, as the Education Secretary claimed this week, the government is serious about choice, social mobility and access to education it needs to appreciate that the provision of local universities and courses is now at considerable risk given the financial turmoil affecting UK higher education. What’s clear is that our current situation and trajectory is not a route to greater choice and accessibility. Rather, it is a potential channelling of resources and students into an ever narrowing range of options deemed by policy makers as being in the country’s best interests for the future.
Reposted by Clare Hickman
roberthutton.co.uk
Politician struggling with Britain's intractable problems? This one neat trick will enable you to see easy solutions for everything: simply lose the election! My SKETCH of Tory conference.
thecritic.co.uk/supe...
drhick.bsky.social
Looks absolutely fabulous 🤩
Reposted by Clare Hickman
dollyjorgensen.bsky.social
It’s real!!
I just got my first copy of Ghosts Behind Glass and it is beautiful. You all really need to order your copies. You will not regret it. press.uchicago.edu/ucp/books/bo...
Author holding copy of book Page with birds on left, text on right Double page spread with a photo of diorama Chapter 3 Cursed treasures on left, lion on right
Reposted by Clare Hickman
soozuk.bsky.social
RIP JILLY COOPER! A queen who wrote THE most readable books in existence. People saw my thread of epic Jilly quotes and decided I was saying the books are shite. You COULDN'T be more wrong. Go and watch Rivals today.
soozuk.bsky.social
🧵Some real Jilly Cooper quotes from her Rutshire Chronicles, the series of books that Rivals is from.

1) "Her breasts swayed like party balloons when the front door opens"
drhick.bsky.social
Exciting post just arrived! 🤩 Can’t wait to read this @dudleymarianna.bsky.social
Cover of Electric Wind: An Energy History of Modern Britain by Marianna Dudley
drhick.bsky.social
Great lecture topic! Sadly I’ll be teaching tho 😭
Reposted by Clare Hickman
hpsvanessa.bsky.social
Reminder to the #histSTM #skystorian crowd that there's an online, free seminar this pm UK time which feels like it might speak to a lot of contemporary interests (including #EnvHist - see you there!
rebeccawynter.bsky.social
Planning your week? How you fixed tomorrow, 6 Oct, 4-5:30pm BST?

Come along to @sshmedicine.bsky.social's AGM, followed by The SSHM Lecture 2025: Prof. Jeremy Greene, 'Wasted medicines & medical wastes: Notes from the trash-heap of medical history'

Free registration 👇

#histmed #histSTM #matcult
SSHM AGM & The SSHM Lecture 2025
Monday 6 October [Online]  4:00 – 5:30pm (UK time)  As required, the Society gives notice to members that the Annual General Meeting to formally accept the accounts for 2024 and for…
sshm.org
Reposted by Clare Hickman
propcazhpm.bsky.social
Gibson's Facade Commision was inspired by Jacques Derrida’s book "The Animal That Therefore I Am", which examines the violence inherent in human domination of animals. #ArtSky

"The Animal That Therefore I Am"
Jeffrey Gibson (member of the Mississippi Band of Choctaw Indians and of Cherokee descent)
Four photos of giant sculptures outside a museum. They are each wearing unique clothing and accessories.
Each 10-foot bronze sculpture takes the form of a regional animal: a hawk, a squirrel, a coyote, and a deer. Using cast elements such as wood, beads, and cloth to build texture, Gibson embraces a new process that expands his sculptural vocabulary. From these reproduced wood supports emerge referential animal forms, with each sculpture formally fusing the animate and the inanimate.