Church architecture & contents.
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This finely carved lion adorns the tomb of Sir Thomas and Elizabeth Russell (d.1632 and 1618) at Strensham (Worcestershire) - a monument attributed to sculptor Samuel Baldwin.
This finely carved lion adorns the tomb of Sir Thomas and Elizabeth Russell (d.1632 and 1618) at Strensham (Worcestershire) - a monument attributed to sculptor Samuel Baldwin.
This vibrant wall painting at Pickering (North Yorkshire, c.1470) shows St George battling the dragon - part of one of England's most complete surviving medieval wall painting schemes.
This vibrant wall painting at Pickering (North Yorkshire, c.1470) shows St George battling the dragon - part of one of England's most complete surviving medieval wall painting schemes.
This magnificent gilded brass cross suspended in the chancel at Dunham-on-the-Hill (Cheshire) has quite a story. Created by Francis Skidmore, master metalworker of the Gothic Revival, it originally formed part of the gas chandelier at Chester Cathedral.
This magnificent gilded brass cross suspended in the chancel at Dunham-on-the-Hill (Cheshire) has quite a story. Created by Francis Skidmore, master metalworker of the Gothic Revival, it originally formed part of the gas chandelier at Chester Cathedral.
www.albertbonniersforlag.se/bocker/29582...
www.albertbonniersforlag.se/bocker/29582...
Hidden in a corner of Stow Bardolph church (Norfolk) stands one of England's most extraordinary monuments - Sarah Hare (d.1744) preserved forever in wax.
Hidden in a corner of Stow Bardolph church (Norfolk) stands one of England's most extraordinary monuments - Sarah Hare (d.1744) preserved forever in wax.
This charming little dragon at Weston Longville (Norfolk) marks more than decoration - it's part of the donor inscription on this magnificent late 1490s rood screen.
The Latin text reads "Ricardi Lyon qui hoc opus fieri fecit" - "Richard Lyon who caused this work to be made."
This charming little dragon at Weston Longville (Norfolk) marks more than decoration - it's part of the donor inscription on this magnificent late 1490s rood screen.
The Latin text reads "Ricardi Lyon qui hoc opus fieri fecit" - "Richard Lyon who caused this work to be made."
Hidden in the church of St Nicholas, Dersingham, Norfolk, is one of England's most remarkable medieval survivals—a spectacular mid-14th century carved oak chest.
Hidden in the church of St Nicholas, Dersingham, Norfolk, is one of England's most remarkable medieval survivals—a spectacular mid-14th century carved oak chest.
This exuberant ceiling at Bromfield (Shropshire) was painted in 1672 by Thomas Francis, a Cheshire artist, and shows what happens when provincial enthusiasm meets divine inspiration.
This exuberant ceiling at Bromfield (Shropshire) was painted in 1672 by Thomas Francis, a Cheshire artist, and shows what happens when provincial enthusiasm meets divine inspiration.
Pevsner called it a "weird, grotesque idea" - and these shrouded effigies at Fenny Bentley (Derbyshire) certainly unsettle. Thomas and Agnes Beresford (d.1473 and 1467) lie completely wrapped in their burial shrouds on this strange altar tomb.
Pevsner called it a "weird, grotesque idea" - and these shrouded effigies at Fenny Bentley (Derbyshire) certainly unsettle. Thomas and Agnes Beresford (d.1473 and 1467) lie completely wrapped in their burial shrouds on this strange altar tomb.
This amazing wall painting at Chaldon (Surrey, c.1170-1200) is one of England's most important medieval survivals - a complete medieval sermon in paint spanning the entire west wall.
This amazing wall painting at Chaldon (Surrey, c.1170-1200) is one of England's most important medieval survivals - a complete medieval sermon in paint spanning the entire west wall.
A magnificent brass lies in the church at Chrishall (Essex). It depicts Sir John and Lady Joan de la Pole (d.1379/80) holding hands beneath elaborate Gothic canopies - echoing their marriage vows in perpetuity.
A magnificent brass lies in the church at Chrishall (Essex). It depicts Sir John and Lady Joan de la Pole (d.1379/80) holding hands beneath elaborate Gothic canopies - echoing their marriage vows in perpetuity.
This gargoyle on Great Ponton's church tower (1519) may be one of the earliest representations of spectacles in English sculpture. Our scholarly figure peers through his glasses while holding pen and parchment - perhaps immortalising a real person.
This gargoyle on Great Ponton's church tower (1519) may be one of the earliest representations of spectacles in English sculpture. Our scholarly figure peers through his glasses while holding pen and parchment - perhaps immortalising a real person.
This 15th-century bench end at Shingham (Norfolk) still retains its original medieval paint - showing a shepherd with his faithful dog at his feet. The shepherd holds his crook and wears the practical clothing of a medieval countryman.
This 15th-century bench end at Shingham (Norfolk) still retains its original medieval paint - showing a shepherd with his faithful dog at his feet. The shepherd holds his crook and wears the practical clothing of a medieval countryman.
The great east window at All Saints, North Street (c.1410) contains one of medieval England's most touching images - St Anne teaching her young daughter Mary to read.
The great east window at All Saints, North Street (c.1410) contains one of medieval England's most touching images - St Anne teaching her young daughter Mary to read.
This unusual early 15th-century window at All Saints, North Street depicts the fifteen terrifying signs believed to herald the world's end - a medieval countdown to the Apocalypse.
This unusual early 15th-century window at All Saints, North Street depicts the fifteen terrifying signs believed to herald the world's end - a medieval countdown to the Apocalypse.
This striking 1983 monument to Gilbert, 3rd Earl of Ancaster at Edenham (Lincolnshire) proves that church wall monuments didn't have to die with the 20th century.
This striking 1983 monument to Gilbert, 3rd Earl of Ancaster at Edenham (Lincolnshire) proves that church wall monuments didn't have to die with the 20th century.
This amazing font of c.1140 at Eardisley (Herefordshire) presents two dramatic scenes carved with remarkable vigour:
This amazing font of c.1140 at Eardisley (Herefordshire) presents two dramatic scenes carved with remarkable vigour:
Discovered in 1854 built into a chancel wall, this c.1200 reliquary cross at Kelloe (County Durham) tells St Helena's discovery of the True Cross. The scenes are as follows.
Discovered in 1854 built into a chancel wall, this c.1200 reliquary cross at Kelloe (County Durham) tells St Helena's discovery of the True Cross. The scenes are as follows.
In 1877, restoration workers at Elsdon (Northumberland) broke into the bell turret's spire. They found three horse skulls arranged in a triangle, carefully built into the stonework centuries before.
Why? Nobody knows.
In 1877, restoration workers at Elsdon (Northumberland) broke into the bell turret's spire. They found three horse skulls arranged in a triangle, carefully built into the stonework centuries before.
Why? Nobody knows.
One of the sixteen panels of glass in St Peter, Lowick (Northamptonshire). This wonderful glass, made in c.1310-30, depicts four kings and eleven prophets.
One of the sixteen panels of glass in St Peter, Lowick (Northamptonshire). This wonderful glass, made in c.1310-30, depicts four kings and eleven prophets.
This 12th-century font at Thorpe Arnold (Leicestershire) depicts a dramatic battle scene - a Christian warrior with sword and cross-marked shield fights two dragons. One dragon, magnificently maned, projects a stream of fire and sprouts multiple heads.
This 12th-century font at Thorpe Arnold (Leicestershire) depicts a dramatic battle scene - a Christian warrior with sword and cross-marked shield fights two dragons. One dragon, magnificently maned, projects a stream of fire and sprouts multiple heads.
After visiting 8,000+ churches over 30 years, I selected 365 of the finest for my book 'Country Church Monuments' - medieval brasses to baroque sculptures with their stories. All fully researched.
Penguin Random House 2022: tinyurl.com/6eb5j8jv
After visiting 8,000+ churches over 30 years, I selected 365 of the finest for my book 'Country Church Monuments' - medieval brasses to baroque sculptures with their stories. All fully researched.
Penguin Random House 2022: tinyurl.com/6eb5j8jv
William Longespée (d.1226), 3rd Earl of Salisbury - illegitimate son of Henry II and half-brother to King John.
This early 13th-century effigy in Salisbury Cathedral shows him in mail armour with his shield bearing the distinctive six lions.
William Longespée (d.1226), 3rd Earl of Salisbury - illegitimate son of Henry II and half-brother to King John.
This early 13th-century effigy in Salisbury Cathedral shows him in mail armour with his shield bearing the distinctive six lions.
St Mary, Fawsley (Northamptonshire) - the monument to Sir Richard Knightley (d.1534) and Lady Jane shows their children around the tomb base, including this remarkable pair.
St Mary, Fawsley (Northamptonshire) - the monument to Sir Richard Knightley (d.1534) and Lady Jane shows their children around the tomb base, including this remarkable pair.
St Andrew, Fersfield (Norfolk) houses the oak effigy of Sir Robert du Bois (d.1333), carved c.1340 and retaining its original paint.
St Andrew, Fersfield (Norfolk) houses the oak effigy of Sir Robert du Bois (d.1333), carved c.1340 and retaining its original paint.