Some Melodious Plot
@somemelodiousplot.bsky.social
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‘I read, much of the night, and go south in the winter.’ https://somemelodiousplot.blogspot.com/
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somemelodiousplot.bsky.social
Mark Twain called the Venus of Urbino ‘the foulest, the vilest, the obscenest picture the world possesses … it was painted for a bagnio and it was probably refused because it was a trifle too strong … in truth, it is a trifle too strong for any place but a public art gallery.’
somemelodiousplot.bsky.social
Today's favourite piece of Tuscany art (I'm back in Tottenham, but that doesn't mean I can't keep posting).

It's not a competition, but I can't stop flip-flopping over whether or not I prefer Titian's Venus or Velasquez's Venus (in London)?

Urbino v Rokeby?

Bluesky prude label inbound.
somemelodiousplot.bsky.social
I think I need to be clear that I didn't go and have a rummage either. Far too early in the morning! :-)
somemelodiousplot.bsky.social
In light of Anita Lasker-Wallfisch's anecdotes about being forced to play her cello for Joseph Mengele in the death camps, I'm listening to Schumann's Träumerei over and over again, and willing the piece to take as much time as it needs.
somemelodiousplot.bsky.social
Drop off party for the boy, so the last Soho Square tin of the year? And Northern Monk? I might have been called that before! 😅
somemelodiousplot.bsky.social
And not just because it’s very funny … but in reaching for the euphemism, she’s only doing what Forster does.
somemelodiousplot.bsky.social
I love this Katherine Mansfield quote on E.M. Forster:

‘[He] never gets any farther than warming the teapot. He's a rare fine hand at that. Feel this teapot. Is it not beautifully warm? Yes, but there ain't going to be no tea.’

He certainly brings out the tea in ‘Maurice’ though.
somemelodiousplot.bsky.social
I like that. Getting the street kids into the Cardinal’s court. :-) Currently reading the arguments about whether the model is Mario Minniti or Caravaggio himself. I’m not buying the latter though.
somemelodiousplot.bsky.social
That red is glorious. Maybe that’s why I didn’t touch a drop of white on my trip. :-) Look at the distortion on the glass as well … I’m more and more convinced it’s a deliberate nod to drunkenness.
somemelodiousplot.bsky.social
Weird shallow glasses aside, I love the dirt caught in the ends of Bacchus’s fingernails. Wine coming from the ground and all that.
somemelodiousplot.bsky.social
It’s wonky … but maybe the wine has gone to Caravaggio’s head. 😅There’s arguments that it’s a self portrait and he’s painting himself in a mirror. Holding a glass of wine and painting would be trickier than painting the Sistine Chapel on your back.
somemelodiousplot.bsky.social
Today’s favourite piece of Tuscany art.

I’m drunk and it’s my last Tuscan night, so aptly it’s Caravaggio and ‘Bacchus’. A nipple and a half eaten pomegranate.
somemelodiousplot.bsky.social
I couldn’t even get my finger push selfie right … even before I’d had a drink, let alone do a tap dance.
somemelodiousplot.bsky.social
I ain’t finding it tonight. Two cocktails and a beer and I’m done.
somemelodiousplot.bsky.social
Currently in my cups trying to comprehend how Michael Riverdance Flately could tap his feet 35 times in a second. I’m trying it with my fingers and am somewhere between 7 and 8.
somemelodiousplot.bsky.social
Sundowners in Pisa. Chin Chin, shipmates!
somemelodiousplot.bsky.social
Have you read some of her books. Just Kids is magnificent. One of my student fundraisers was reading it back in spring and I thought we were about to have a great discussion about her music. “She’s a singer as well?” I sent her on her break early to listen to Horses. 😅
somemelodiousplot.bsky.social
Haha! In retrospect I knew it was a trap. But I still leapt …
somemelodiousplot.bsky.social
Those bastards at the New York Times …

Connections
Puzzle #851
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somemelodiousplot.bsky.social
I’ve just reread that poem and Jenny Joseph actually prescribes spitting when we get old! 😅