@tronotized.bsky.social
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Just trying this out.
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tronotized.bsky.social
I created a new version of my Kotor 2 mod that requires you to download the original mod so that I avoid any distribution violations from the original mod. Here is the ModDB link, hoping to get approved on Deadlystream so I can share the link from there as well: www.moddb.com/mods/kotor-2...
Kotor 2 Unofficial Patch New Additions 1.0 file
This is a new version of my patch for the mod 'Kotor 2 unofficial patch 1.2' that requires you to download and install that mod first before applying my patch. I am releasing this in order to not infr...
www.moddb.com
tronotized.bsky.social
I really love this poem!
nomdelamer.bsky.social
My poem "Psalm" has been published by ANMLY! You can read it here: anmly.org/ap41/sean-ea... #poetry #poetrycommunity #poetrysky
Sean Eaton – ANMLY
anmly.org
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beasmeeply.bsky.social
found a Guy while cleaning around the booster seat
A tiny torn piece of paper with a pen drawing of a little... gopher?
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tronotized.bsky.social
I really like this story!
srkraaijeveld.bsky.social
Thrilled to have my (very short) story "Birdsong" included in Issue #41 of ANMLY! You can read it here: anmly.org/ap41/steven-...
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systemwires.bsky.social
I love all of my children equally, but where STILL MY FATHER'S SON is concerned with blades, scalpels, knives, the paring away of identity to reveal what is left behind, TMHDOTTC concerns itself with explosive force: fusion weapons, fists colliding, bursting blood vessels, curses, vengeance.
the cover for Nora Hikari's STILL MY FATHER'S SON The cover for Nora Hikari's THE MOST HOLY DAY OF THE TRANSSEXUAL CALENDAR
tronotized.bsky.social
I really love these poems!
nataliesolmer.bsky.social
Thanks to ANMLY for publishing 4 new poems of mine, all "girl on the spectrum manifestos" i wrote for their 'autistic protest poetry' call after RFK's comments. There is so much cool stuff in this issue! 💜
anmly.org/ap41/natalie... @anmlymag.bsky.social
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jamesolearypoet.bsky.social
The newest issue of @anmlymag.bsky.social is here! There are many excellent poems in this issue. I want to shout out them all, but I'll start with McLeod Logue's "Descent" a ghost story in the shape of a chasm, a poem that floored me the first time I read it

McLeod Logue
Descent

Night glows gold like blood stains, like first lost
tooth. The crunch of a change: brutal. Begin again.
               I hear the slow essence of retraction. It glistens.
               This morning I make eggs in bare feet, wilt white
               onto windowsill. The slim reap of my body. I’m
               seeing faces that aren’t mine in the mirror, some
               other me who scabbed and started fresh.
                              I feel my blood pumping, every heartbeat
                              the same lonely terror. The eggs cool.
                              The whole house sighs. I can feel
                              my nested wandering, the ghost’s
                              shadow stretching, making moods
                              that affix. The wind chimes move,
                              catch shapes I couldn’t see. The noose
                              of a song slopes, creeks a stair
                              that wasn’t loose before. I feel
                              the hollow calling: the hole
                              in my stomach eating itself.

You want me
to describe my
white cotton
panties, tangled
mass of hair. My
bones. You want
to hear the ways
I opened myself,
let light into vein
and perfect pink.
Here:   

                                   The first time I ever opened the door, there was an endless dark.
                                   A sinking deepness that flattened. I mean, when it creaked on
                                   its hinge, the whole house numbed. How do you describe eternity?
                                   How do you live in a place that creases the fold? That swallows it.
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systemwires.bsky.social
COMING TO YOU THIS MISCHIEF NIGHT (OCT 30)

THE MOST HOLY DAY OF THE TRANSSEXUAL CALENDAR

<WE WILL NEVER EVER DIE>
<WE WILL NEVER EVER FORGIVE THEM>
Cover for Nora Hikari's second poetry collection, The Most Holy Day Of The Transsexual Calendar. It features a young trans woman tied up and blindfolded, standing ominously in front of a mausoleum, which is overgrown with plantlife.
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poetbex.bsky.social
Delighted to have a poem in Issue #41 of
@anmlymag.bsky.social!

You can read 'Snorkelling on the Great Barrier Reef the first time I used a tampon' here:
anmly.org/ap41/bex-hai...
anmlymag.bsky.social
ANMLY #41 is here! We’re thrilled to share new translations, fiction, a double issue of poetry, CNF, with a folio on autistic protest poetry!

>>> anmly.org/ap41 And we're open for new work until February 1
>>> anmly.submittable.com
Grayscale geometric design with glyphs that almost look like words. The "words" "kinship" and "adjoining" can be made out, but not many others.
tronotized.bsky.social
I really like these poems!
sandorfpassage.bsky.social
“Poetry . . . is a place of endless possibilities for exercising subversive power and challenging the dominant norms.” That’s translator Marina Veverec on Monika Herceg’s Closed Season. Read two poems from the collection @anmlymag.bsky.social and then buy the book! anmly.org/ap38/marina-...
Marina Veverec translates Monika Herceg – ANMLY
anmly.org
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fastfleshlit.bsky.social
“Did the world fall ill at once, or was only the ill world visible?”

Editor @daniellezacc.bsky.social has work in the new issue of @anmlymag.bsky.social!

anmly.org/ap41/daniell...
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addieisunwieldy.bsky.social
Please take a look at @anmlymag.bsky.social's newest issue! Very proud of being Fiction Co-Editor for Anomaly, so please take a look at the stories, and also read the rest of this incredible issue!

anmly.org/ap41/?fbclid...
ANMLY #41 – ANMLY
anmly.org
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c0nc0rdance.bsky.social
University administration:
"We need you to complete 26 hours of lab safety training 🧪 each year so that everyone is safe and responsible."

Also university administration:
Stolen from the Internet, a sign that says "If Elevator does not move do a small jump it should move after", and a dirty-white freight elevator wall and aged elevator controls with only floors 1 and 2."

I have no idea where this really is, I just stole it off Wikimedia.
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enaselimo.bsky.social
Thank you to the ever-brilliant Maša for trusting me to rewrite her work in another language and to the @anmlymag.bsky.social team for giving our work a home. 💙🧿 Issue 41 is out now! anmly.org/ap41/ena-sel...
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hyperallergic.com
“A land acknowledgment is not enough. The land exists regardless of settler acknowledgment, which can only ever be the first step toward meaningful action. Next steps involve building relationships with that land as if it were your kin. Because it is.” —Joseph M. Pierce
Your Land Acknowledgment Is Not Enough
Land acknowledgment without action is an empty gesture, exculpatory and self-serving.
hyperallergic.com
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cavar.bsky.social
thank you @anmlymag.bsky.social / @sarahclark.bsky.social for making space for autistic protest poetry & inviting me to introduce the issue. as i read through these works, i feel i can see the future of our craft.

anmly.org/autistic-pro...
The small something could be a creature, perhaps a technology. Maybe, in more abstract terms, a political orientation or set of social norms. Looking back, I now understand “A small something” as part of a larger body of autistic poetic work, which, in my view, are always and already “protesting” neuronormative creative and political frameworks. Thinking back to the misleading figure of the savant and this demand for autistic exceptionality, it seems to me that to impute autistic life into our creative practices, to document it as it exists and not as our neurotypical counterparts with it were, then we must turn to a form prepared to resist normative grammars and restrictive relationships to language, activity, and achievement. After all, these very restrictions—this sociocultural “common sense”—are what got us into this mess in the first place: demands for tact over honesty, ambiguity over courage.

Instead, I want live in a poetics which refuses common sense, a poetics of autism.
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cavar.bsky.social
find my pieces & audios here.

and check out everyone's incredible work!

anmly.org/ap41/sarah-c...
I am learning how to be weakness leaving the body.
I am licking citric atlas          critic acid   off my fingers.

Every day is keep doing my tasks keep reminding and head down.
Nobody minds the back kept slant until straight again.

My name are looking for rooms among all the names the
all the other names.

My Sarah looking for its girl among its mother.
A name is looking for more cells to burn. I am learning to learn appropriating the hurts of others
Is the wrong kind of sorrow.

Doesn’t suit this age of me.
Doesn’t suit this plane of me, too flat, too full,
Too echoes.

I have viewed suffering as a sign of power. Why
Am I suffering at the edge of submission?

I just encountered a sharp ugly comfort
But it was not the product of my mind.

It is hard to want to die when everything is wanting to die
and hard to live.
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