Toby Miller
@tobytram.bsky.social
Freelance video editor. Nebraskan/East Anglian, so possibly inclined towards flat lands. Once hosted a radio show about cinema, but now mainly take photos using prisms or pinholes. Being kept for my decorative seed head.
A stones throw from Cambridge.
A stones throw from Cambridge.
Filming it flying away, then losing my balance on the riverbank.
November 18, 2025 at 8:18 PM
Filming it flying away, then losing my balance on the riverbank.
Sam Lowry's beautifully damp commuter toast popped into my head.
November 18, 2025 at 4:49 PM
Sam Lowry's beautifully damp commuter toast popped into my head.
Sunday night film - Midnight (1939). A delight to find a new screwball, and while the wheels almost come off by the end, it’s ridiculously funny and stupidly sexy.
Claudette Colbert has one of one finest entrances in film - a sleeping beauty glowing in a dingy railway carriage.
Claudette Colbert has one of one finest entrances in film - a sleeping beauty glowing in a dingy railway carriage.
November 17, 2025 at 12:19 AM
Sunday night film - Midnight (1939). A delight to find a new screwball, and while the wheels almost come off by the end, it’s ridiculously funny and stupidly sexy.
Claudette Colbert has one of one finest entrances in film - a sleeping beauty glowing in a dingy railway carriage.
Claudette Colbert has one of one finest entrances in film - a sleeping beauty glowing in a dingy railway carriage.
“ round up the usual marmalade suspects”
November 16, 2025 at 8:11 AM
“ round up the usual marmalade suspects”
Tonight’s film, The Soul of a Monster 1944) felt like a Universal Horror made by a corporate film company. Not much worked, but it didn’t work in interesting ways.
Then there’s this remarkable shot, which is spooky and stage bound and matter of fact in a manner that reminds me of Carnival of Souls.
Then there’s this remarkable shot, which is spooky and stage bound and matter of fact in a manner that reminds me of Carnival of Souls.
November 13, 2025 at 11:09 PM
Tonight’s film, The Soul of a Monster 1944) felt like a Universal Horror made by a corporate film company. Not much worked, but it didn’t work in interesting ways.
Then there’s this remarkable shot, which is spooky and stage bound and matter of fact in a manner that reminds me of Carnival of Souls.
Then there’s this remarkable shot, which is spooky and stage bound and matter of fact in a manner that reminds me of Carnival of Souls.
A tiny clip of how they animated the Ribbon Mice.
Ridiculously undervalued work. We should have parades for animators. Very very very slow parades, where we, the spectators, are tasked with moving - by increments - those being celebrated.
Ridiculously undervalued work. We should have parades for animators. Very very very slow parades, where we, the spectators, are tasked with moving - by increments - those being celebrated.
November 13, 2025 at 9:25 AM
A tiny clip of how they animated the Ribbon Mice.
Ridiculously undervalued work. We should have parades for animators. Very very very slow parades, where we, the spectators, are tasked with moving - by increments - those being celebrated.
Ridiculously undervalued work. We should have parades for animators. Very very very slow parades, where we, the spectators, are tasked with moving - by increments - those being celebrated.