Hoai-Tran Bui
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htranbui.bsky.social
Hoai-Tran Bui
@htranbui.bsky.social
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Finally here!!!! Inverse entertainment editor. Critic.
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I chatted with BUGONIA writer Will Tracy about the movie's wild twist, the differences between this film and the Korean original, and what its ending means in this day and age: www.inverse.com/entertainmen...
Reposted by Hoai-Tran Bui
J.R.R. Tolkien's full name was Jonathan Ronathan Rolkien Tolkien
THE VOICE OF HIND RAJAB is definitely the most I’ve cried at the movies in YEARS. What powerful, effective cinema
KISS OF THE SPIDER WOMAN is pretty spectacular thanks to a star-making turn from Tonatiuh and director Bill Condon’s eye for the old-school Hollywood razzle dazzle. Very queer and very sincere! In theaters now! www.inverse.com/entertainmen...
‘Kiss of the Spider Woman’ Review: A Surreal Queer Romance Gets A Dose Of Hollywood Spectacle
Bill Condon’s crowd-pleasing adaptation of the stage musical streamlines Manuel Puig's surreal LGBTQ story.
www.inverse.com
IT WAS JUST AN ACCIDENT: I chuckled at the WAITING FOR GODOT name-drop. A darkly comic morality play that balances on the razor's edge, while earnestly exploring cycles of violence done to us, and done to each other. So glad I got to see this with Panahi in attendance
MARTY SUPREME: yeah Josh took all that wild Safdie energy with him. To call this a sports movie isn’t enough, this is a manic, madcap odyssey that is as exhilarating as it’s exhausting. Timothee’s star power is so bright & undeniable that it’s basically a supernova. LOVED it
SENTIMENTAL VALUE: floored by this one. Joachim Trier condenses generations of family pain into a lovely and bitterly funny ode to film and how art can connect us or drive us away. Renata and Stellan are sublime. I liked this even more than WORST PERSON IN THE WORLD!
DELIVER ME FROM NOWHERE: saw this with a hardcore Springsteen fan and beforehand he worried this wouldn’t provide any new insights. Sadly, that’s very much the case. Jeremy Allen White and Jeremy Strong are terrific but the film is a frustratingly literal kind of biopic
HOUSE OF DYNAMITE: Kathryn Bigelow crafts an exercise in relentless tension that’s more immersive than insightful. But goddamn does it set you on the edge. Rebecca Ferguson was the standout performance for me, really sells the stoic despair in the face of certain doom
BLUE MOON: Oh yeah, this is the kind of talky showmanship that I love from Linklater. A chamber piece with never an empty moment thanks to a tremendous Ethan Hawke, who walks the delicate line between buffoonish and tragic
SCARLET: I didn’t realize how much of this was going to be HAMLET. I’m trying not to judge too much by my love for his earlier works but Mamoru Hosoda is moving towards a kind of maximalism I just haven’t been vibing with. Lots of breathtaking moments tho
NOUVELLE VAGUE: I’m of two minds on this one! It only really came alive for me when Linklater was in his hangout movie bag, which bumped up against the fawning reverence he has for the era. Wish it was as a fraction as bold as the movies it was homaging
THE MASTERMIND: Josh O’Connor has never been more pathetic, or more magnetic, than in Kelly Reichardt’s lovely, subdued heist movie-turned-drifter odyssey. A throwback to meandering ‘70s neo-noirs in a really satisfying way
SIRAT: quite literally blown away by this one. A desert-set odyssey that unfolds into one of the tensest set pieces this year. Some real devastating turns. The collective stomach drop when my audience realized where it was going…
THE SECRET AGENT: Wagner Moura is terrific in an electrifying political thriller that defies its genre trappings. Much warmer and full of life than you might expect. Liked this one a lot!
LATE FAME: Too lightweight a New York art drama to give much thought to. Greta is fabulous and Willem never phones it in but, to borrow a term from Gen Zers, it’s just unserious