PATREON: https://www.patreon.com/c/devonbaxter
#penciltest #sakuga #genga #2danimation
Disney's artists went for a new, adventurous look -- one that Walt Disney himself opposed. We explore how they did it: animationobsessive.substack.com/p/designing-...
www.cartoonbrew.com/documentary-...
www.cartoonbrew.com/documentary-...
#invaderzim #gir #zimfanart #throwbackthursday #digitalart
#invaderzim #gir #zimfanart #throwbackthursday #digitalart
Both Huemer's animation and others are identified in this package of animator breakdown videos on Patreon here, for sale at $5: www.patreon.com/posts/animat...
Both Huemer's animation and others are identified in this package of animator breakdown videos on Patreon here, for sale at $5: www.patreon.com/posts/animat...
Cartoon: "Hot Cross Bunny" (1948, Robert McKimson)
We end now with a true masterpiece released 70 years ago: ONE FROGGY EVENING (’55). In it, a mysterious frog emerges from a box found inside the cornerstone of a demolished building—he sings and dances, but only in the presence of the workman who discovered him.
We end now with a true masterpiece released 70 years ago: ONE FROGGY EVENING (’55). In it, a mysterious frog emerges from a box found inside the cornerstone of a demolished building—he sings and dances, but only in the presence of the workman who discovered him.
One last Tune left to go!!
In MEXICAN BOARDERS (’62), directed by Friz Freleng and Hawley Pratt, Speedy’s cousin, Slowpoke Rodriguez, arrives to stay and keeps Speedy busy rescuing him from Sylvester’s grasp.
One last Tune left to go!!
In MEXICAN BOARDERS (’62), directed by Friz Freleng and Hawley Pratt, Speedy’s cousin, Slowpoke Rodriguez, arrives to stay and keeps Speedy busy rescuing him from Sylvester’s grasp.
LOUVRE COME BACK TO ME (’62), directed by Chuck Jones and Maurice Noble, was the last of Pepe le Pew’s cartoons—this time, he takes the chase into the Musée du Louvre, with a romantic rival in the mix.
LOUVRE COME BACK TO ME (’62), directed by Chuck Jones and Maurice Noble, was the last of Pepe le Pew’s cartoons—this time, he takes the chase into the Musée du Louvre, with a romantic rival in the mix.