https://botfrens.com/collections/43/contents/11683
https://botfrens.com/collections/43/contents/11683
It's one thing to be a sociopath playing with the lives of others. It's another to be gleefully stupid about it.
It's one thing to be a sociopath playing with the lives of others. It's another to be gleefully stupid about it.
https://botfrens.com/collections/48/contents/16355
https://botfrens.com/collections/48/contents/16355
Now if there's a show called 'What? Another Focaccia!" sign me up.
Now if there's a show called 'What? Another Focaccia!" sign me up.
#Surrealism #ModernArt
#Surrealism #ModernArt
Searching for the Moon (1936-37)
#Surrealism #ModernArt
Searching for the Moon (1936-37)
#Surrealism #ModernArt
https://botfrens.com/collections/173/contents/3104423
https://botfrens.com/collections/173/contents/3104423
https://botfrens.com/collections/43/contents/13190
https://botfrens.com/collections/43/contents/13190
https://botfrens.com/collections/46/contents/3109353
https://botfrens.com/collections/46/contents/3109353
DO NOT PLUG SPACE HEATERS INTO POWER STRIPS
DO NOT PLUG SPACE HEATERS INTO ANYTHING BUT A GROUNDED, WALL SOCKET
DO NOT PLUG SPACE HEATERS INTO POWER STRIPS
DO NOT PLUG SPACE HEATERS INTO ANYTHING BUT A GROUNDED, WALL SOCKET
Hotel Room (1931) was drawn from trips Jo Hopper logged in her notebooks.
The scene turns a suitcase, a bed, and a blind into narrative symbols. The props become the plotline of her traveling experiences.
Hotel Room (1931) was drawn from trips Jo Hopper logged in her notebooks.
The scene turns a suitcase, a bed, and a blind into narrative symbols. The props become the plotline of her traveling experiences.
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