come to london

been thinking about music in relation to this a lot. one formula i struck on is how similar the 4 panel comic structure feels to the formula of 4 on the floor 'dance' music being so incredibly diverse but all still sticking to this restriction to communicate to its tradition / scene

now on youtube: www.youtube.com/watch?v=yGEF...

its like half my reasoning for wanting to move to the city

so so fucking real

like the first and last thing i ever bought from the bournemouth big asda

rebrands it as trendy technical wear

ikea

i like that

i like their boss that has a tail

playing fallout or whatever. i wonder how many people interacted with it with a vague tongue in cheek knowing of the styles right wing history but that most people probably wouldnt know molino well enough to connect the dots to explicit fascism based on the art in the post alone

yea id be up for reading that! i am quite familiar with pulps facist undertones i read a lot of 50s/60s pulp as a kid lol. i would like to hope most people interacting's media literacy extends to understanding that, even with just the on the nose parodies of it theyve probably experienced in like.

i reblogged that and i didnt know about that. where did you hear about him?

The ideal pairing with coffee is chocolate covered espresso beans because the coffee matches the coffee

the ultimate tease when he did those two tracks with danny elfman... his ambient era feels like he got embarrassed of his whiny theatrical lyrics but im starting to feel like he needs to lean into his drama queen self in a new way again

feel like i am usually most interested when its a mixture of texture resolutions, like its trying to draw attention to itself that this is not a cohesive window into another world