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nateroscoe.bsky.social
ǝoɔsoᴚ ǝʇɐN
@nateroscoe.bsky.social
230 followers 180 following 270 posts
Writer. Procrastinator. No wire hangers, ever. Published: Umbrella Ent, Fangoria, 88 Films 💼 authory.com/NateRoscoe ✍️ TrashToTarkovsky.com
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Head Trips & Ruby Slips: ‘The Haunting’ (1963) / ‘Return to Oz’ (1985)

#SideBySide 1/3
Reposted by ǝoɔsoᴚ ǝʇɐN
Hooper’s ‘Toolbox Murders’ remains one of the truest evocations of drive-in horror cinema since bell-bottoms were the zenith of style; a fiercely efficient slasher flick built not on pastiche and postmodern snark, but an enticingly peculiar mystery, solid perfs, and a dense air of inescapable dread.
Join #FrightClub and post along Monday's feature, Toolbox Murders (2004), at 10:00 PM ET. Available on Prime.

DIY before someone does it for you.
Hooper’s ‘Toolbox Murders’ remains one of the truest evocations of drive-in horror cinema since bell-bottoms were the zenith of style; a fiercely efficient slasher flick built not on pastiche and postmodern snark, but an enticingly peculiar mystery, solid perfs, and a dense air of inescapable dread.
Join #FrightClub and post along Monday's feature, Toolbox Murders (2004), at 10:00 PM ET. Available on Prime.

DIY before someone does it for you.
Sorry but the Delia disregard is unforgivable.
Reposted by ǝoɔsoᴚ ǝʇɐN
You want an out of favour opinion? I got one. I don't think anything from the past should be censored. By all means present a disclaimer or a this is how it was but let everyone see it and stop being so hectoring and censorial. You never know how the future will look upon us in all our imperfection.
Reposted by ǝoɔsoᴚ ǝʇɐN
«When you sleep, your face goes slack... and your mouth is swollen and ugly.
There's a nasty wrinkle on your forehead.
You smell of sleep and tears... and I can see the pulse in your neck.
There's a scar there that you cover with makeup.»

Persona, Ingmar Bergman (1966)
Reposted by ǝoɔsoᴚ ǝʇɐN
#31DaysofHorror Day 12

LURKERS (1988), Roberta Findlay

Cathy is haunted by her childhood; but also hulking sledgehammer swingers, malformed malignancies & nonoperational phones--all tangential to the true horror of going home when your home is hell's front stoop & your fiancé is a crappy satanist.
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Four creepy bedrooms: The Cabinet of Dr. Caligari, The Night of the Hunter, Red Desert, and The Parallax View.

The frames are theatrical, artificial; the characters trapped within a construct, a pathology, dogma, shadowy conspiracies, or (in the case of Red Desert) something more nebulous.
Reposted by ǝoɔsoᴚ ǝʇɐN
The sea has a laugh
And the cliff a frown;
For the laugh of the sea is wearing him down.
—Herbert Ashley Asquith, “The Frowning Cliff”

‘Messiah of Evil’ (1973) / ‘The Fog’ (1980)
#SideBySide 1/3
Reposted by ǝoɔsoᴚ ǝʇɐN
#FrancoFriday Soledad Miranda in Vampyros Lesbos (1971)
Reposted by ǝoɔsoᴚ ǝʇɐN
#Shocktober Slumber Party Massacre II (1987) - bit of a mess but holy shit, when it’s good it’s GREAT. And I mean when the movie is hijacked by the spirit of toxically masculine rock and roll. Atanas Ilitch is an absolute delight and his musical number is a 10/10, a slasher for the ages.
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Dementia (1955) is a dialogueless fever dream film about a woman's nightmare experience on a single night in LA. Made a decade too early to be a hit, it's a mix of German expressionism and American noir and closer to 60s films like Carnival of Souls and Polanski's Repulsion. It's worth an hour of
Reposted by ǝoɔsoᴚ ǝʇɐN
Head Trips & Ruby Slips: ‘The Haunting’ (1963) / ‘Return to Oz’ (1985)

#SideBySide 1/3
Reposted by ǝoɔsoᴚ ǝʇɐN
Reposted by ǝoɔsoᴚ ǝʇɐN
I am stoked to announce that I wrote the booklet for @vinsyn.bsky.social 's upcoming release of BERBERIAN SOUND STUDIO. I wrote about the way giallo films use experimental music and sound and how director Peter Strickland deconstructs those elements in his film.

vinegarsyndrome.com/products/ber...
Berberian Sound Studio
2025 Subscribers: This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing. This special limited edition spot gloss slip
vinegarsyndrome.com
Reposted by ǝoɔsoᴚ ǝʇɐN
I remember having the absolute fucking cheek to call it a “cult classic” on a certain message board circa 2001/02. The amount of sneering vitriol I sustained from know-it-all horror nerds was crazy. I laughed then, and, with the profuse outpouring of love it’s since gotten, I’m laughing now.
Halloween III (1982) Dir. Tommy Lee Wallace- The reclamation is complete-it's been a long journey. The best of the sequels and the most convoluted plan for...world conquest ?
"It's almost time, kids. The clock is ticking. Be in front of your TV sets... And don't forget to wear your masks"💀🧙‍♀️🎃🎞️📽️
I remember having the absolute fucking cheek to call it a “cult classic” on a certain message board circa 2001/02. The amount of sneering vitriol I sustained from know-it-all horror nerds was crazy. I laughed then, and, with the profuse outpouring of love it’s since gotten, I’m laughing now.
Halloween III (1982) Dir. Tommy Lee Wallace- The reclamation is complete-it's been a long journey. The best of the sequels and the most convoluted plan for...world conquest ?
"It's almost time, kids. The clock is ticking. Be in front of your TV sets... And don't forget to wear your masks"💀🧙‍♀️🎃🎞️📽️
Reposted by ǝoɔsoᴚ ǝʇɐN
"mesmerises the viewer with its overlapping tales of toxic Tinseltown": David Lynch’s self-produced, self-distributed epic of oneiric uncanniness INLAND EMPIRE (2006) is now on MUBI UK & Ireland projectedfigures.com/2023/04/26/i...
INLAND EMPIRE (2006) - Projected Figures
David Lynch's INLAND EMPIRE a self-produced, self-distributed epic of oneiric uncanniness, mesmerising in its overlapping Tinseltown stories
projectedfigures.com
Reposted by ǝoɔsoᴚ ǝʇɐN
RIP Renato Casaro
Master poster artist & designer. 1/3
Of the multiple gifts ‘Ed Wood’—Burton’s best—bestowed upon us, Martin Landau’s messianic mirroring of Bela Lugosi was the biggest: a feat of thesping so rich, so marinated with poise, intellect, humour, and heartache, I doubt even Lugosi himself would’ve dared fault it.

Released on this day, 1994.
Yes, absolutely. A treasure trove.
For years I assumed I had dreamt this film, having stumbled across it on telly one night in the wee small hours. Was enraptured to rediscover it many years later. A real work of genius.