author of the New York Times/IndieBound bestseller Dreyer's English and Stet! (the game!) • Random House copy chief/managing editor (ret.) • he/him/his
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William Faversham, Viola Allen, and Henry Miller in Henry Arthur Jones's The Masqueraders
William Faversham, Viola Allen, and Henry Miller in Henry Arthur Jones's The Masqueraders
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And no chapter breaks? Really?
And no chapter breaks? Really?
If someone says that they like something and your response is "Really? Because it's actually awful," what precisely do you think is going to happen next?
If someone says that they like something and your response is "Really? Because it's actually awful," what precisely do you think is going to happen next?
Name a book, play, or film already adapted into a stage musical that you'd like to see someone take another, entirely new shot at.
As is traditional, I'll go first, plus I've got two:
• A Tree Grows in Brooklyn
• I Remember Mama
I think I'd rather have that than anything else in the pre-cast-recording era, including Du Barry Was a Lady, Jubilee, and, dare I say it, Peggy-Ann.
I think I'd rather have that than anything else in the pre-cast-recording era, including Du Barry Was a Lady, Jubilee, and, dare I say it, Peggy-Ann.
Any junior officer would have been fired for this kind of reckless incompetence. He should resign or be fired. bit.ly/444D3mm
Have you made your reservations yet for this thrilling, chilling, shiversome evening?
Have you made your reservations yet for this thrilling, chilling, shiversome evening?
John Granger, birthday boy Horst Buchholz, and Kim Stanley in Chéri, by Anita Loos (after Colette) (1959)
(costumes by Miles White)
John Granger, birthday boy Horst Buchholz, and Kim Stanley in Chéri, by Anita Loos (after Colette) (1959)
(costumes by Miles White)
[film at 11]
[film at 11]
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