Tim Flanagan
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timflanagan.bsky.social
Tim Flanagan
@timflanagan.bsky.social
Lecturer in Humanities (διεντέρευμα)
Murdoch University

📖 "Baroque Naturalism in Benjamin and Deleuze: The Art of Least Distances"
https://link.springer.com/book/10.1007/978-3-030-66398-8

https://philpeople.org/profiles/tim-flanagan
Reposted by Tim Flanagan
"The meaning of a proposition is its method of verification."
November 29, 2025 at 11:29 AM
As kids, we only ever got our desert if we'd finished all our responsibility 🙃
Responsibility and Desert
When we ask what justifies blaming or punishing someone, a common answer is ‘they deserve it’. How should we understand this idea, and is it...
ndpr.nd.edu
November 29, 2025 at 2:58 AM
Reposted by Tim Flanagan
Volume I of the Journal for New Narratives in the History of Philosophy now published!

journal.lib.uoguelph.ca/index.php/nn...

#philsky
Journal for New Narratives in the History of Philosophy
journal.lib.uoguelph.ca
November 27, 2025 at 1:11 AM
Reposted by Tim Flanagan
"My task as a translator is to preserve the poem’s heartbeat and transport it alive across a thousand-year distance." -Shangyang Fang talks with C. Francis Fisher about translating for "Study of Sorrow" : https://lareviewofbooks.org/article/phases-of-the-quotidien-a-conversation-with-shangyang-fang/
November 24, 2025 at 1:50 PM
Reposted by Tim Flanagan
Embarkation of Queen of Sheba, 1648, by Claude Lorrain, French Baroque artist known for ideal landscapes inspired by Roman campagna, and seaports suffused with golden light, which influenced work of Constable & Turner; died #OTD 1682.
National Gallery London
November 23, 2025 at 6:03 AM
Great day for it 🏏
November 22, 2025 at 8:42 AM
Reposted by Tim Flanagan
Souleymane Bachir Diagne, le philosophe qui a l’art de faire dialoguer les cultures
Souleymane Bachir Diagne, le philosophe qui a l’art de faire dialoguer les cultures
Dans son dernier ouvrage, le philosophe sénégalais, partisan d’un « universel » respectueux des civilisations non occidentales, réfléchit au traitement que le Louvre doit réserver aux œuvres d’art volées durant la colonisation.
www.nouvelobs.com
November 16, 2025 at 11:34 AM
Reposted by Tim Flanagan
CONFERENCE TIME is almost upon us!! Things kick off tomorrow (Nov 21) with our dedicated online day 🤖💻🖱️💾

For more info: ascp.org.au/conference
ASCP Conference 2025
UniMelb 24-26 November
ascp.org.au
November 20, 2025 at 1:38 AM
"Benameur is not interested in reclaiming the purity or origin of a homeland or language...
The grammar she seeks for this modern world is prescriptive but relational — built of fragments, multilingual echoes, and translations".
Beachcombing on The Shores of Belonging: A Review of a grammar of the world by Jeanne Benameur - Asymptote Blog
Benameur . . . writes hoping for a third space where languages might meet and reconfigure one another.
www.asymptotejournal.com
November 20, 2025 at 5:22 AM
Reposted by Tim Flanagan
Publié en 1955, "Tristes Tropiques" est un regard lucide sur la modernité.
Celui d’un ethnologue qui, derrière la découverte de l’autre, voyait déjà la fin d’un monde.
➡️ https://l.franceculture.fr/O7V
November 19, 2025 at 6:00 PM
Hmm, no mention of a 90,000-square-foot ballroom 🤔
#🎻
Golden excess: art and the aesthetics of the incredible in Neronian Rome – Bryn Mawr Classical Review
bmcr.brynmawr.edu
November 17, 2025 at 1:27 PM
"If we need, as Hegel suggested, to grasp our own time in thought, that includes grasping where we might think it went astray. This is why I still think it is worth tracing the malign velocities of accelerationism and its mutations." 🦉
The Corpse of Accelerationism - Notes - e-flux
Benjamin Noys reflects on accelerationism ten years after the peak of its cultural influence.
www.e-flux.com
November 16, 2025 at 2:17 PM
Reposted by Tim Flanagan
My review of Katherine Brading and Marius Stan, Philosophical Mechanics in the Age of Reason, Oxford University Press, 2024,

ndpr.nd.edu/reviews/phil...
Philosophical Mechanics in the Age of Reason
During the last quarter century, there has been an explosion of scholarship by philosophers of physics and, especially, historians of philosophy on Isaa...
ndpr.nd.edu
November 12, 2025 at 3:26 AM
On the importance of Deleuze's 'genetic formalism' for philosophical aesthetics 🎨
ndpr.nd.edu
November 9, 2025 at 11:41 PM
Reposted by Tim Flanagan
According to Sanskrit philosophers, children don't become proficient language users through individual words, but through sentences. Śālikanātha says that they have to extract the meaning of individual words through their presence or absence in the sentences they hear.
#SanskritPhilosophy
November 8, 2025 at 12:57 AM
Reposted by Tim Flanagan
I had a wonderful conversation with Scott Stephens and Walled Aly on Radio Nationa's "The Minefield." Episode -

on Beauty in the age of speed, frictionlessness and AI slop

- now online:

www.abc.net.au/listen/progr...
Is the experience of beauty slipping away in an age of frictionlessness, speed and AI slop? - ABC listen
The availability of increasingly powerful generative AI tools has radically altered the creative process. Anything that we can imagine can be turned into an image, a video, a text, a song — the proces...
www.abc.net.au
November 6, 2025 at 1:12 AM
"Look, maybe it’s just me, but does anyone else find it a little sad to see the glamor of the night before contorted into commerce and alienation by these mimetic simulacra?"
I’m the Owner of This All Day Café in Nineteenth-Century Paris: Can We Stop It with the Fucking Easels?
I opened this café with the best of intentions: to provide a salon par excellence with a focus on good food and live entertainment, a third place t...
www.mcsweeneys.net
November 4, 2025 at 1:36 PM
Reposted by Tim Flanagan
Il y a 30 ans disparaissait un philosophe dont les cours ont marqué des générations d’étudiants.

🎙️ Voici 16 leçons inédites de Gilles Deleuze, extraites de plus de 400 heures de cours enregistrées par ses élèves et auditeurs entre 1979 et 1987
➡️ https://l.franceculture.fr/6yG
November 4, 2025 at 4:00 AM
This Friday! 🤔🤖
November 3, 2025 at 3:52 AM