Mae Tang 董美妍
@maetang.myatproto.social
60 followers 49 following 770 posts
She/her. Writer. Chinese Singaporean immigrant to the UK. This is where I talk about writing. Books: - My first book. Shortlisted for the Hachette Children’s Novel Awards 2025. - Book One and Book Two. The series I'm currently writing.
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maetang.myatproto.social
I'm happy that my first book made the shortlist for the Hachette Children's Novel Awards 2025, which is part of the #NorthernWritersAwards with @newwritingnorth.bsky.social. Many thanks to the judges for their encouraging feedback, and congrats to the winners!
maetang.myatproto.social
Sinister versions:

Children's book: the 1829 fire of York Minster

Book One: mud, sweet resinous incense, blood

Book Two: estuarine marsh, bat guano, blood

Novella: the sea

WIP: burning & blood. Blood shed to work Land Magic. Blood shed in battle. The blood candle rite, to usher departing souls
Reposted by Mae Tang 董美妍
Reposted by Mae Tang 董美妍
lighthousebks.bsky.social
Love & Rage: A Literary Cabaret
7.30 Sat 8th

Love and Rage are not just feelings—they are fuel. An all-star line up of writers, poets and performers show us how to use love and rage as catalysts for revolutionary change Hosted by @profsunnysingh.bsky.social

lighthousebookshop.com/events/love-...
Reposted by Mae Tang 董美妍
profsunnysingh.bsky.social
#London, coming up 28th October at Bard Books to mark the 1st year of the #JhalakReview & first of 10th year celebrations of the #JhalakPrize. With brilliant writers who are creating fearless, incredible, future shaping work. Come!!! It will be amazing: www.wearebardbooks.co.uk/event-detail...
The Jhalak Review - launch Autumn 2025 | Bard Books
Author and Jhalak Review editor Guy Gunaratne leads an evening of celebration and interrogation into how the past illuminates the paths ahead.
www.wearebardbooks.co.uk
Reposted by Mae Tang 董美妍
robinhobb.bsky.social
Do you live in the UK? @waterstones.bsky.social customer? Use the code OCTOBER25 at checkout from their site to get 25 percent off your preorder of volume 3 of Assassin's Apprentice graphic novel. And off lots of other new books, too! Waterstones.com/campaign/october-pre-order-offer
Reposted by Mae Tang 董美妍
bonabooks.bsky.social
ANNOUNCEMENT🎺🏳️‍🌈🏳️‍⚧️

Introducing our bona new quarterly literary magazine:

FANTABULOSA!

Pushing the boundaries of bold, authentic, QUEER storytelling. Bringing you stories of the uncanny, the dangerous and the fantastical.

& thanks to our brilliant #WrathMonth backers, we're fully funded for 2026 🤘
Bona Books Presents

A new queer literary magazine

FANTABULOSA!

Tales of the uncanny, the dangerous and the fantastical, from radical and unapologetic queer voices.

Science fiction, fantasy and horror
Short fiction & poetry

Submissions open now
maetang.myatproto.social
The children's book: Roman legionnaires' wheat porridge

Book One: freshly steamed, meat-filled bao

Book Two: roasted duck & hoisin, OR chicken of the woods, fried up with wild garlic leaves

Novella: rice porridge with salted egg & bao with red bean

The WIP: a Sunday roast, cut into small cubes
ldlewiswrites.blacksky.app
What would *your* book smell like if you engaged in a mega weirdo scented pages promotional campaign?
Reposted by Mae Tang 董美妍
maetang.myatproto.social
In his book, "Staring at the Sun", Existential Psychiatrist, Irvin D. Yalom, quotes a terminally ill patient on the value of connection in tempering the pain of transiency.

Reading a book is like seeing other lights bobbing about. Writing a book is like lighting a candle for others to see.
A screenshot of text from Irvin D. Yalom's "Staring at the Sun" reads:

But are there no limits to the value of connections?
After all, you might ask, if we are born alone and must
die alone, then what lasting fundamental value can con-
nection have? Whenever I consider that question, I
recall a comment a dying woman made in a therapy
group: “It’s a pitch black night. I’m alone in my boat
floating in a harbor. I see the lights of many other boats.
I know I can’t reach them, can’t join with them. But
how comforting it is to see all those other lights bobbing
in the harbor.”
Reposted by Mae Tang 董美妍
maetang.myatproto.social
Edited more of Book Two. Not far off finishing this pass.

New book is now at 31,000 words. All the main characters are finally in the same location.
Reposted by Mae Tang 董美妍
maetang.myatproto.social
... a perceived feminising of genres via "cosy".

Whereas they'll give "cosy romance" a pass that way, because they also see romance as being predominantly a feminine genre already.

Anyway, I'm unhinged to post any of these thoughts because it invites discourse. I should just go write instead. 😂
maetang.myatproto.social
When I think about it, if I say "cosy romance", it's not likely to get people moralising or reacting as much as if I say "cosy horror".

I think that's because both "cosy" and romance are often seen as feminine, and horror less so (lol!)

Which heighten my sense that perhaps some folks react to...
maetang.myatproto.social
And I write a lot of trauma because writing is a great container for me to do that.

But reading doesn't *always* have to be about activating in response to trauma, to what is broken in the world. Sometimes it can be about quiet, about comfort, about silliness, about slice of life, & even about cosy
maetang.myatproto.social
I don't always want to read for challenge, because I get a lot of that in my own life (dealing with bigotry), and from my work life (sitting with clients and their challenges.)

If your need is to see your trauma reflected in print, I understand that too. I also feel the same way at times.
maetang.myatproto.social
I've done work where I listen to people tell me about their traumas all day long. It's been satisfying work. And then I come home, and sometimes I want something soft, comforting, lower stakes, because my autonomic nervous system has been having a workout all day, vicariously following my clients.
maetang.myatproto.social
"I don't like this thing because it's soft & offers comfort & respite, when I want stuff that's powerfully reflective of my trauma & existential dread." Sure! You do you!

But there's a jump from that to arguing that other people's taste for cosy is a moral failing or a threat to the inflected genre
maetang.myatproto.social
... specific traumas, especially systemic ones. So again, they see it as existentially threatening to whichever genre it's appended to, as if it negates every other hard-hitting, gritty treatment in that genre.

But it doesn't. All those other books in the same genre still exist and are available.
maetang.myatproto.social
... threatens the existence of the genre itself.

I think some of it is low key phobia of things that may be coded feminine: soft vs gritty, comforting vs challenging. People sometimes complain "cosy" is somehow going to draw your teeth or negate or deny the existence of...
maetang.myatproto.social
People wouldn't apply that rationale to other inflectors. Eg: if I said it was "punk", there wouldn't be the same reaction. "Punk fantasy", "punk horror" - people wouldn't look to justify a lack of fit between their tastes and the punk version of the genre, by arguing that punking it up...
maetang.myatproto.social
... continued existence of romance or fantasy. Most readers understand they can go read fantasy or romance if romantasy isn't their cuppa tea. But some people see "cosy horror" or "cosy crime" or "cosy fantasy", & immediately begin to argue about how the cosiness dilutes & threatens the whole genre.
maetang.myatproto.social
"Cosy" versions of various genres are sometimes treated as if they existentially threaten the genre, by people who could simply go and read something else they prefer instead. It's a standard seldom applied to other inflectors of genre. Eg: few people insist that romantasy threatens the...
rachelfeder.bsky.social
Tell me your most unhinged literary opinion, as a little treat
Reposted by Mae Tang 董美妍
dominiqueramseyart.bsky.social
The greatest thing you'll ever learn, is just to love and be loved in return

Marker, colored pencil, and ink pen.
11 x 14in
Illustration of a green deer hugging a hare, with the hare is hugging a mouse. All three animals hugging form the silhouette outline of the deer.