Pronoun: He/Him, Noun: anti-fascist.
Not as pretty as yours, but I still like what came out of my coding experiment in C.
Not as pretty as yours, but I still like what came out of my coding experiment in C.
Not sure what to think of it.
It is... interesting?
At f/9 it is too slow, and that forced me to shoot at ISO 10K, and crank exposure even more in post.
So it really needs a lot of sun-light, I will try again tomorrow.
Unexpected soap bubbles (not a fan.)
Not sure what to think of it.
It is... interesting?
At f/9 it is too slow, and that forced me to shoot at ISO 10K, and crank exposure even more in post.
So it really needs a lot of sun-light, I will try again tomorrow.
Unexpected soap bubbles (not a fan.)
Kind of like a new twist on this.
(That was a real product. I wouldn't dare use it today.)
Kind of like a new twist on this.
(That was a real product. I wouldn't dare use it today.)
The 150 was a useful match for medium format GFX, as a long portrait lens.
The 450 is a match for my Abracam 16x16” ultra #largeformat as a normal angle lens. Tomorrow I will mount the adapter that I made and test it.
The 150 was a useful match for medium format GFX, as a long portrait lens.
The 450 is a match for my Abracam 16x16” ultra #largeformat as a normal angle lens. Tomorrow I will mount the adapter that I made and test it.
Its bokeh balls are dirty. Are they showing lens scratches?
#VintageLens #Cinema #Petzval
Its bokeh balls are dirty. Are they showing lens scratches?
#VintageLens #Cinema #Petzval
Cinématographes Pathé
Pᴀʀɪs
F 150 m/m
Cinématographes Pathé
Pᴀʀɪs
F 150 m/m
Here is a baby Ross Brawn, the legend himself, using his 8bit micro to run wind tunnel tests for Williams. 🤯
Here is a baby Ross Brawn, the legend himself, using his 8bit micro to run wind tunnel tests for Williams. 🤯
“The notion of quantitative invisibility and the machine rendering of solids”
Arthur Appel - 31 Dec 1966
And unlike z-buf, it worked for pen plotters too. 60 yo computer graphics 🤯:
“The notion of quantitative invisibility and the machine rendering of solids”
Arthur Appel - 31 Dec 1966
And unlike z-buf, it worked for pen plotters too. 60 yo computer graphics 🤯:
If you want cheap domestic, I think this is the only option. She is rocking it, btw, and the US can use a little more communism and a lot less fascism, anyway.
If you want cheap domestic, I think this is the only option. She is rocking it, btw, and the US can use a little more communism and a lot less fascism, anyway.
To illustrate: your human accountant would not tell you to pay His Majesty's Revenue and Customs with pebbles.
To illustrate: your human accountant would not tell you to pay His Majesty's Revenue and Customs with pebbles.
Williams Brown & Earle, Philadelphia.
Measured at 220mm f/4.
Williams Brown & Earle, Philadelphia.
Measured at 220mm f/4.
A 16x16" #LargeFormat camera, with Wollensak Vitax 16" f/3.8 mounted.
Digital screen hangs off lens hood which helps me focus when doing a self-portraits.
No helicoid, no bellows, so focusing is done by moving subject, a millimeter at a time. 🤣
A 16x16" #LargeFormat camera, with Wollensak Vitax 16" f/3.8 mounted.
Digital screen hangs off lens hood which helps me focus when doing a self-portraits.
No helicoid, no bellows, so focusing is done by moving subject, a millimeter at a time. 🤣
After all that work, the image will end up mostly noise, as the long focal length makes me lose nearly all light after the long indirect bounce. Even with speedlite at max. I think it needs sunlight. (Ultra #LargeFormat)
After all that work, the image will end up mostly noise, as the long focal length makes me lose nearly all light after the long indirect bounce. Even with speedlite at max. I think it needs sunlight. (Ultra #LargeFormat)
1980s gamer.
1980s gamer.
Ultra #LargeFormat photography.
Ultra #LargeFormat photography.
I mounted the 300mm Petzval 78cm away from the screen, giving me ±49cm subject distance, and hence a larger-than-life projection (face almost covers the entire 16" image height.)
I mounted the 300mm Petzval 78cm away from the screen, giving me ±49cm subject distance, and hence a larger-than-life projection (face almost covers the entire 16" image height.)
Hermagis Anastigmat Serie L 1:4.5 210mm
Severe vignetting, of course, but I am not willing the shell out $$$$ for a Super Angulon 210mm.
Also: Vancouver should stop giving away car parking for free.
Hermagis Anastigmat Serie L 1:4.5 210mm
Severe vignetting, of course, but I am not willing the shell out $$$$ for a Super Angulon 210mm.
Also: Vancouver should stop giving away car parking for free.
Nobel prize? In what world? The best we can offer is a tribunal in The Hague for crimes against humanity.
Nobel prize? In what world? The best we can offer is a tribunal in The Hague for crimes against humanity.
3000 kelvin on my left cheek.
Which means that black&white conversion is the way to go here.
#LargeFormat #Photography Charles Korn 300mm Petzval lens.
(Also: why is the B&W JPEG not 3x smaller? JPEG does not do one channel images?)
3000 kelvin on my left cheek.
Which means that black&white conversion is the way to go here.
#LargeFormat #Photography Charles Korn 300mm Petzval lens.
(Also: why is the B&W JPEG not 3x smaller? JPEG does not do one channel images?)