Jeremy Millar
@jeremymillar.bsky.social
6.2K followers 2.1K following 26K posts
Artist; have written, and curated, also. Head of Programme, Writing MA, at the RCA, London. jeremymillar.org Profile: https://jeremymillar.org/Notes-on-Gesture-for-H-C-2015 Header: https://jeremymillar.org/Neutral-Diluted-2007
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jeremymillar.bsky.social
One of our formats is 'adjacencies', in which two works — which might, at first glance, seem unrelated — are considered in relation to one another. In this one, the excellent Daisy Lafarge considers a Netflix reality TV show in relation to the work of late-c.19 French writer Alphonse Daudet.
draughtjournal.bsky.social
'The coupling of boredom and intensity is constitutive of crip time, which is warped time'
The first Adjacencies, in which two works are considered in relation to one another: Daisy Lafarge on illness, Netflix show Outlast & Alphonse Daudet's In the Land of Pain
www.draughtjournal.com/article/flare
Flare!
<p>‘Quitting is a disease,’ says Jordan, a 25-year-old ex-marine construction worker when his teammate Dawn has been vomiting for several hours after
www.draughtjournal.com
Reposted by Jeremy Millar
draughtjournal.bsky.social
'The coupling of boredom and intensity is constitutive of crip time, which is warped time'
The first Adjacencies, in which two works are considered in relation to one another: Daisy Lafarge on illness, Netflix show Outlast & Alphonse Daudet's In the Land of Pain
www.draughtjournal.com/article/flare
Flare!
<p>‘Quitting is a disease,’ says Jordan, a 25-year-old ex-marine construction worker when his teammate Dawn has been vomiting for several hours after
www.draughtjournal.com
jeremymillar.bsky.social
A number of you said this was excellent and you were right, the translator’s introduction also. Thanks to @booksellercrow.bsky.social for ordering it in.
A photograph of an orange book on a white woollen rug. It is by Hayim Nahman Bialik and is called ‘On the Slaughter’. 

It is selected and translated by Peter Cole and published by NYRB / Poets.
Reposted by Jeremy Millar
thepaulconnolly.bsky.social
Reposting this thread on the brilliant Louise Glück on the anniversary of her death #poetrycommunity #poetsonbluesky 👇
thepaulconnolly.bsky.social
Some writers seek ‘relatability’ in ancient myth. Others look to recreate alien remoteness. But in her use of Homeric or bible tales, Louise Glück sets up dialogue between her own family relations & mythic ones. The latter aren’t lazily appropriated. Rather the immediate & the mythic mutually enrich
jeremymillar.bsky.social
Post you from a different era

Nursing home, 2049
A photograph of an agèd version of myself, wearing a light blue shirt and with longish white hair
jeremymillar.bsky.social
Lisa Robertson was at the top of my contributors wish-list and I'm thrilled that she is in our first issue
draughtjournal.bsky.social
'like swallows beneath bridges, like starlings above clouds – points in time, and across landscapes.'
'Notes, Murmurations: The Notebook as Form of Rime' – Lisa Robertson on Samuel Taylor Coleridge's notebooks (& on notebooks, note-taking, a lifetime of reading)
draughtjournal.com/article/note...
Notes, Murmurations: <br>The Notebook as Form of Rime
<p>On 27 November 1799, while taking the night coach from Yorkshire to London, Samuel Taylor Coleridge, after fitful sleep, awoke at sunrise and watch
draughtjournal.com
Reposted by Jeremy Millar
draughtjournal.bsky.social
'like swallows beneath bridges, like starlings above clouds – points in time, and across landscapes.'
'Notes, Murmurations: The Notebook as Form of Rime' – Lisa Robertson on Samuel Taylor Coleridge's notebooks (& on notebooks, note-taking, a lifetime of reading)
draughtjournal.com/article/note...
Notes, Murmurations: <br>The Notebook as Form of Rime
<p>On 27 November 1799, while taking the night coach from Yorkshire to London, Samuel Taylor Coleridge, after fitful sleep, awoke at sunrise and watch
draughtjournal.com
Reposted by Jeremy Millar
nicksturm.bsky.social
Free Zoom event this Thursday at noon Eastern Time in the US / 5pm in the UK--

Join the @nysnetwork.bsky.social for a conversation about FRANK O'HARA's career as a curator at the Museum of Modern Art with Matthew Holman & John Yau.

Register via the Eventbrite link below.
nicksturm.bsky.social
The Network for New York School Studies @nysnetwork.bsky.social is back for a Zoom talk between Matthew Holman & John Yau about "Frank O'Hara & MoMA: New York Poet, Global Curator," out now from Bloomsbury

Thursday 10/16 @ 12pm ET / 5pm BST

Register via link!

www.eventbrite.co.uk/e/matthew-ho...
Matthew Holman's Frank O'Hara & MoMA: an NNYSS book launch! (with John Yau)
The Network for New York School Studies presents the online launch of Matthew Holman's 'Frank O'Hara and MoMA' with Matthew and John Yau.
www.eventbrite.co.uk
jeremymillar.bsky.social
Just got a letter from the local hospital with quite the diagnosis
Screenshot reading:

(ENT Head and Neck F/Up)
jeremymillar.bsky.social
I saw them play The Dublin Castle in '92, etc.
Reposted by Jeremy Millar
chowleen.bsky.social
War creates two categories of persons: those who
outlive it and those who don’t.

Both carry wounds.

-Anne Carson
#everynightapoem
трайна
"wound"
HISTORY OF WAR: LESSON 2
War creates two categories of persons: those who outlive it and those who don't.
Both carry wounds.
jeremymillar.bsky.social
The shell grotto is amazing and baffling
jeremymillar.bsky.social
I saw them play The Dublin Castle in '92
A tweet from Laura Loomer saying:

WOKE MARXIST POPE
Reposted by Jeremy Millar
parisreview.bsky.social
“Perfection is less interesting.” —Anne Carson
buff.ly
jeremymillar.bsky.social
Amazing artist. Also, I'm fortunate enough to have a copy of that print to the left of 'Carcass' in your photograph. (I treated myself last week.)
Reposted by Jeremy Millar
jessemlocker.bsky.social
On his election in 1655, Pope Alexander VII commissioned Gian Lorenzo Bernini to sculpt a skull in marble, which he kept on his desk as a reminder of death's omnipresence. The sculpture was rediscovered in 2021 at Schloss Pillnitz, Dresden
Guido Ubaldo Abbatini, Pope Alexander VII with Bernini's skull (1655-56), Art Collection of the Sovereign Order of Malta, Rome. Pope Alexander VII sits in an elaborately carved chair, carved with the Chigi coat of arms, and rests his hands on a carved skull on the desk in front of him and looks out at the viewer A realistic, life-size marble skull with teeth missing, carved out of marble by Gian Lorenzo Bernini(1655)
Reposted by Jeremy Millar
cethanleahy.com
"Yes… Hahaha… Yes!"
Laszlo Krasznahorkai standing next to a window looking out in a black and white photo
Reposted by Jeremy Millar
drmatthewsweet.bsky.social
Oh no. Sometimes the obituaries just seem to come in like waves. Generations pass, I suppose. The water gets closer.