I really liked:
The Little Room
Charon
Mystery of the Blue Jar
Ten Excerpts...
Midnight Meat Train
Eleanor Atkins...
Two in One
I really liked:
The Little Room
Charon
Mystery of the Blue Jar
Ten Excerpts...
Midnight Meat Train
Eleanor Atkins...
Two in One
A song's power isn't only in its melodies & lyrics, but also in its singing by one's beloved. Their voice & intonation, the missed lines, all convey what was dearest in life and will be dearest in death.
The singer, it seems, endures longer than the song itself.
A song's power isn't only in its melodies & lyrics, but also in its singing by one's beloved. Their voice & intonation, the missed lines, all convey what was dearest in life and will be dearest in death.
The singer, it seems, endures longer than the song itself.
In the story the emotional traumas of lost loves & loved ones are painful, but might be lessened through a mysterious process that heals via plants growing & seemingly reducing the trauma in the humans. A bit of blood is involved. Results will vary.
1/3
In the story the emotional traumas of lost loves & loved ones are painful, but might be lessened through a mysterious process that heals via plants growing & seemingly reducing the trauma in the humans. A bit of blood is involved. Results will vary.
1/3
Artistic perspective & painting go brush in hand.
Perspectives abound in this graphic story. Who sees what from which vantage point?
Sal paints what he sees as a monster; on-lookers see a self-portrait.
The monster escapes from the painting somehow. And...
1/3
Artistic perspective & painting go brush in hand.
Perspectives abound in this graphic story. Who sees what from which vantage point?
Sal paints what he sees as a monster; on-lookers see a self-portrait.
The monster escapes from the painting somehow. And...
1/3
Several excerpts seek to explain Ratnabari culture by clothing it (just as w/ the children brought to England) in concepts & manners home-grown in the West, but which fail to understand what the Ratnabari themselves understand about the world.
1/4
Several excerpts seek to explain Ratnabari culture by clothing it (just as w/ the children brought to England) in concepts & manners home-grown in the West, but which fail to understand what the Ratnabari themselves understand about the world.
1/4
Appearances & the perceptions of good motives occupied me re: this macabre story. (Is it a movie yet?)
Kindly actions can reassure us that others are good & trustworthy, while unruly behaviors can lead us to expect the worse from that "untrustworthy" person.
1/2
Appearances & the perceptions of good motives occupied me re: this macabre story. (Is it a movie yet?)
Kindly actions can reassure us that others are good & trustworthy, while unruly behaviors can lead us to expect the worse from that "untrustworthy" person.
1/2
Monuments raise some to heroic status via simplifying, distorting history.
But history's punishment cannot be denied, as Espada implies, even if humans do not fully comprehend the why or how.
Oñate's spirit remains in the laudatory statues.
1/2
Monuments raise some to heroic status via simplifying, distorting history.
But history's punishment cannot be denied, as Espada implies, even if humans do not fully comprehend the why or how.
Oñate's spirit remains in the laudatory statues.
1/2
Initially, I read Eleanor's interactions w/ the ghosts as psychological ways to cope (memories, yearnings) w/ her dull life.
Maybe not.
At the story's end, the omniscient narrator writes: after she dies, squatters enjoy a happy life in her boarded-up house.
1/2
Initially, I read Eleanor's interactions w/ the ghosts as psychological ways to cope (memories, yearnings) w/ her dull life.
Maybe not.
At the story's end, the omniscient narrator writes: after she dies, squatters enjoy a happy life in her boarded-up house.
1/2
Javier's repeated - & failed - attempts to resurrect his dead wife Una seem IMO to be attempts to remold his memories of her via confectionery methods.
Given the last scene, I wonder if the reactions of his in-laws & the ghost of Una will persuade him to stop?
Javier's repeated - & failed - attempts to resurrect his dead wife Una seem IMO to be attempts to remold his memories of her via confectionery methods.
Given the last scene, I wonder if the reactions of his in-laws & the ghost of Una will persuade him to stop?
What happens if the photographic evidence of what we thought we'd filmed doesn't corroborate our perceptions?
Add the need for money & we have, or Frank has, a vexing problem.
But then add an unknown entity manipulating memories & the problem becomes all-consuming.
What happens if the photographic evidence of what we thought we'd filmed doesn't corroborate our perceptions?
Add the need for money & we have, or Frank has, a vexing problem.
But then add an unknown entity manipulating memories & the problem becomes all-consuming.
If someone were to make incarnate the merciless monstrosity that is a city,
whose streets are the skin on which two-legged parasites unknowingly scuttle about,
whose subways are arteries surging blood (& fleshly bits...
1/2
If someone were to make incarnate the merciless monstrosity that is a city,
whose streets are the skin on which two-legged parasites unknowingly scuttle about,
whose subways are arteries surging blood (& fleshly bits...
1/2
If Murphy is not convicted of a murder he did commit (Kelly), but is convicted of a murder he did not commit (himself), then what type of justice is this?
Legal justice?
Cosmic justice?
We may flee the law, but we can't outrun the irony at the core of poetic justice.
If Murphy is not convicted of a murder he did commit (Kelly), but is convicted of a murder he did not commit (himself), then what type of justice is this?
Legal justice?
Cosmic justice?
We may flee the law, but we can't outrun the irony at the core of poetic justice.
On a canal trip Clifford & John encounter no raging waters or hungry rocks. But they do befriend an unknown woman. Unusual events occur next: houses are present at dusk, only to be absent in the morn. They receive cryptic messages from people along the canal.
1/2
On a canal trip Clifford & John encounter no raging waters or hungry rocks. But they do befriend an unknown woman. Unusual events occur next: houses are present at dusk, only to be absent in the morn. They receive cryptic messages from people along the canal.
1/2
The story foregrounds betrayal most foul. A deep, abiding friendship is felt more keenly by one but not the other. With this imbalance, death comes unexpectedly & horrifically.
I'm not referring to Fenwick's faux friendship w/ Foster. That's a different betrayal.
1/2
The story foregrounds betrayal most foul. A deep, abiding friendship is felt more keenly by one but not the other. With this imbalance, death comes unexpectedly & horrifically.
I'm not referring to Fenwick's faux friendship w/ Foster. That's a different betrayal.
1/2
Three valuable lessons
1. Don't fall prey to the mysterious charms of those encountered on nightly walks (including those w/ glowing eyes).
2. Don't make unbreakable oaths; maybe: "OK, but no guarantees."
3. Find friends to hang out w/, but not those hanging in caves.
Three valuable lessons
1. Don't fall prey to the mysterious charms of those encountered on nightly walks (including those w/ glowing eyes).
2. Don't make unbreakable oaths; maybe: "OK, but no guarantees."
3. Find friends to hang out w/, but not those hanging in caves.
We launched the Automated Resources Intelligently Distributed device with much anticipation. Its goal: bring meals and potable water to everyone in need.
But celebration became horror as #ARID systematically destroyed our cities.
Later we discovered "dessert" misspelled in the computer code.
Future post-apocalyptic wastelands are often barren, with little vegetation or rain.
The word for Oct 17th :
ARID
#vss365 #prompt #arid
"Everything is governed by natural laws," said Dr. Lavington after Jack told him about the cries of 'murder'.
Jack wants to explain what he'd heard rather than trying to understand the possible motives of Lavington and Felise (who seeks Jack's help).
"Everything is governed by natural laws," said Dr. Lavington after Jack told him about the cries of 'murder'.
Jack wants to explain what he'd heard rather than trying to understand the possible motives of Lavington and Felise (who seeks Jack's help).
While reading, I wondered: is a ghost haunting Defoe?
But Mike Hammer, were he in the story, might retort, "Are ghosts packing heat now?"
Hmmm.
Sweet revenge is a confession years in the making.
And a karmic result might be as final as the deeds occasioning it.
While reading, I wondered: is a ghost haunting Defoe?
But Mike Hammer, were he in the story, might retort, "Are ghosts packing heat now?"
Hmmm.
Sweet revenge is a confession years in the making.
And a karmic result might be as final as the deeds occasioning it.
What chaos and temptation might a vampire wreak on conventional order and quotidian rhythms?
The story's structure well conveys the vampiric disruptions. Who is doing what under the creature's sway? The living? The dead? Something else?
But some patterns persist.
1/2
What chaos and temptation might a vampire wreak on conventional order and quotidian rhythms?
The story's structure well conveys the vampiric disruptions. Who is doing what under the creature's sway? The living? The dead? Something else?
But some patterns persist.
1/2
Is Charon smiling b/c his benumbing task of ferrying is now over?
Is he weeping b/c the reason for his eons-long task is now moot?
Whatever the answer, Charon experiences unexpected emotions--perhaps only now possible in a realm where joy and sadness had no place before.
Is Charon smiling b/c his benumbing task of ferrying is now over?
Is he weeping b/c the reason for his eons-long task is now moot?
Whatever the answer, Charon experiences unexpected emotions--perhaps only now possible in a realm where joy and sadness had no place before.
In poems spiders eat flies who write about it.
With human romances one figuratively can ensnare & devour another.
The poem seems metaphorical. It presumes the devourer to have a conscience able to be haunted. Sometimes this presumption is realistic.
In poems spiders eat flies who write about it.
With human romances one figuratively can ensnare & devour another.
The poem seems metaphorical. It presumes the devourer to have a conscience able to be haunted. Sometimes this presumption is realistic.
[Williams' Note: When Googling info on Wynne, I discovered what seems to be the minutes of a meeting of an unnamed British organization of scientists. Yet when I returned to the URL, a "Page Not Found" message greeted me. Weird. That document follows.]
[Williams' Note: When Googling info on Wynne, I discovered what seems to be the minutes of a meeting of an unnamed British organization of scientists. Yet when I returned to the URL, a "Page Not Found" message greeted me. Weird. That document follows.]
Emma Dawson, "An Itinerant Room"
A room, imbued with vengeful emotions, apparently doesn't remain in the same location.
This the narrator/protagonist discovers as he & colleagues try to escape, unsuccessfully, from Felipa, who was resurrected by them from the dead, but not loving it.
1/2
Emma Dawson, "An Itinerant Room"
A room, imbued with vengeful emotions, apparently doesn't remain in the same location.
This the narrator/protagonist discovers as he & colleagues try to escape, unsuccessfully, from Felipa, who was resurrected by them from the dead, but not loving it.
1/2
Lionel Johnson, "The Dark Angel"
Moral conflicts torment humans who must struggle ceaselessly against earthly desires to avoid eternal damnation.
Maybe Johnson had in mind Bosch's hellscapes (as I did) where a comprehensive range of human pleasures are mercilessly, foreverly punished.
Lionel Johnson, "The Dark Angel"
Moral conflicts torment humans who must struggle ceaselessly against earthly desires to avoid eternal damnation.
Maybe Johnson had in mind Bosch's hellscapes (as I did) where a comprehensive range of human pleasures are mercilessly, foreverly punished.
Oliphant, "The Secret Chamber"
Castles were built to keep the enemy out & to protect those inside. But in this story the castle's sturdy walls also trap a few within a generations-old secret that controls the male heirs.
Lindores wanted to find the secret room. And he did.
Oliphant, "The Secret Chamber"
Castles were built to keep the enemy out & to protect those inside. But in this story the castle's sturdy walls also trap a few within a generations-old secret that controls the male heirs.
Lindores wanted to find the secret room. And he did.