Jim Ross 🎞️🏴󠁧󠁢󠁳󠁣󠁴󠁿
@jimgr.bsky.social
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Scottish, part-time film critic • Editor-in-Chief @TAKEONECinema.net • ✍️ Vague Visages, Film Inquiry, Cultured Vultures, Little White Lies & ++ •🎙️📻 Co-producer Cinetopia on EH-FM •
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The stats for lists on Letterboxd delivered me a little image that feels like an ideological statement on my part.
An image of two pie charts, one showing every film on the list has had a short review written of it, the other showing no star ratings were applied to any of them.
It’s not a horror movie but I saw Terminator 2 waaay too young. Scared the shit out of me.
What horror movie did you see WAY too young?

Mine was Poltergeist.
If you’re a parent of a small child the time of year in question is any day ending in ‘y’.
love that we've reached that relaxing point of the year when it's impossible to guess whether you're, say, just feeling a bit tired and run down, or if you're going to wake up tomorrow morning with your throat and sinuses on fire, ready to spend three days in bed feeling like hell
I’ve never seen a movie at a drive-in. I *have* watched Jaws sitting in a boat in a swimming pool though.
Name a FIlm you saw at a Drive In Theater.
Reposted by Jim Ross 🎞️🏴󠁧󠁢󠁳󠁣󠁴󠁿
I can now give my unfiltered opinion that Alien: Earth had things it did well, but it had many more things it did extremely poorly, that I don't understand why this was the vehicle for this story, didn't think it handled its themes well or originally, and the season finale was absolutely dreadful.
Instead of shouting “It’s legal tender!” for currency, I’ll be shouting “It’s valid vocabulary!” for ‘outwith’ and ‘squint’
Reposted by Jim Ross 🎞️🏴󠁧󠁢󠁳󠁣󠁴󠁿
"With seething social commentary at its centre, BAD APPLES feels contemporary and culturally accurate to the landscape of public education in the UK [and] director Jonatan Etzler wields the school setting with skill." - @reaffirmsfaith.bsky.social reviews at #LFF: buff.ly/1YQk7Cp
Bad Apples | TAKE ONE | BFI London 2025
With seething social commentary at its centre, BAD APPLES feels contemporary and culturally accurate to the landscape of public education in the UK. Normality becomes quickly warped by extenuating…
takeonecinema.net
Or you find a way to regulate campaign spending. People can donate what they want, but there is then a limit to what can be spent by a party or candidate. The USA may be too far gone to enact this meaningfully, but that’s probably the answer - regulate spending, not donations.
Finally unfollowed someone for reposting Jeff Wells into my timeline. Please stop. The world was better when I knew nothing of that odious little toad.
I stopped putting anything beyond the minimum into SEO years ago. First of all, it’s a moving target with unreasonable overheads for small operations (the AI nonsense is just the latest iteration), and, secondly, to ‘optimise’ you write in a way that is totally unnatural to either write or read.
#LFF - Anemone: A film so desperate for a crescendo it decides to have 5 or 6, each of them most frustratingly opaque than the previous one. Daniel Day Lewis gives his best - and it’s good - on screen, but this story (such that there is one) gets tiresome before his best moments.
boxd.it/bmWFIl
A review of Anemone (2025)
A film so desperate for a crescendo it decides to have about 5 or 6, each of them most frustratingly opaque than the previous one. Daniel Day-Lewis gives his best - and it’s good - on screen, but this...
boxd.it
#LFF - Frankenstein: Del Toro’s Frankenstein flew by for a 2.5hr film but glorious looks rather gloss over a story with big gaps. It’s lacking a lot of the subtext (and text, to be honest) that made Shelley’s story timeless & ripe for reinvention so many times. Handsome but odd film.
boxd.it/bmWECB
A review of Frankenstein (2025)
Del Toro’s Frankenstein flew by for a 2.5hr film but the glorious looks rather gloss over a story with big gaps. It’s lacking a lot of the subtext (and text, to be honest) that made Shelley’s story ti...
boxd.it
At LFF and first viewing for today is Frankenstein. Yes, I know it’s out in days anyway and Netflix not soon after, but given I was scraping toddler vomit off bedsheets barely 48 hours ago, I’m very pleased. Leave me be.
It just occurred to me I’ve not watched any Star Wars ‘content’ newer than 2021*, as I abandoned the Boba Fett show one or two episodes in and haven’t watched anything beyond clips of stuff since then. (*Yes, I know I should watch Andor.)
My daughter is no longer throwing up and I’m off to see a couple of films at LFF, so I’m good! I think Osman might be examining that from his own viewpoint a little too much tbh.
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Jared Leto, more than any other actor, makes me think of what Robert Pattinson said about method actors in a 2019 Variety interview:
Pictured: Screenshot of excerpted text from a larger Variety interview (Nov 13, 2019):

Text displayed:

Though Pattinson respects the practice of method acting – a technique in which a performer strives for complete emotional identification with a role, both on and off screen – it’s not a style which he practices himself. “I always say about people who do method acting, you only ever see people do the method when they’re playing an a–holes,” Pattinson admitted. “You never see someone being lovely to everyone while they’re really deep in character.”

End excerpt
Ballad of a Small Player didn’t click for me, despite some engaging showiness. Review below for @takeonecinema.net from #LFF! 👇
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If it’s not I’m astounded, it’s just that the clarification about recording *not* being permitted makes it look like it’s not an unfortunate omission of the word ‘not’ earlier
Well it is “a working environment”! Crack on!
Just about spat my coffee out when I read this in my email. Use a piece of paper for fuck’s sake! I’m actually a bit dumbstruck by this.