Marc Hirsh
@spacecitymarc.bsky.social
230 followers 23 following 4K posts
Boston Globe, sometimes EW, others. I basically do homework for a living. He/him/his. Available in dad since 2015. My love language is replies, not likes.
Posts Media Videos Starter Packs
spacecitymarc.bsky.social
New Homestar Halloween just dropped.
spacecitymarc.bsky.social
"And why did the last person leave this position?"
spacecitymarc.bsky.social
I have never, in 3+ decades, considered David Barbe and Malcolm Travis an especially notable rhythm section, and certainly not one with a signature sound. But effing heck, does Bob Mould sound different playing with these guys than he does with his (extremely solid!) solo career. More charged, easy.
spacecitymarc.bsky.social
Pretty sure the media smeared* Romney as a patronizing, out-of-touch business brick. The only one calling him Hitler is (checks notes) the guy scolding us for calling him Hitler.
spacecitymarc.bsky.social
Just heard a YouTuber explain the Dunning-Kruger effect wrong, which feels like an incredible bit.
spacecitymarc.bsky.social
He literally answers that in the post! Just whooshed right by as it fell right out of his mouth without so much as blinking!
spacecitymarc.bsky.social
Incidentally, if you just did some math in your head and thought, "Hang on, 6-7 bonus songs every time you put out a single? Seems like a lot to ask of an artist!," Loz Hardy of Kingmaker agrees with you!

en.wikipedia.org/wiki/Kingmak...
Section from Kingmaker's Wikipedia page entitled "Animosity with record label," which reads as follows 

"Speaking to Hybrid magazine in 2000, Hardy explained that when 'Armchair Anarchist', the first single taken from Sleepwalking, failed to break into the Top 40, executives at their record label made several changes that Hardy felt were to the detriment of the band. These changes included re-writing Sleepwalking, to include more commercial-sounding tunes and moving all the publicity in-house. One more aspect that Hardy felt destroyed the band as a creative unit was the record label's decision to introduce formatting of their singles.

"'I dunno if you have that over Stateside but [formatting] basically means there would be different b-sides on the 12-inch (2), cassette (1), CD 1 and CD 2 (3 on each). So if the album has, say, 13 songs on it and with three singles that means you're gonna need 40 songs. 40 fucking songs! So the workload is near impossible and plus the fans get ripped left, right and centre to boot. What was also happening was that you did songs for the album and then b-sides but really fucking excellent songs were ending up tucked away third song on CD 2 and no one heard them.'"
spacecitymarc.bsky.social
Look at these Aimee Mann "Stupid Thing" CDs from 1993! Parts 1 and 2 of the same single. You'd think that buying the second would mean sitting it with the first and completing the set. BUT NO. Now you've got a loose, empty case. NO MATTER WHAT, YOU'VE GOT TWO CDS AND THREE SLOTS. Maddening.
Two British "Stupid Thing" CD singles by Aimee Mann. The first is marked "Part one of a two part series." The second is marked "LIVE: Part two of a two part series." Two British "Stupid Thing" CD singles by Aimee Mann, both open. You can see the CDs inside. You can also see that the first one, on top, is a slimline double case. The second one, on the bottom, is a regular slim single case. The first British "Stupid Thing" CD single by Aimee Mann, a.k.a. "part one." The slimline double case is now fully open to reveal the slot for the other CD, but it is occupied by a cardboard flat of the "part two" ("LIVE") disc. Lies.
spacecitymarc.bsky.social
So here's something that's driven me nuts for actual decades: U.K. CD singles. Lotta times, they come paired: two versions of the same single, each with different bonus tracks. (Guess why.) #1 would usually be a slimline double case, with the second one empty. But then #2 would come in its own case!
spacecitymarc.bsky.social
"despite"
junlper.beer
israel has already broken the ceasefire
spacecitymarc.bsky.social
When all they know is grudges, grudges are all they know.
Reposted by Marc Hirsh
spacecitymarc.bsky.social
83 minutes GTFO. If I had time for a movie, I'd watch a movie. This is up there with episodes that aren't structured as episodes but are just excerpts of one long story. If you're making television, learn how to make television!
Reposted by Marc Hirsh
spacecitymarc.bsky.social
One of my most reactionary, most steadfast beliefs about modern television is that no single episode should be longer than 30 minutes if it's a comedy or 55 minutes if it's a drama. Anything longer betrays either an inability to edit or a failure to recognize that you've made two episodes.
culturecrave.co
Ross Duffer reveals the official runtimes for the first four episodes of ‘Stranger Things 5’

E1 — 68 min
E2 — 54 min
E3 — 66 min
E4 — 83 min
spacecitymarc.bsky.social
The only thing that I get from a disconnect between my review and my Metacritic score is that maybe my writing isn't as clear as I think it is. Maybe. I don't think I've ever done anything about it. But I've thought it, is the most it's ever concerned me.
spacecitymarc.bsky.social
83 minutes GTFO. If I had time for a movie, I'd watch a movie. This is up there with episodes that aren't structured as episodes but are just excerpts of one long story. If you're making television, learn how to make television!
spacecitymarc.bsky.social
One of my most reactionary, most steadfast beliefs about modern television is that no single episode should be longer than 30 minutes if it's a comedy or 55 minutes if it's a drama. Anything longer betrays either an inability to edit or a failure to recognize that you've made two episodes.
culturecrave.co
Ross Duffer reveals the official runtimes for the first four episodes of ‘Stranger Things 5’

E1 — 68 min
E2 — 54 min
E3 — 66 min
E4 — 83 min
spacecitymarc.bsky.social
spacecitymarc.bsky.social
I am never going to take your survey. I will never let you know how you're doing. I am not rating my experience. Leave me alone, I want to live my life, our commercial or client interaction is over.
spacecitymarc.bsky.social
*also true of the real King!
spacecitymarc.bsky.social
"Are we a white nationalist country?"

"Is Trump a fascist?"

"What were Charlie Kirk's best ideas?"

Ask this collection of ones and zeros anything of substance and stakes and the shit's gonna hit the fan. Better to ask him how he likes his eggs and avoid that mess entirely.
spacecitymarc.bsky.social
The only reason I can think of for framing this as a way to have utterly mundane conversations with King is that it's the only way to sidestep the possibility of Made-Up Luther King Jr. saying something that's going to create actual trouble with one side of the political spectrum or the other.*
spacecitymarc.bsky.social
Was really leaning on the "crouching"/"hidden" angle there.
spacecitymarc.bsky.social
And also, it's not your house that's flooded, it's the whole street, and you guy lives three doors down and is going "Serves you right!"
spacecitymarc.bsky.social
Very tantamount to "you don't deserve a plumber now."