if i remembered what my setup was like at the time I could probably advise you more but I sadly don't.

ohh that boss was tough i had to try a few attempts and get lucky with it

what dungeon?

i think they should have allowed you to buy persona 5 royal or smtv vengeance as expansions or upgrade paths if you already owned the original games because this isnt the ps2 anymore. but i was never frustrated by them existing, i played vanilla persona 5 like 4 times, i got my moneys worth y'know

simpler prose mode

I have tried to make mazesoba at home a couple times but it's just not the same obviously.

I really liked experiencing the smell and texture of mazesoba again even if the taste wasn't all the way there. They were also playing Fake World Wonderland by Kinokoteikoku, so +2 for the other kind of taste.

i forgot to do /dance2 for them, which is how i interact with most other players in the game, but if metroidsnacks@bahamut sees this somehow here's a /dance2 for you

in the case of this comparison would enjoy a "symphonic gunplay rpg" with a suicidal mass shooter protagonist.

i just object to a notion that ive seen around that ppl would like clair obscur less if they played "more interesting" (j)rpgs (like resonance of fate) because i dont think the super enthusiastic audience for clair obscur - ppl who want a conventional turn based game and netflix drama aesthetics -

those two are more like one last push running on fumes more than "being back".

Is Konami back in any way other than Silent Hill f.

so fascinated by the specific calendar dates given for the start and end of the edo period. genuinely can't figure out what events they are using for that.

you can read it now, if you want to! i dont really discuss the moving parts of the larger scenario of the game, its mostly a close reading of the middle school locker room puzzle (i do spoil a bit of umineko episode 4-5 but youve read umineko)

it was only 10 minutes so i could handle it, thankfully

i had an online interview today and i was doing everything in my power not to laugh thinking about that song

thank you!

thank you so much @strida.bsky.social , @reidmccarter.bsky.social, @youmeyou.bsky.social, @edwardsmithwriter.bsky.social for the chance to write this! I'm really grateful to contribute to this issue of Bullet Points, which as a site I have long admired and considered sort of a distant aspiration!