Oh god yes it's absolutely *better* advice than 'buy a random tool'

What i mean is that i was never poorer and more unhappy as an artist, than when rushing around engaging with everything I felt I had to engage with.

i mean 'watch and read everything you can' is... meh

solution is simple: score the winner so late you don't have time to fall asleep

a pundit just now said 'After the first goal, the Republic of Ireland woke up and played football for 10 minutes and then they sat back again', and idk this felt like something you'd have written on the subject

they walked so Dugga Doo could run

'it's not a first draft, it's an inevitable consequence og my high-powered jet-set lifestyle'

Running a DLS on 18 entire runs feels unnecessarily cruel.

'oh HONESTLY, Penfold...'

'Telly-Vizier'

i think GdT's gone into the Tim Burton cul-de-sac of 'yeah but do you actually CARE about this story, or dyou just think it's cool and what's expected of you?'

i think like with a lot of classics, you just run out of 'takes' if you remain faithful, and if you don't then you're just 'telling a different-ass story'. and so many versions want to do both, so don't commit enough to either.

i was thinking today about how many 're-imaginings' of classics are simply not, and tbf what you're describing is exactly that.

i mean, it does feel more innately compelling to me that VF seeks to create life *specifically to defy the finality of death*, not just to make something new? like, his tragedy is that he's choosing denial over acceptance/moving forward.

not that yours isn't an interesting idea though.

and the design agency is a co-op www.forge.coop