Andrew Wasserman
@onceatrophic.bsky.social
1K followers 400 following 820 posts
Art Historian. Etc. The World Atlas of Public Art (Yale University Press, 2024) now available: https://yalebooks.yale.edu/book/9780300272581/the-world-atlas-of-public-art/
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Reposted by Andrew Wasserman
rcolesworthy.bsky.social
this one says get rid of a chapter and that one says it’s my best chapter!!

great! then keep the chapter and do some further work to show why it belongs and is needed for your argument.

done! next!
Reposted by Andrew Wasserman
sarcher.bsky.social
I love the Archives of American Art’s trove of photographs of artists with their work. Many subjects are famous, like Alexander Calder. Others are less so, like Katharine Lane Weems, shown here with the plaque she made for the 50th anniversary of the Dachshund Club of America in 1945.
A woman in a blouse with short curls posing in a 1945 photograph with a dachshund plaque.
Reposted by Andrew Wasserman
kristoncapps.bsky.social
It's not even a question at this point. Followed by Baltimore, Houston and Chicago
streetsdept.bsky.social
Philly is the best city in the United States to be in if you’re a living artist who doesn’t come from generations of family wealth. 🦅
Reposted by Andrew Wasserman
wingatejen.bsky.social
The pre- pre- pre-release of my next book, coming April 2026. ;)
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natewolff.bsky.social
RIP Thoreau you would've loved zillow
Where I Lived, and What I Lived For
At a certain season of our life we are accustomed to consider every spot as the possible site of a house. I have thus surveyed the country on every side within a dozen miles of where I live. In imagination I have bought all the farms in succession, for all were to be bought, and I knew their price. I walked over each farmer’s premises, tasted his wild apples, discoursed on husbandry with him, took his farm at his price, at any price, mortgaging it to him in my mind; even put a higher price on it,—took everything but a deed of it,—took his word for his deed, for I dearly love to talk,—cultivated it, and him too to some extent, I trust, and withdrew when I had enjoyed it long enough, leaving him to carry it on. This experience entitled me to be regarded as a sort of real-estate broker by my friends. Wherever I sat, there I might live, and the landscape radiated from me accordingly.
Reposted by Andrew Wasserman
wingatejen.bsky.social
It's such a delight to walk around these Larry Bell sculptures in Madison Square Park and to see how they change at every step.
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ryanboyd.bsky.social
Botticelli was such a freak
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neilpbardhan.bsky.social
Some personal news: it's time for the Thursday scream!!!! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!
Reposted by Andrew Wasserman
sarcher.bsky.social
In the scholar’s rock aisle 🪸(actually it was PetSmart and they were low on seasonal outfits)
A display of fish tank accessories shaped like driftwood with a sign that reads “ornaments”
onceatrophic.bsky.social
Liking on every platform bc this is the best news of the day/week!!!
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sculpturalthings.bsky.social
Weird to feel excited about anything these days, but grateful to have the "distraction" of working on a project I deeply believe in. Thanks to Getty for supporting books about women artists and excited to (eventually) see 'Structure and Flow: The Life/Work of Claire Falkenstein' out in the world!
onceatrophic.bsky.social
Yes even though the frame seems to be cutting off part of the top of the painting, still declaring GOOD FRAME. Bad framing but GOOD FRAME.
onceatrophic.bsky.social
Theresa Bernstein, Portrait of Loie Fuller (ca. 1925), oil on canvas

Also: GOOD FRAME
From the object label: 

‘Loie Fuller was a revolutionary figure in modern dance—a performer who transformed the stage with swirling silks, dramatic lighting, and bold individuality. A symbol of creativity and independence, Fuller captivated audiences in Europe and America during the early 20th century.
Theresa Bernstein, known for scenes of city life, often highlighted women shaping modern America. This painting connects two pioneers- one who transformed dance and another who claimed her place in the male-dominated art world.’
Reposted by Andrew Wasserman
atrubek.bsky.social
Images in books were a terrible idea. I blame Manutius
Reposted by Andrew Wasserman
atrubek.bsky.social
“Oh yes all the images are all the same size and orientation, definitely, and we really must include them,” you promise, falsely
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atrubek.bsky.social
Also, images printed on paper do not look the same as they do on your phone or old photo album. You say you understand this, authors, but almost never do you. “Sure I have 300 dpi versions! Absolutely!” you lie
onceatrophic.bsky.social
10/10 museum education display
Her eyes really do follow you around the room/s.
onceatrophic.bsky.social
The Huntsville Museum of Art’s “A Walk Through Time” is a wild ride (complimentary, I think…?)
‘Why do you think it was important to paint animals?’ The two genders There she is. And by she, I mean the font. My only criticism is taller ceilings are needed
Reposted by Andrew Wasserman
greg.org
Nam June Paik's TV Buddha is a perfect artwork, though I think we need to see all the variations together to make sure. TV Frogs, otoh, I'm not so sure greg.org/archive/2025...
a dark wood carved sculpture of a seated buddha with some gilding is faced toward a tv, on which is perched a portable video camera. the buddha statue's headshot appears on the tv, a perfectly self-absorbed loop. vai aste boetto, genoa two dark stone carved garden statues of frogs face a television which sits on top of a vcr. the screen shows an image of two frogs hanging out. a nam june paik sculpture sold in genoa in 2016