www.realtimetechpocalypse.com/p/my-intervi...
www.realtimetechpocalypse.com/p/my-intervi...
wonderfulsome.bandcamp.com/album/a-ligh...
wonderfulsome.bandcamp.com/album/a-ligh...
www.realtimetechpocalypse.com/p/noam-choms...
www.realtimetechpocalypse.com/p/noam-choms...
www.realtimetechpocalypse.com/p/noam-choms...
www.realtimetechpocalypse.com/p/noam-choms...
www.realtimetechpocalypse.com/p/the-scarie...
www.realtimetechpocalypse.com/p/the-scarie...
www.realtimetechpocalypse.com/p/the-scarie...
www.realtimetechpocalypse.com/p/the-scarie...
Artist Mimi Ọnụọha's work questions the contradictions of technological progress. Anika Collier Navaroli spoke to her for a special podcast series:
Artist Mimi Ọnụọha's work questions the contradictions of technological progress. Anika Collier Navaroli spoke to her for a special podcast series:
www.newstatesman.com/ideas/2025/1...
www.newstatesman.com/ideas/2025/1...
It’s like Nazis said:
“No, actually we don’t care about any creature with blood in it. We just want to pave the earth with data centres and upload our Aryan brains into the cloud.”
It’s like Nazis said:
“No, actually we don’t care about any creature with blood in it. We just want to pave the earth with data centres and upload our Aryan brains into the cloud.”
www.truthdig.com/articles/und...
www.truthdig.com/articles/und...