https://ko-fi.com/desdemonical
From: Automania 2000 (1963), dir. John Halas, Halas & Batchelor
From: Automania 2000 (1963), dir. John Halas, Halas & Batchelor
i'm actually quite uncomfortable when I *don't* see them; lolisho creatives are a healthy part of the ecosystem, and they deserve far more dignity from peers -us- than they've gotten.
i'm actually quite uncomfortable when I *don't* see them; lolisho creatives are a healthy part of the ecosystem, and they deserve far more dignity from peers -us- than they've gotten.
it was the *one* space back in 2018 we could freely talk about abuse in fiction/life, nuance, taboo kinks without knee-jerk reactions.
it was the *one* space back in 2018 we could freely talk about abuse in fiction/life, nuance, taboo kinks without knee-jerk reactions.
here's the funny thing: lolisho art was lowkey a squick for me for years at one point.
here's the funny thing: lolisho art was lowkey a squick for me for years at one point.
Tax the rich.
And if they do leave, their estates can be turned into affordable housing.
@fortune.com #NYC
@wutangforchildren.bsky.social
fortune.com/2025/12/04/m...
Tax the rich.
And if they do leave, their estates can be turned into affordable housing.
Why, you ask?
It's because basically every non-WASP ethnic group thought he was a vicious stereotype of their own people
ANTON CHIGURH: (tapping the end of his captive bolt pistol to make sure it’s still working) Uh huh
ME: Anyway what’s your @, we should link up. Oof. Do you smoke?
ANTON CHIGURH: (tapping the end of his captive bolt pistol to make sure it’s still working) Uh huh
ME: Anyway what’s your @, we should link up. Oof. Do you smoke?