Marshall Shaffer
@marshallshaffer.bsky.social
290 followers 220 following 340 posts
Freelance writer frequently seen on The Playlist, Decider, Slant Magazine, Slashfilm, and Crooked Marquee. We'll get along. (he/him) https://marshallandthemovies.substack.com/
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Reposted by Marshall Shaffer
“With two decades of distance from ‘Elizabethtown,’ it’s now pretty clear Orlando Bloom is the key element holding the film back,” @marshallshaffer.bsky.social writes. “He’s a vacuum of charisma.”
crookedmarquee.com
"I couldn’t be less interested in presenting myself! I’m interested in discovering other things that aren’t familiar to me."

Kelly Reichardt becomes my first three-time interviewee for THE MASTERMIND, which is out starting Friday.

For @slantmagazine.com: www.slantmagazine.com/film/kelly-r...
Kelly Reichardt on 'The Mastermind' and the Art of the Aftermath
Kelly Reichardt discusses her collaboration process with her actors, the political climate of an era, and more.
www.slantmagazine.com
Wrote this as well!
‘Elizabethtown’ may be best remembered for inspiring the term "Manic Pixie Dream Girl," but its legacy should also include being the first of 20 years of failed launches for a generation of leading men like Orlando Bloom: crookedmarquee.com/20-years-of-...
An honor doesn't even begin to encompass my experience of getting to interview Jafar Panahi, a true compass pointing toward the light of free expression in these dark times, about his Palme d'Or-winning IT WAS JUST AN ACCIDENT.

For @slantmagazine.com: www.slantmagazine.com/film/jafar-p...
Jafar Panahi on 'It Was Just an Accident' and the Sound of Violence
Jafar Panahi discusses the role of sound in 'It Was Just an Accident,' what the word "accident" means to him, and more.
www.slantmagazine.com
Reposted by Marshall Shaffer
A supposedly fun thing I … told myself I wouldn’t do again after 2019/20 but here we are again.

On being an NYFF main slate completist: marshallandthemovies.substack.com/p/i-watched-...
I Watched the Entire 2025 NYFF Main Slate
Lessons from this year's festival
marshallandthemovies.substack.com
That was certainly a buried lede in the headlines I read
Reposted by Marshall Shaffer
You know awards are meaningless when INDUSTRY remains completely ignored by Emmys voters three seasons in
Did a crappy job of posting individual links to my Venice Film Festival coverage on Bluesky, so here's a big omnibus of everything I published, rounded up on my Substack: marshallandthemovies.substack.com/p/venice-202...
Venice 2025: Some Other Choice
On my fourth year at the Venice Film Festival
marshallandthemovies.substack.com
I did have this thought immediately after too, ha
Reposted by Marshall Shaffer
Reporting from the 2025 Venice Film Festival, our correspondent @marshallshaffer.bsky.social found many selections engaging meaningfully with reality - both the painful present and the imagined past. #Venezia82 crookedmarquee.com/marshall-sha...
Reposted by Marshall Shaffer
The title of DUSE may refer to Eleonora Duse, the great fin de siècle Italian stage actress, but the film isn’t just a portrait of the artist’s life. It's a trenchant examination of the value of art itself. Read @marshallshaffer.bsky.social's #Venezia82 review.
'Duse' Review: A Trenchantly Study of Art's Role in a Fascist State
The film kicks into high gear when the immovable object that is Eleonora Duse meets the unstoppable force of Sarah Bernhardt.
www.slantmagazine.com
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Reposted by Marshall Shaffer