[ 08 / 08 / 2025 is where the wandering began anew ]
her blind complicity in fulfilling her own vague savior fantasy is the most prominent element of this. now, they're both lost.
her blind complicity in fulfilling her own vague savior fantasy is the most prominent element of this. now, they're both lost.
the "tokyo's revival" school festival, which takes place on the day of apocalypse, will be an organized religious assembly. nail fiend (stated to work with children) will return, and thus reenact the crucifixion of jesus on a preordained subject.
i am SO fr.
the "tokyo's revival" school festival, which takes place on the day of apocalypse, will be an organized religious assembly. nail fiend (stated to work with children) will return, and thus reenact the crucifixion of jesus on a preordained subject.
i am SO fr.
huh... this is the first time this sentiment has EVER been expressed! death literally just got decapitated, and yoru still says it with full belief...
holy fuck she WENT OFF TO THE SIDE AND FED YORU MISINFORMATION.
huh... this is the first time this sentiment has EVER been expressed! death literally just got decapitated, and yoru still says it with full belief...
holy fuck she WENT OFF TO THE SIDE AND FED YORU MISINFORMATION.
oh yeah She can't fucking die and she intentionally disemboweled herself in an implied suicide attempt! fujimoto writes these scenes in a way that makes us entirely forget!
oh yeah She can't fucking die and she intentionally disemboweled herself in an implied suicide attempt! fujimoto writes these scenes in a way that makes us entirely forget!
exactly the sort of imagery i could imagine fujimoto using, with death perusing her work.
exactly the sort of imagery i could imagine fujimoto using, with death perusing her work.
she is *truly* immortal. no matter her efforts, she can't destroy herself or her role in the story. she can't live normally, either. she's stuck.
she is *truly* immortal. no matter her efforts, she can't destroy herself or her role in the story. she can't live normally, either. she's stuck.