And then my artistic disagreement is always going to be along these lines... Work that took sustained enthusiasm to make is simply more enriching to encounter than work that didn't.

I don't think that scans semantically though, because people say it for existing work being included in the learning set, rather than for the resemblance in the eventual output.

I don't want to inadvertently train the high-pollutant hyperrealistic 'Coolsville Sucks' machine. Doesn't mean I want a tall fence around my public work and statements ever getting spoofed or templated.

I do like a bunch of these, but the poppy ones also don't feel like they have the short shelf life of a lot of club stuff since 🧐

What are your favourite mysteries to work on? Mine are all music research matters.

I like the idea of those being complementary thoughts, that can lead us to solving some mysteries ourselves. But alas, there's a social bias in the way of seeing that done with the paranormal at least.

Shit, I forgot 'cos his work's often so dull, he had all this going on. That album with the two of them is really good though.

en.wikipedia.org/wiki/C-Bo

I hadn't heard that about C-Bo, a few people in their network on Black Market Records did (X-Raided, Big Lurch).

I'm gonna suggest entirely horrorcore rap, since I worry no-one else will.

I wonder if people on that app are wise to anything they do originally could be a template for copies in different humour contexts, like a webcomic artist would be.

I think they should have waited ten years again (though I admit I liked the second one at the cinema).

I like that one