Andrew Mitchell
@chaconato.bsky.social
🇺🇳 🏳️🌈 classical music audience member since 1976, insufficiently gay, greenish-socialist, CPTSD survivor #InsertTibetanFlag
Text explaining the purpose of the mosaic copies.
November 27, 2025 at 8:08 PM
Text explaining the purpose of the mosaic copies.
Including the Madonna of the Fazioli
November 27, 2025 at 8:03 PM
Including the Madonna of the Fazioli
The authorised 1950s copies were on tour to Belgravia this summer, as a simple reminder of the beauty of the originals:
November 27, 2025 at 8:02 PM
The authorised 1950s copies were on tour to Belgravia this summer, as a simple reminder of the beauty of the originals:
My poor Mitsumata doesn’t know what’s happening with climate breakdown: first winter followed by second autumn, so it’s trying to flower now rather than late February. The second photo shows the trichotomous branching, which no other known plant does.
November 27, 2025 at 10:05 AM
My poor Mitsumata doesn’t know what’s happening with climate breakdown: first winter followed by second autumn, so it’s trying to flower now rather than late February. The second photo shows the trichotomous branching, which no other known plant does.
Some views of the exhibition, with the Arundel Choirbook, and a 12th Century copy of Boethius’ De instituione musica.
November 27, 2025 at 7:38 AM
Some views of the exhibition, with the Arundel Choirbook, and a 12th Century copy of Boethius’ De instituione musica.
But Apple Classical messes up once more - who knew that Pergolesi, JSBach and Charpentier were alive and writing music in the early 16th century???
November 27, 2025 at 7:27 AM
But Apple Classical messes up once more - who knew that Pergolesi, JSBach and Charpentier were alive and writing music in the early 16th century???
Unchanged but deff had a glow-up.
November 26, 2025 at 7:18 PM
Unchanged but deff had a glow-up.
Intriguing Children of Albion exhibition in Fitzrovia, packed with visitors.
November 26, 2025 at 4:03 PM
Intriguing Children of Albion exhibition in Fitzrovia, packed with visitors.
Who’s looking forward to the new Lachenmann release? Besides me.
November 22, 2025 at 11:59 AM
Who’s looking forward to the new Lachenmann release? Besides me.
This is the guidance on the BL website today:
November 18, 2025 at 2:27 PM
This is the guidance on the BL website today:
Could never be friends with monsters who place a time limit on euphoria.
November 16, 2025 at 6:46 PM
Could never be friends with monsters who place a time limit on euphoria.
Encouraging expansion of the Wells ballet/dance empire. Odd reviewer interpretation of curved seating rows. They enable those at the sides to look at the full stage without twisting their backs, and shorten the distance to stage centre.
www.theguardian.com/artanddesign...
www.theguardian.com/artanddesign...
January 18, 2025 at 11:52 AM
Encouraging expansion of the Wells ballet/dance empire. Odd reviewer interpretation of curved seating rows. They enable those at the sides to look at the full stage without twisting their backs, and shorten the distance to stage centre.
www.theguardian.com/artanddesign...
www.theguardian.com/artanddesign...
Christian Walker: extract from ‘The Theater Project 1983-1984’.
November 9, 2024 at 7:58 PM
Christian Walker: extract from ‘The Theater Project 1983-1984’.
David De Beyter: extract from ‘The Skeptics 2023’.
November 9, 2024 at 7:56 PM
David De Beyter: extract from ‘The Skeptics 2023’.
Shimpei Yamagami: extract from ‘Kanon 2024’.
November 9, 2024 at 7:53 PM
Shimpei Yamagami: extract from ‘Kanon 2024’.
Sakiko Nomura: extract from ‘Träumerei 2024’.
November 9, 2024 at 7:51 PM
Sakiko Nomura: extract from ‘Träumerei 2024’.
Santeri Tuori: ‘Water Lillies no. 20 2022’.
November 9, 2024 at 7:47 PM
Santeri Tuori: ‘Water Lillies no. 20 2022’.
Scarlett Coten: ‘Colton, Austin Texas 2019’.
November 9, 2024 at 7:45 PM
Scarlett Coten: ‘Colton, Austin Texas 2019’.
Le vaste Paris Photo 2024.
November 9, 2024 at 1:35 PM
Le vaste Paris Photo 2024.
La cage aux fauves, restaurée.
November 9, 2024 at 12:53 PM
La cage aux fauves, restaurée.
Saunders, Bleuse, and Ensemble Intercontemporain after the French premiere of the magnificent ‘Skull’.
November 8, 2024 at 9:20 PM
Saunders, Bleuse, and Ensemble Intercontemporain after the French premiere of the magnificent ‘Skull’.
Ce soir. Le concert du futur.
November 8, 2024 at 6:45 PM
Ce soir. Le concert du futur.
35,000 killed in battle, having been told “there is no paradise for cowards”.
November 2, 2024 at 11:49 AM
35,000 killed in battle, having been told “there is no paradise for cowards”.
Ultra-vivid characterisation of Xenakis’ Terretektorh by ORF RSO Wien/Metzmacher, expert Ö1 engineers make it a great radio listen. Audience sitting amid players in the ‘sonotron’. Boos in part two for the unprogressive minimalism of JLA’s Become Ocean. oe1.orf.at/programm/202...
November 1, 2024 at 9:20 PM
Ultra-vivid characterisation of Xenakis’ Terretektorh by ORF RSO Wien/Metzmacher, expert Ö1 engineers make it a great radio listen. Audience sitting amid players in the ‘sonotron’. Boos in part two for the unprogressive minimalism of JLA’s Become Ocean. oe1.orf.at/programm/202...