Justin LaLiberty
@jlalibs.com
16K followers 880 following 3.1K posts
Film archivist, programmer, writer, collector etc Director of Operations at OCN Distribution, Curator of Cinématographe, Producer at Vinegar Syndrome Words at Screen Slate and Letterboxd, mostly https://letterboxd.com/jlalibs/
Posts Media Videos Starter Packs
Pinned
jlalibs.com
This was my pinned image on the other site for two years, following the death of Godard, and it still captures who I am and what I care about more than anything else so it’s here too. For posterity.
jlalibs.com
I’m not sure it’s fair to say that it never gets shown, I’ve seen it a handful of times in cinemas over the past few years but it is being bafflingly left out of the conversation today and it features one of Keaton’s very best, and most fearless, performances.

Proud that we helped bring it back.
scribblerrob.bsky.social
Nobody mentioning Looking For Mr Goodbar on these tributes. Never gets shown anywhere. It was a v brave and bleak film and it divided opinion but once seen never forgotten. And it was the first film to give disco nocturnal danger and edge.
jlalibs.com
What an absolute treasure Diane Keaton was. Her wit never tired, nor did her style.
jlalibs.com
Thanks NYFF and @filmlinc.bsky.social for a once in a lifetime event
jlalibs.com
Early in this conversation, Marty asked Jafar about the genesis of his interest in cinema, to which Jafar spoke about his search for God. He then said, “I didn’t find God in the skies, I found God in images” which is the most resonant, beautiful, description of cinephilia I’ve ever heard.
jlalibs.com
Maybe they are just taking their time sending contributor copies, I see that a lot with some labels.
jlalibs.com
This CURSE OF FRANKENSTEIN set from Hammer is ridiculous. Six discs, 900+ minutes of material and two books.
jlalibs.com
Huge thanks to @variety.com for including me on the 2025 Horror Impact Report. I’ll be pinching myself for a long time over being here with so many incredible people, including being directly under the King himself.

Full piece now online:

variety.com/lists/horror...
jlalibs.com
Hosting a special 35mm adults only screening of THROUGH THE LOOKING GLASS at @plazaatlanta.bsky.social on October 20th while I'm in town!

This is a wild, seasonably appropriate, and very fun adult film to see with a crowd. Come out if you can!
Through the Looking Glass 35mm
Introduction by Justin LaLiberty! Come early to shop the Vinegar Syndrome pop-up shop in the lobby. Catherine's life is one of luxury. But since the death of her beloved father, her stately family ho...
www.plazaatlanta.com
jlalibs.com
Ken Jacobs was the first experimental filmmaker whose work I understood. Not necessarily because the work itself was more accessible but because he presented it as something that was for everyone and could be made by anyone. He, in various ways, democratized the avant garde in a way nobody else had.
jlalibs.com
And I say this not as someone who wants to target Taylor, but as a fan who has watched these changes coming pretty rapidly. I bought the record, didn’t see the bullshit “movie” this weekend, but something about this album’s cycle feels especially off to me and this is just a part of it.
jlalibs.com
When will people realize that billionaires do not care about us, even if they want to appear to. Taylor is in a position to hire as many human artists as she pleases and is the rare creator that’s as in control of her art/product and its marketing as anyone ever has been, yet she chose AI.
Taylor Swift Fans Voice Disappointment Over Alleged AI Use In Videos To Promote New Album
Many fans have pointed out that using generative AI contradicts what Taylor has stood for as an artist in the past.
www.huffingtonpost.co.uk
jlalibs.com
Short stack of new discs from the past week or so (what is time, at this point)
jlalibs.com
fave 1st watches of Sept

Cold Journey (1975)
Megadoc (2025)
The Cat (1992)
Lurker (2025)
The Baltimorons (2025)
Blue Heron (2025)
The Mastermind (2025)
No Other Choice (2025)
Resurrection (2025)
Magellan (2025)
One Battle After Another (2025)
Peter Hujar's Day (2025)
jlalibs.com
“Through his attention to performance and his unconventional method of editing, Jaglom meticulously created a style that doesn’t seem meticulous at all — he actually achieved what Hollywood always strives for, a purely invisible technique.”
Henry Jaglom’s 22 Films Represent One of the Great Bodies of Work in American Independent Cinema
Henry Jaglom left behind 22 films of fierce independence when he died at the age of 87. 'Hollywood Dreams' represents the pinnacle of his style
www.indiewire.com
jlalibs.com
I’ve been numerous times