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brindusab1.bsky.social
@brindusab1.bsky.social
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brindusab1.bsky.social
brindusab1.bsky.social @brindusab1.bsky.social · Feb 4
🕊Peaceful Tuesday🕊

" ... what thrills me about trains is not their size or their equipment but the fact that they are moving, that they embody a connection between underneath places."
Marianne Wiggins

René Groebli b 1927 📷
Rail Magic Series
#PhotographyIsArt
🚂🚃🚃#TrainLovers🚃🚃🚂
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mlfranciolini.bsky.social
Good evening Stephen 👋
December 3, 2025 at 5:23 PM
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mlfranciolini.bsky.social
Alfonso Mucha's Exhibition in #Rome
December 3, 2025 at 5:44 PM
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blue-dreamer953.bsky.social
Alessandro Cinque, premio World Press Photo 2023📷

Alessandro Cinque (1988), un italiano radicado en Lima desde el 2019.

Good afternoon dear Brindusa, a peaceful evening 🏠❄️🍂🍁🥶
December 3, 2025 at 4:14 PM
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blue-dreamer953.bsky.social
Estocolmo,Christmas Time🇸🇪🌲📷
December 2, 2025 at 5:59 PM
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blue-dreamer953.bsky.social
Boa noite 💫⭐💫🌲🕊️
December 2, 2025 at 8:28 PM
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blue-dreamer953.bsky.social
Um bom dia para todos🌲❄️🏠🕊️🙏
December 3, 2025 at 8:31 AM
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blue-dreamer953.bsky.social
December 3, 2025 at 8:32 AM
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blue-dreamer953.bsky.social
Estocolmo,Abba Museum 🇸🇪🌲📷🎧🎤
December 3, 2025 at 1:19 PM
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blue-dreamer953.bsky.social
Estocolmo,Abba Museum 🇸🇪🌲📷🎧🎤
December 3, 2025 at 1:21 PM
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blue-dreamer953.bsky.social
Estocolmo,Abba Museum 🇸🇪🌲📷🎧🎤
December 3, 2025 at 1:25 PM
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blue-dreamer953.bsky.social
Paul Evans🖌️

#winter
#snow
#contemporary
December 3, 2025 at 1:55 PM
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blue-dreamer953.bsky.social
Paul Evans🖌️

#winter
#snow
#contemporary
December 3, 2025 at 1:56 PM
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blue-dreamer953.bsky.social
Paul Evans🖌️

#winter
#snow
#contemporary
December 3, 2025 at 1:56 PM
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blue-dreamer953.bsky.social
Paul Evans🖌️

#winter
#snow
#contemporary
December 3, 2025 at 1:57 PM
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blue-dreamer953.bsky.social
December 3, 2025 at 2:00 PM
brindusab1.bsky.social
🕊❄️🕊It's Wednesday🕊❄️🕊

"You shall judge a man by his foes as well as by his friends."
Joseph Conrad

Alessandro Cinque b 1988📷
Alpaqueros, Orooesa, Peru
#PhotographyIsArt
December 3, 2025 at 9:34 AM
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blue-dreamer953.bsky.social
The War (German: "Der Krieg"), sometimes known as the Dresden War Triptych, is a large oil and tempera painting by the German artist Otto Dix on four wooden panels, a triptych with predella🖌️The format of the work and its composition are based on religious triptychs of the Renaissance

Nice day dear🙏
December 2, 2025 at 1:52 PM
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blue-dreamer953.bsky.social
All around the world💔🛑
December 1, 2025 at 5:00 PM
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blue-dreamer953.bsky.social
Um bom dia para todos,a partir da Invicta. 🌲🍂🍁❄️
December 2, 2025 at 11:18 AM
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may the 4th be with you
May 4, 2025 at 11:22 AM
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onenerdsopinion.bsky.social
Happy Star Wars Day to all who celebrate! May the Fourth be with you.

(Also a reminder that my sister is amazing at Christmas gifts)
A canvas print of a reddish-brown dog depicted as a Jedi knight with a green lightsaber. A Halloween picture of a very short StormTrooper standing next to a kneeling, disheveled Jedi. Both are holding lightsabers. A Halloween’s picture of a disheveled Jedi knight with two children in basketball jerseys. The children’s faces are blocked with smiling emojis.
May 4, 2025 at 10:29 AM
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mdstamper.bsky.social
“Self Portrait” by Dod Procter (British) - Oil on canvas / c. 1920s - Penlee House Gallery & Museum (Penzance, England) #WomenInArt #DodProcter #Procter #PenleeHouse #WomanArtist #WomenArtists #art #artText #artwork #BlueskyArt #BritishArtist #Penlee #1920s #BritishArt #arte #SelfPortrait #WomensArt
This introspective self-portrait catches Dod Procter at a moment when she was shaping her public image as a modern professional artist. Born Doris “Dod” Shaw in London in 1890, she trained as a teenager at Stanhope and Elizabeth Forbes’s school in Newlyn, then studied in Paris at the progressive Atelier Colarossi, absorbing lessons from Cézanne and Renoir. In the 1920s, she became widely known for her paintings of young women, reducing detail and heightening form to create calm, monumental figures. Her painting “Morning” was famously bought for the national collection, briefly making her a household name. Here, she turns that same clear, unsentimental eye on herself. The painting shows a young Procter in three-quarter profile, turned to the right so we see the clear outline of her nose, lips, and chin against a deep, almost velvety black background. Her skin is pale with a gentle pink flush across her cheeks and nose, suggesting cool light falling from the left. She has dark brown hair cut in a neat, close bob with a straight fringe and softly rounded shape hugging her head. Her gaze is directed out of frame, thoughtful rather than posed, with her mouth closed and relaxed. Procter wears a light, grey-beige sweater with soft, brushed texture and sleeves that gather subtly at the wrists. Around her neck is a bright, patterned scarf, predominantly crimson with touches of grey, tied in a simple knot so the ends fall down her chest. The contrast between her glowing flesh tones, the muted jumper, and the vivid scarf is crisp, but peaceful. The bobbed hair, plain sweater, and bold scarf evoke the new independence of interwar women, yet her averted gaze hints at reserve and self-containment rather than showmanship. The work belongs to her mature Newlyn period and shows the poised, androgynous persona that helped her become one of the first women elected to full membership of the Royal Academy, while also anchoring Penlee House’s story of women artists in West Cornwall.
December 1, 2025 at 5:39 PM
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mdstamper.bsky.social
"Self Portrait in Red Sweater" by Tatyana Fazlalizadeh (American) - Oil on canvas / 2024 - My Lonely is Mine, Seven House Gallery (New York) #WomenInArt #TatyanaFazlalizadeh #Fazlalizadeh #WomanArtist #WomenArtists #art #artText #arte #HouseGallery #SelfPortrait #AmericanArtist #BlackArt #WomensArt
In this self-portrait, American artist Tatyana Fazlalizadeh paints herself wearing a rich red sweater that anchors the composition. Her brown skin is rendered with close attention to shifts of light and shadow, so small tonal changes across her face feel as important as any contour line. The knitted fabric reads as soft and weighty at once, a garment that suggests everyday comfort rather than performance. The space around her is understated, with no loud pattern to distract from her presence, allowing us to focus on the figure of a Black woman portrayed with care, dignity, and unhurried time. The painting’s surface holds visible brushmarks and edges where one layer meets another that hint at the slow process of building an honest likeness. Created in 2024 and shown in the one-day exhibition “My Lonely is Mine” at Seven House Gallery in Brooklyn, the work joins more than 20 years of Fazlalizadeh’s self-portraits. Known internationally for her public-art campaign "Stop Telling Women to Smile" and for murals and wheat-pasted portraits that confront racism and street harassment, she has long centered the experiences of Black folks, women, and queer communities in public space. Here, instead of addressing a city street, she turns inward, asking what it means to witness herself with the same seriousness she gives to others. Born in Oklahoma City to a Black American mother and Iranian father and trained at the University of the Arts in Philadelphia, she now lives in Brooklyn, where painting, murals, and installations together form a practice of storytelling as activism. Echoing the Toni Morrison line that gives the exhibition its title, “Lonely, ain’t it? Yes, but my lonely is mine,” claims solitude as something she owns. In this beautiful canvas, that ownership looks like the ability to sit with herself, wrapped in color, fully seen and self-defined.
December 1, 2025 at 9:52 PM
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mdstamper.bsky.social
“Self Portrait” by Julia Trevelyan Oman (British) - Acrylic on canvas paper / c. 1950 - University of Bristol Theatre Collection (England) #WomenInArt #JuliaTrevelyanOman #WomensArt #WomanArtist #WomenArtists #UBristolTheatreCollection #art #artText #BlueskyArt #UniversityofBristol #SelfPortrait
Made when Julia Trevelyan Oman was still a student, this self-portrait shows her before the fame of television, theatre, and ballet design, already insisting on herself as a serious working artist. Born in Kensington in 1930 to a historically minded family, she studied at Wimbledon School of Art and the Royal College of Art, later winning awards for her inventive BBC sets and Jonathan Miller’s TV program Alice in Wonderland. She depicts herself as a young woman with light, ruddy skin and thick auburn curls sitting facing the right, her head twisted back towards us with a steady, slightly wary gaze. A blue hairband pulls her hair away from her forehead, echoing the dark blue of her simple collared dress, which opens at the neck and catches soft flashes of light. Firm shadows carve her jaw, nose, and neck, modeling her features in green, rose, and amber tones that suggest both studio glare and tiredness. Her bare forearm thrusts out to the lower right, bent as if resting on the unseen arm of a chair or drawing board, giving her pose a muscular, working energy. Behind her a scalloped, mirror-like field of swirling greens and soft blacks halos her figure, the paint laid in rough, visible strokes that keep the surface alive and searching. Her costume here is deliberately plain as the blue dress and cropped, close-up composition feel almost documentary, as if she has paused between tasks at an easel or drawing board. The compressed space, scalloped outline, and restless background anticipate her later fascination with enclosing environments on stage, while the unsmiling, appraising stare speaks to a young woman testing how she will be seen in a profession largely run by men. Now preserved in the University of Bristol Theatre Collection as part of her archive, the painting doubles as an intimate likeness and an early manifesto from a designer whose detailed, naturalistic sets would shape the look of post-war British performance for decades.
December 2, 2025 at 6:53 AM
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klausherdepe.bsky.social
Guten Morgen!
Jean Francis Auburtin, * 2.12.1866 in Paris; † 22.5.1930 in Dieppe, war ein französischer Maler des Symbolismus 🎨 🇫🇷
Étretat. Boote am Fuße der "Nadel" 🖼️
Musée d’art moderne André Malraux, Le Havre 🏛️
#OTD #ArtHistory #Symbolism #LandscapePainting #BskyArt #Museum #History #watercolor
Étretat. Boote am Fuße des Felsens "Nadel", um die Spitze des Felsens schwirrt ein Schwarm Seevögel, chinesische Tinte auf Aquarell
December 2, 2025 at 7:04 AM