Erik E Erik
@erikeerik.bsky.social
290 followers 940 following 1.4K posts
Silent films, foreign action films, soccer/fútbol and vinyl enthusiast. Public education employee, Minneapolis dad.
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Another visit to Minneapolis Institute of Arts, another viewing of my favorite dollhouse accessory:
I'm tempted to crack open the deluxe set I bought in spring just to compare the two, but feel like I need to keep it sealed until they announce an SACD Tusk so I don't need to keep looking at the Tusk Deluxe version that's $250 on Discogs.
So while upon relistening, this might be my favorite Fleetwood Mac album front-to-back (Lindsey's Tusk tracks, done in a Kiss Solo Album style with his face, would be above it), the mix is as boring as any high-fidelity audio I have heard.
And some multi-channel mixes can have good stereo mixes, too. I have the DVD-A of Flaming Lips' Soft Bulletin and that sounds great.
There's a reason that Mobile Fidelity, for all the bad press they have done to their brand, just focuses on stereo -- they reliably knock their mixes out of the park every time.
Final thoughts: I suppose if anyone is buying an Atmos Version of a Blu Ray of Fleetwood Mac, they probably aren't placing a priority on its stereo mixing.
Sounds fine. Again, would have been nicer to get the two guitars more separated, instead of 'wall', but resigned to how this will sound
The dual-guitar attack is Iron Maiden-esque.
Closing with I'm So Afraid, which never ceases to make me laugh how Lindsey came in and crushes a blues stomper like this on his first album.
Sugar Daddy opens with nice spacing. Piano on the left, Christine's voice just to the right. Drums are in the center, and the chucka-chucka guitar is way off to the right. This sounds great.
Finishing off the final three songs, and at World Turning now. Nice groove at the end of the song. Place the guitar to the side, though!
Some all-time great corrections coming from WaPo coverage of the nationwide No Kings protests yesterday:
Reposted by Erik E Erik
Bulls on Parade was the best song they played
Since traveling to Central and South America in my 20s and seeing how “American” and “from the United States” do not mean the same thing, I consistently say the second option now when I want to say “From the US”, even though we don’t have a less-cumbersome option in English.
Do you have any extremely niche, but serious, ethical stances?
Yes, they had systems for one bad person, but what about many bad people, working in concert?
I’m trying to discern if this story is hyperbole or it really happened and I can’t decide.
Yeah, I love Mr Big, too
I also have a half-dozen SACD-and-vinyl
counterparts but not justifying those as the format difference is obviously a good reason on its own.
The used Unforgettable Fire I got was in decent shape but not the quietest. The burgundy reissue is amazing.
Because I wanted the Mobile Fidelity version and then wanted a mono version
Cabeza con pelo, orejas sin pelos
My memory of it was similar to Batman the year before (which I’m sure was intentional on their part), which was the main character was a boring stiff, the design looked amazing, and I was fascinated by the villain chewing the scenery.

Have I watched either of them since? No.