Art History Animalia
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arthistoryanimalia.bsky.social
Art History Animalia
@arthistoryanimalia.bsky.social
4.3K followers 380 following 2.8K posts
Zoologist exploring animal iconography via intersections of natural history with art & visual culture history. AKA Deniz (she/they), PhD student @ UD.
https://linktr.ee/arthistoryanimalia
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arthistoryanimalia.bsky.social
#TurtleTuesday 🐢:
Divine #Turtle of Longevity (Minogame)
Japan, 19th c.
Copper alloy
On display at The Walters Art Museum (54.1355)
#JapaneseArt #AuspiciousAnimals
photo of the minogame sculpture with label on display at museum “Divine Turtle of Longevity (Minogame) Japan, 19th century Copper alloy Acquired by William T. or Henry Walters, before 1931, acc. no. 54.1355”
November 26, 2025 at 8:19 AM
arthistoryanimalia.bsky.social
#TilesOnTuesday :
Sibylle Peretti (German, active New Orleans, b. 1964)
Diluvial Land, 2025
Kiln-formed glass, engraved, silvered, painted, paper appliqué
On display at New Orleans Museum of Art (2024.59)
#BirdsInArt #ContemporaryArt #WomenArtists
photo of the artwork on display at museum Landscape art on 6 tiles (2 rows of 3) “the skyline of our city (NOLA) as seen from the opposite banks of the Mississippi River” closeup of bird #1 closeup of bird #2 gallery sign: “Sibylle Peretti German, active New Orleans, born 1964 Diluvial Land, 2025 Kiln-formed glass, engraved, silvered, painted, paper appliqué Museum purchase, William McDonald Boles and Eva Carol Boles Fund 2024.59 New Orleans based artist Sibylle Peretti uses layers of opalescent glass for her own take on traditional landscape paintings. Her diluvial-or, related to a flood-land shows the skyline of our city as seen from the opposite banks of the Mississippi River. The view is familiar if overgrown, but when you look closely you feel this transformed world has a bit of magic. In the absence of humans, along the rocky river shore birds and weeds intermingle with strands of beads, remnants of a Carnival season. Peretti contemplates the precarious balance where wildness meets civilization. Her glass finds beauty in this encounter, but also serves as a warning about the fragility of our ecosystem. She reflects: "The resilience of New Orleans and other vulnerable urban landscapes in the face of human expansion and climate change was the guiding theme of this work. I imagine a post-flood world where animals and plants hybridize, using human artifacts to build a stronger, more resilient world."
November 26, 2025 at 8:04 AM
arthistoryanimalia.bsky.social
#Giraffes 🦒
“Zootopiaries: Nature's Sculptures” at Philadelphia Zoo
# of plants: 7,000 & 10,000
weight: 8,950 lbs & 13,100 lbs
height: 14.5 ft & 21 ft
#ZooArt #Topiary
photo of the topiary display at zoo (outdoors on a Sunday day, brown fence and green trees behind): two giraffes (neck and head, not full body) side by side photo of the sign “Giraffes NUMBER OF PLANTS SMALL: 7,000 TALL: 10,000 WEIGHT SMALL: 8,950 LBS. TALL: 13,100 LBS. HEIGHT SMALL: 14 FT. 6 IN. TALL: 21 FT. Zootopiaries Nature's Sculptures Created in Canada by: Santoline MOSAICULTURE PHILADELPHIA ZOO”
November 25, 2025 at 4:57 AM
arthistoryanimalia.bsky.social
Norman Akers (Osage Nation, b.1958)
Drowning #Elk, 2020
Oil on canvas
On display at Zimmerli Art Museum, Rutgers University “Indigenous Identities: Here, Now & Always” exhibition
#IndigenousArt #NativeAmericanArt #ContemporaryArt
photo of the painting on display at museum, large format unframed canvas “Floating in a blue aquatic scape surrounded by plastic water bottles, the Great Elk calls out. In a desperate plea, he acknowledges a world in crisis: one where water, essential to life, is bottled and sold. This commodification of water, a vital life-giving element, is now complicit in adding to the human-made waste that suffocates our world, which should concern us all." gallery sign: “Norman AKERS Citizen of the Osage Nation (b. 1958) Drowning Elk 2020 Oil on canvas Gochman Family Collection "Floating in a blue aquatic scape surrounded by plastic water bottles, the Great Elk calls out. In a desperate plea, he acknowledges a world in crisis: one where water, essential to life, is bottled and sold. This commodification of water, a vital life-giving element, is now complicit in adding to the human-made waste that suffocates our world, which should concern us all." -N.A. ฿ 308”
November 25, 2025 at 3:02 AM
arthistoryanimalia.bsky.social
Dish with #peafowls and peonies
China, Ming dynasty, Yongle mark & period (1403-24)
Carved red lacquer
On display at Metropolitan Museum of Art (2015.500.1.29)
#ChineseArt #BirdsInArt #Peacock
photo of the red lacquer plate with its gallery label on display at museum “明永樂 雕漆剔紅孔雀牡丹紋盤 Dish with peafowls and peonies Ming dynasty (1368-1644), Yongle mark and period (1403-24) Carved red lacquer The Metropolitan Museum of Art, New York, Gift of Florence and Herbert Irving, 2015(2015.500.1.29) The "two birds" design featuring a pair of birds among flowers was a popular motif in Chinese carved lacquer, particularly from the thirteenth to early fifteenth century. On this dish, artisans carved into the surface to reveal two peafowls flying amid lush, blossoming peonies. This design also became standard in other media, such as textiles and ceramics, produced by the imperial workshop of the early Ming dynasty.”
November 25, 2025 at 2:43 AM
arthistoryanimalia.bsky.social
#MonochromeMonday :
Paul Jouve (France, 1878-1973)
Harfang des neiges (Snowy #Owl), 1911
Original lithograph on paper (artist’s proof), 56 x 45 cm
www.pauljouve.com/oeuvres/lith...
#BirdsInArt
monochrome (black ink on off-white paper) lithograph in portrait orientation, illustration of a single snowy owl in full profile facing viewer
November 24, 2025 at 8:47 PM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum:
Mary Curran: Mixed Mythologies
“series explores cultural stories about animals from around the globe”
Photo thread pt 2: ceramics
7. The Three #Hares, 2015
Earthenware w/ carved graffito surface
#WomenArtists #ContemporaryArt
photo of the circular ceramic plate on display monochrome black & white design “The Three Hares” gallery sign: “Mary Curran The Three Hares, 2015 Earthenware with carved graffito surface Courtesy of the Artist The motif of three hares is one of the world's oldest artistic symbols, appearing in ancient sites from China to the British Isles. Across cultures, hares and rabbits are frequently associated with the moon, fertility, and femininity. They can be linked to the Christain Trinity but can also appear as trickster figures in folklore worldwide. The thorny briar roses encircling this bowl reference the tale of Br'er Rabbit, or Briar Rabbit, with roots in African and African American oral traditions in which the clever trickster overcomes adversity through wit.”
November 23, 2025 at 4:19 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum:
Mary Curran: Mixed Mythologies
“series explores cultural stories about animals from around the globe”
Photo thread pt 2: ceramics
6. The Year in #Cows, 2015
Earthenware w/ carved graffito surface
#WomenArtists #ContemporaryArt
photo of the circular ceramic plate on display monochrome black & white design “The Year in Cows” gallery sign: “Mary Curran The Year in Cows, 2015 Earthenware with carved graffito surface Courtesy of the Artist This work draws on stories of mythological cows from diverse cultures to symbolize the four seasons of the year. For winter, the black cow recalls the Norse creation story of Auumbla, the primeval cow who brought forth the first man by licking him from the ice. Spring is represented by a bell-wearing milking cow adorned with flowers, evoking the Swiss Alpabzug festival that marks the return of cattle from alpine pastures. Summer is embodied by the legendary Welsh white cow that vanished into the hills when a farmer attempted to kill their mother (see The Last White Cow in Wales). Autumn is imagined as the celestial cow among the clouds, merging the Hindu cow Kamadhenu with the Egyptian goddesses, Hathor and Mehet-Weret. Akin to Hathor and Mehet-Weret depictions as sun-bearing cows, the cow painted here carries the earth between her horns.”
November 23, 2025 at 4:17 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum:
Mary Curran: Mixed Mythologies
“series explores cultural stories about animals from around the globe”
Photo thread pt 2: ceramics
5. The Seven #Lambs of Tartary Speak for a Day, 2016
Earthenware w/ carved graffito surface
#WomenArtists #ContemporaryArt #Owl
photo of the circular ceramic plate on display monochrome black & white design “The Seven Lambs of Tartary Speak for a Day” gallery sign: “Mary Curran The Seven Lambs of Tartary Speak for a Day, 2016 Earthenware with carved graffito surface Courtesy of the Artist This work embodies "Mixed Mythology," combining three distinct sheep legends into one image. In the British Isles, a folktale tells that on Christmas Eve, sheep facing east and bowing three times will speak until dawn. Irish myth tells of the goddess Brigid's ram, Cirb, who was know as the "king of the sheep, " as well as the seven magical sheep of the sea god Manannán. Finally, the "vegetable lambs of Tartary," a medieval legend born from confusion over cotton plants, imagined lambs sprouting from a fern rhizome. Here, these tales interweave into a single design. (See The Vegetable Lambs of Tartary No.1&2)”
November 23, 2025 at 4:14 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum:
Mary Curran: Mixed Mythologies
“series explores cultural stories about animals from around the globe”
Photo thread pt 2: ceramics
4. The Innocent Become #Doves, 2016
Earthenware w/ carved graffito surface
#WomenArtists #ContemporaryArt #Owl
photo of the circular ceramic plate on display monochrome black & white design “The Innocent Become Doves” (with owl) gallery sign: “Mary Curran The Innocent Become Doves, 2016 Earthenware with carved graffito surface Courtesy of the Artist The title of this piece refers to Polish folklore where it is said that women who die married become owls, and unmarried women who die become doves. In Chinese tradition, owls embody intense yang energy and are associated with thunder and lightning. The central owl in this work also recalls the Welsh myth of Blodeuedd, a woman created from flowers who was cursed to become an owl (see Death of the Flower Woman). The olive branches encircling the bowl evoke the dove in the biblical story of Noah, who returned to the ark carrying an olive branch, signaling renewal. The branches also allude to the Greek goddess Athena, whose sacred animal was the owl and who struck the ground to produce the first olive tree, the enduring symbol of Athens.”
November 23, 2025 at 4:12 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum:
Mary Curran: Mixed Mythologies
“series explores cultural stories about animals from around the globe”
Photo thread pt 2: ceramics
3. The #Raven Saved the #Whale for the #Osprey to Love, 2016
Earthenware w/ carved graffito surface
#WomenArtists #ContemporaryArt
photo of the circular ceramic plate on display monochrome black & white design “The Raven Saved the Whale for the Osprey to Love” gallery sign: “Mary Curran The Raven Saved the Whale for the Osprey to Love, 2016 Earthenware with carved graffito surface Courtesy of the Artist On the rim of this bowl, Big Raven from Inuit myth eats a mushroom in the moonlight to gain the strength to return a beached whale to the sea (see The Raven and the Whale). In the center of the bowl, this whale becomes the orca from a Native American creation story. According to the tale, killer whales were once entirely black until one fell in love with an osprey. The whale would leap from the water to meet the bird, while the osprey flew as low as possible to meet the whale. Together, they created a child: a killer whale with osprey markings.”
November 23, 2025 at 4:09 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum:
Mary Curran: Mixed Mythologies
“Curran's Mixed Mythology series explores cultural stories about animals from around the globe.”
Photo thread pt 2: ceramics
2. The Stabbed & the Drowned, 2016
Earthenware w/ carved graffito surface
#WomenArtists #ContemporaryArt
photo of the circular ceramic plate on display monochrome black & white design “The Stabbed and the Drowned” (horses) gallery sign: “Mary Curran The Stabbed and the Drowned, 2016 Earthenware with carved graffito surface Courtesy of the Artist This work weaves together horse myths from several cultures. In Arab legend, the "Bloody Shoulder" horse was born in battle and stabbed by a soldier, only to reappear alive the next day with a red mark on its shoulder. In French folklore, Bayard was a magical horse who could change size to carry many riders. Angered by Bayard's powers, King Charlemagne tried to drown him by tying a stone to his neck, but Bayard escaped and vanished into the woods. In Norse tradition, Hrimfaxi and Skinfaxi drew the chariots of night and day across the sky, leaving dew on the earth each morning. Finally, Greek myth tells of Laomedon's mares, who could run across water, and Abaster's four black steeds, who raced at the speed of stars.”
November 23, 2025 at 4:05 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum:
Mary Curran: Mixed Mythologies
“Curran's Mixed Mythology series explores cultural stories about animals from around the globe.”
Photo thread part 2: ceramics
1. #Foxes Mate for Life, 2016
Earthenware w/ carved graffito surface
#WomenArtists #ContemporaryArt
photo of the circular ceramic plate on display monochrome black & white design “Foxes Mate for Life” Gallery sign: “Mary Curran Foxes Mate for Life, 2016 Earthenware with carved graffito surface Courtesy of the Artist In the plethora of myths about foxes, few describe foxes in a positive light, preferring to show foxes as cunning and secretive. On this bowl, the imagery is fairly straightforward: these lifelong fox mates are fashioning a necklace made of foxglove flowers. According to Norse legend, the bell-shaped flowers were said to ring a spell of protection against hunters. The pair are in the center of the forest, where, in Celtic mythology, foxes are said to be messengers from the otherworld, providing spiritual and physical guidance for travelers through the woods.”
November 23, 2025 at 4:02 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum (Harrisburg, PA):
Mary Curran: Mixed Mythologies
“Curran's Mixed Mythology series explores cultural stories about animals from around the globe."
4 & 5. The Vegetable #Lambs of Tartary No. 1 & No. 2, 2025
Acrylic on canvas x 2
#WomenArtists #ContemporaryArt
photo of the artwork on display at museum, large format unframed canvas in portrait orientation “The Vegetable Lambs of Tartary No. 1” (lambs growing on plants) gallery sign: “Mary Curran The Vegetable Lambs of Tartary No. 1 2025 Acrylic on canvas Courtesy of the Artist The legend of the Vegetable Lamb of Tartary is a medieval myth explaining the origin of the cotton plant. "Tartary" described the vast region stretching from western China to southern Russia. Beginning in the 11th century, travelers and naturalists circulated accounts of a strange creature believed to be both animal and plant. The myth imagined the cotton plant as a living sheep sprouting from the earth by a central stalk. Its "umbilicus" rooted it to the soil, while surrounding vegetration provided food. Once the leaves were gone, the lamb died. With its fleece resembling wool, the Vegetable Lamb offered a fantastical explanation for cotton, a crop unfamiliar to much of Europe.” photo of the artwork on display at museum, large format unframed canvas in portrait orientation “The Vegetable Lambs of Tartary No. 2” (lambs turned upside down on ground with plants growing from their legs) gallery sign: “Mary Curran The Vegetable Lambs of Tartary No. 2 2025 Acrylic on canvas Courtesy of the Artist For centuries, myths surrounded the Vegetable Lambs of Tartary. In one attempt to explain this animal-plant, a fern rhizome was displayed as evidence. The root was turned upside down, its leaves removed, and then displayed under glass. With its fluffy fibers resembling small lambs, the specimen was presented as proof that lambs grew on plants and thus offered a seemingly credible explanation for the mysterious plant. (See The Vegetable Lambs of Tartary No. 1)”
November 23, 2025 at 3:50 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum (Harrisburg, PA):
Mary Curran: Mixed Mythologies
“Curran's Mixed Mythology series explores cultural stories about animals from around the globe.”
3. The #Raven and the #Whale, 2020
Acrylic on canvas
(follow thread for more pics)
#WomenArtists #ContemporaryArt
photo of the artwork on display at museum, large format unframed canvas in portrait orientation depiction of Big Raven flying a stranded whale back to the sea (see gallery sign for story) gallery sign: “Mary Curran The Raven and the Whale, 2020 Acrylic on canvas Courtesy of the Artist Inuit stories tell of Big Raven, a powerful figure who moves between human and spirit worlds. For example, in a well known tale, he is swallowed by a whale. Inside, Big Raven discovers the shared soul of all living beings, connected through struggle and survival. This painting imagines a lesser known story where Big Raven tries to help a beached whale. Realizing he cannot lift the whale alone, Big Raven asks the Great Spirit for guidance. Strengthened by this aid, Big Raven carries the whale back to the sea.”
November 23, 2025 at 3:42 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum (Harrisburg, PA):
Mary Curran: Mixed Mythologies
“Curran's Mixed Mythology series explores cultural stories about animals from around the globe.”
2. The Last White #Cow in Wales, 2017
Acrylic on canvas
(follow thread for more pics)
#WomenArtists #ContemporaryArt
photo of the artwork on display at museum, large format untamed canvas in portrait orientation surreal scene of 3 white cows (mother and two calves) floating away into a blue sky with white clouds over a patchwork of farmland surrounding a lake gallery sign: “Mary Curran The Last White Cow in Wales, 2017 Acrylic on canvas Courtesy of the Artist In a tale explaining the lack of white cows in Wales, the Lady of the Lake gifted a beautiful white cow to a farmer, and this cow birthed many calves. After many years, the farmer gathered the townspeople to watch him slaughter the mother cow. When he lowered the axe to her skull, it would not go through, and as the Lady of the Lake's screams pierced the villagers' ears, this cow and all of her children lifted off the land and disappeared into the ether.”
November 23, 2025 at 3:38 AM
arthistoryanimalia.bsky.social
Now on view at Susquehanna Art Museum (Harrisburg, PA):
Mary Curran: Mixed Mythologies
“Curran's Mixed Mythology series explores cultural stories about animals from around the globe.”

1. Death of the Flower Woman, 2019
Acrylic on canvas
(follow thread for more photos)
#WomenArtists #ContemporaryArt
photo of the artwork on display at museum (large unframed canvas in portrait orientation) portrait of a white barn owl flying away from an empty bed with white sheets and flowers strewn about, against black background gallery sign: “Mary Curran Death of the Flower Woman, 2019 Acrylic on canvas Courtesy of the Artist In Celtic folklore, Blodeuedd (also spelled Blodeuwedd) is often cast as a symbol of betrayal and infidelity. She was created from flowers by magicians to be the wife of Lleu Llaw Gyffes. Longing for freedom, she fell in love with Gronw Pebr, and together they plotted to kill her husband. In this work, Curran offers a sympathetic view. Blodeuedd did not ask to be conjured from blossoms as a wife, nor to be neglected by an indifferent husband. With few choices, she sought love elsewhere. Upon this discovery, Blodeuedd was not killed, but cursed to live forever as an owl, a creature of solitude and night.” exhibition sign: “Mixed Mythologies On view October 10, 2025 through January 4, 2026 Mary Curran has been creating and teaching art for over forty years. Her work draws on a deep reverence for the natural world and explores how humans make sense of their surroundings. By blending observation with imagination, she examines the ways myth and memory shape our understanding of life. Curran's Mixed Mythology series explores cultural stories about animals from around the globe. These vivid paintings invite viewers into their narrative space. At their core, the works challenge us to consider the impossibility of myth while recognizing that such stories often arise from real events and natural phenomena. Curran extends these ideas into sgraffito-designed bowls, layering multiple narratives within a single form. By combining different meanings for the same animal, she reminds us that symbols are never fixed. They shift across time, culture, and personal experience. In the DeSoto Family Vault, Curran's Ghost Birds and Chiaroscuro Ground series expand her exploration of transience and memory, inviting reflection on life's fragility and the fleeting beauty of light. Through her work, Curran "invites viewers to see nature not just as it is, but as something imbued with consciousness, mystery, and otherworldly significance."
November 23, 2025 at 3:34 AM
arthistoryanimalia.bsky.social
lake Dombroski (Philadelphia, PA, USA)
Angel 1, Angel 2, Angel 3 (2025)
Collage on canvas x 3
On display at Susquehanna Art Museum “Collage Philadelphia Presents: Tactile Shift” exhibition
#BirdsInArt #ContemporaryArt
Angel 1 collage art on square campus four different pairs of bird wings arranged around a central black & white photo of a human eye, on sky blue background Angel 2 collage art on square campus four different pairs of bird wings arranged around a central black & white photo of a human eye, on red background Angel 3 collage art on square campus four different pairs of bird wings arranged around a central black & white photo of a human eye, on off-white background gallery sign: lake Dombroski Angel 3 2025 collage on canvas "I use collage, assemblage, and painting to explore the power of imagery and material. Drawing from vintage magazines, discarded packaging, and found objects, I build compositions that balance intentional structure with spontaneous experimentation. Each piece starts with instinctive collecting and evolves through layered juxtapositions of image and texture."
November 23, 2025 at 2:50 AM
arthistoryanimalia.bsky.social
More fun finds from today’s visit to Midtown Scholar Bookstore: Victorian era trade cards with #parrots for my #ephemera collection!
#BirdsInArt
photo of five Victorian era trade cards with chromatography art featuring parrots
November 23, 2025 at 2:37 AM
arthistoryanimalia.bsky.social
#Caturday - trying to take a photo of today’s book haul from Midtown Scholar but Ziggy insisted on inspecting them first
¯\_(ツ)_/¯
(Artes de Mexico: Serpientes Popular; Albertus Seba Butterlfies; Some Common Australian Birds; Christie’s London Natural History art auctions catalogs, 1998 & 1999
photo of the five books with Ziggy (my far grey and white tabby cat) looking at them another photo of the five books with Ziggy (my far grey and white tabby cat) - yes he’s yawning I guess he thinks my books are boring lol
November 22, 2025 at 11:57 PM
arthistoryanimalia.bsky.social
Friedrich (Fritz) Stuckenberg (Germany, 1881-1944)
#Pigeons in the Room, c.1919
Oil on canvas 104.5 x 64.5 cm
#BirdsInArt
www.mutualart.com/Artwork/Pige...
Note: Fritz’s works were removed from German museums during the Nazi purges & instead one was shown in the infamous "Degenerate Art” exhibition.
German expressionist painting Portrait of two plump pigeons (one brown and one cream) posed in front of an open window
November 22, 2025 at 2:17 AM
arthistoryanimalia.bsky.social
#FrogFriday 🐸:
Qi Baishi 齊白石 雙蛙圖 (China, 1864-1957)
Grenouilles ( #Frogs ), 1948
ink on paper, 35 x 28 cm (13¾ x 11 in.)
#ChineseArt
www.sothebys.com/en/buy/aucti...
black ink on paper illustration of two cute frogs facing each other “signed BASHI, dated 1948, and with one seal of the artist”
November 22, 2025 at 1:24 AM
arthistoryanimalia.bsky.social
#FishFriday 🐠:
Amalric Walter (France, 1870-1959)
#Fish Tray, 1905-20
Pâte-de-verre glass
On display at Zimmerli Art Museum, Rutgers University (2006.0046)
photo of the object on display at museum small flat oval shaped Pâte-de-verre tray (green - yellow - brown) featuring a single brownish fish emrging from surface (tale molded to outer edge)
November 22, 2025 at 1:08 AM
arthistoryanimalia.bsky.social
#WatercolorWednesday :
Miguel Covarrubias (Mexico, 1904-1957)
Illustration for Herman Melville's Typee: A Peep at Polynesian Life, 1935
Watercolor & gouache on paper, 14 x 17 in. (35.6 x 43.2 cm)
www.sothebys.com/en/buy/aucti...
watercolor illustration of a marine scene with dolphins, flying fish, spouting whale, seabird (albatross?), floating vegetation, with ship and island in distance
November 20, 2025 at 2:39 AM
arthistoryanimalia.bsky.social
For #WatercolorWednesday look at these adorable watercolor art prints I got from the Sesame the #Opossum shop in NOLA! 😍
PS @wittspat.bsky.social cute #hedgehog alert!
artist info: www.cocoally.com
#HSS2025
small greeting card sized art print of Cocoally’s Sesame the Opossum above a spider with web above that reads “Some Opossum” (Charlotte’s Web) small greeting card sized art print of Cocoally’s hedgehog on a laptop with “WORK WORK WORK WORK WORK WORK” caption above
November 20, 2025 at 1:45 AM