jessi
@jessisays.bsky.social
170 followers 270 following 98 posts
Poet, teacher, scholar in Tiohtià:ke/Montreal. Cut Side Down (2025) and A Number of Stunning Attacks (2021) available from the small, scrappy, Canadian press Invisible Publishing. https://linktr.ee/jessisays
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She stood apart from her own stardom, even as she desired recognition, and so successful was Keaton’s deflection of her “I” that we hardly noticed that her career lasted as long as those of her most successful male contemporaries—Pacino, De Niro, and so on—something very rare for a female star.
In a writing phase wherein, every two months, I sit down and write 30-100 lines that are ultimately very satisfying. I stand, exhausted, and I immediately want to return to the feeling but I know it will only return, with any result, in another 60+ days. I could force the matter, but it never works.
Deep thanks for the playlist at the back! I’m listening to it now while playing Super Mario Galaxy & I feel like I’m back in my childhood home on PEI playing Nintendo beside the kitchen radio.
From Eric Schmaltz’s I CONFESS.
I look for you like a mushroom peering
through soil & new earthly shades / I

find you at the riverside & I give you
a golden melon that I grew just last
spring / I

tuck your book into the bottom of my
bookcase & walk by softly each day

Reading @eschmaltzzz.bsky.social’s I CONFESS.
From “I Don’t Want to Get Adjusted to This World” in Ryan Fitzpatrick’s NO DEPRESSION IN HEAVEN
history flips
its bad mattress,
tips its server
poorly,
what’s left
for Heaven
to ban, it asks

Reading @ryanfitzpublic.bsky.social’s NO DEPRESSION IN HEAVEN.
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What an absolute treasure Diane Keaton was. Her wit never tired, nor did her style.
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David Simon, creator of ‘The Wire’, being interviewed by Ari Shapiro (NPR)
SHAPIRO: OK, so you've spent your career creating television without Al, and I could imagine today you thinking, boy, I wish I had had that tool to solve those thorny problems...
SIMON: What?
SHAPIRO: ...Or saying...
SIMON: You imagine that?
SHAPIRO: ...Boy, if that had existed, it would have screwed me over.
SIMON: I don't think Al can remotely challenge what writers do at a fundamentally creative level.
SHAPIRO: But if you're trying to transition from scene five to scene six, and you're stuck with that transition, you could imagine plugging that portion of the script into an Al and say, give me 10 ideas for how to transition this.
SIMON: I'd rather put a gun in my mouth.
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This is one of the most euphonious headlines I’ve ever read.
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“I prefer the absurdity of writing poems / to the absurdity of not writing poems”
- Wislawa Szymborska
Tempted by the desperate depths of “revenge procrastination” mid-day as I work from home in preparation for fall classes and various tasks, I am rewarding 25-minute periods of “productivity” (whatever that may be) with a Beyoncé dance break. “Love On Top” has brought my mood to its peak.
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Featured this week in The New Quarterly is Misha Solomon's "Yesterday Down at the Canal", from Issue 175! Click here to read the full poem: tnq.ca/story/yester...
Excerpt from Misha Solomon's poem "Yesterday Down at the Canal", published in Issue 175 of The New Quarterly.
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Every single sexual assault court case I see in the news makes me feel relieved I never reported mine.
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Aversion to private property, seduction by the actual spoils of wealth: this dialectic, so suggestive of the literary writer who knows better than to hope for real financial success but does anyway, surges throughout these novels. www.nplusonemag.com/issue-50/rev...
New TV Novels | Lisa Borst
It’s a literature of dimming stars, smoggy drives through flammable chaparral, frequent benders, prostitutes. Flash periods of productivity where somebody bangs out a script in a week. There’s at leas...
www.nplusonemag.com
Thank you @robmclennan.bsky.social for suggesting I submit!