Celebrating Aberdeen’s culture, creative community, and remarkable people, we explore the rich spirit that makes this city unique.

THE major cinema chain Vue is set to close its Aberdeen branch just weeks after Christmas, making all its staff redundant, according to reports ...

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Talegate’s annual panto returns with local laughs, polished performances and genuine heart.

The April event will explore how words and language work as public art.

Join the POST Supporter Crew for just £15 for your first year

Artists who taught at Gray's show how creative knowledge passes between generations.

The World Wide Web was introduced some three decades ago. Describing in 2019 the hopes that had been projected onto the internet at its inception, The New York Times Magazine wrote that many believed it would “empower the masses, overthrow hierarchies” and help “build a virtual world that was far superior to the terrestrial one that bound us.” But in 2025, the internet now feels like a dystopia: Look past the rage-bait videos, the A.I. reels and the porn, and you’ll find an algorithm whose design forces you to wonder whether your For You page really is, in fact, for you, or for the company behind the algorithm. In this Opinion Video, Jack Conte, the chief executive of Patreon, a platform for creators to monetize their art and content, outlines his vision for an internet that puts people, not ad revenues, first. It’s time, Conte argues, “for algorithms to serve people instead of people serving algorithms.” More from Opinion Video: https://www.nytimes.com/spotlight/opinion-video Subscribe: http://bit.ly/U8Ys7n ---------- Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.

Aberdeen musician recorded his first full-length album in village halls and childhood home.

Aberdeen musician recorded his first full-length album in village halls and childhood home.