Making a character that bright would seems like compositing overkill. But it becoming the next dialogue line is funny.

Just because i know some ppl believe metaphore in anime are impossible. This is litteraly the sky during the climax... This scene happen during bright day light!

I just love how this shadow and light are very close one of the other. Like facing themselves without ever touching.
Also the shadow on the boat is a bit moved backward.

While it's quite common to have a rim light to match light saturation It's always a nice touch
Some of the bokeh bubbles comes above the subject, helping to blend it to the background I wonder if they automated the particle spawn to be on the side of character or if they generated spawn box by hand

But where it's getting original is in the sub urbs where lights ray become very geometrical but also kinda brush stroke like. Reminding me of kill la kill brush stroke like flairs.

Nothing uncommon here but it got theses blue gradients on the top corner of shots showing how bright the day light is.

N°7 Masayoshi Tanaka.
Worked on very popular shows and i think is responssible for the appeal of them. (Notably on Shinkai’s movies) King of short bob hair cuts with dynamicly shaped eyes. And that signature pupil thick outline. #sakuga #characterdesign

So cute 🤗

Tu peux émuler ”dance evolution” en la branchant a ton pc, car ils ont utilisés une kinect spécifique pour la borne d’arcade.

Ah merde j’ai pas tilté mdr, comment tu m’as retrouvé? 😲

Princess tutu! 🩰🦆✨️

Day 2: Searching about Tetsuya Nishio.
Very famous, and his name has been used as a marketing argument recently. Funnly enough they insist on his Naruto work. While he literally worked on Jin-roh and on some ghibli movies.
His style feels very smooth but quite realistic. #jinroh