So she chose the music. Florence & the bloody Machine! 😱
So she chose the music. Florence & the bloody Machine! 😱
Théo van Rysselberghe’s portrait of the musician Maria Sèthe. Very Quality Street!
Also, what’s Vikingur up to on the grass? Roly-polys?
Théo van Rysselberghe’s portrait of the musician Maria Sèthe. Very Quality Street!
Also, what’s Vikingur up to on the grass? Roly-polys?
A stunner. The things it’s doing with time and longing and absence are extraordinary.
Had to read that final heartbreaking line - and the Berryman epigraph - quite closely to get the hint of what’s happening or rather has happened.
A stunner. The things it’s doing with time and longing and absence are extraordinary.
Had to read that final heartbreaking line - and the Berryman epigraph - quite closely to get the hint of what’s happening or rather has happened.
The boy did alright too! 😅
The boy did alright too! 😅
It's that sinking feeling of being alone
And it's the way it makes you screech
And pulls the skin off your bones
And I can't help but think, as I pick my mouth off the floor,
Will you still know me in a year?
It's that sinking feeling of being alone
And it's the way it makes you screech
And pulls the skin off your bones
And I can't help but think, as I pick my mouth off the floor,
Will you still know me in a year?
Celia Paul, Gwen John, Victor Man and Leon Kossoff.
Celia Paul, Gwen John, Victor Man and Leon Kossoff.
A strangely hopeful painting ...
A strangely hopeful painting ...
Disregarding ‘Do You Really Want To Hurt Me’, which is peerless, favourite CC moment?
Church of the Poisoned Mind and that glorious harmonica.
Disregarding ‘Do You Really Want To Hurt Me’, which is peerless, favourite CC moment?
Church of the Poisoned Mind and that glorious harmonica.