Dr Anna Reeve
@cypriotartleeds.bsky.social
Material culture historian, exploring the history of Cypriot archaeology and ancient Cypriot collections in UK museums. Ceramics fan. ECR Associate at the Institute of Classical Studies, London and Associate Lecturer in Classics at the Open University.
Today I am channelling the old windmill of Emile Verhaeren, 'qui tourne et, las, qui tourne et meurt' www.poetica.fr/poeme-548/em... (I have a cold and the marking is ongoing). I am 'triste et faible et lourde et lasse, infiniment'.
December 9, 2025 at 5:29 PM
Today I am channelling the old windmill of Emile Verhaeren, 'qui tourne et, las, qui tourne et meurt' www.poetica.fr/poeme-548/em... (I have a cold and the marking is ongoing). I am 'triste et faible et lourde et lasse, infiniment'.
Reposted by Dr Anna Reeve
Archaeology Advent Calendar Day 7
Red Polished askos, shaped like a quadruped animal
Early Cypriot III (c. 2100-1950 BCE)
From Karmi Lapatsa, Surface deposit outside Tomb 3, no. 1
Chau Chak Wing Museum, The University of Sydney NM93.1
www.sydney.edu.au/museums/coll...
Red Polished askos, shaped like a quadruped animal
Early Cypriot III (c. 2100-1950 BCE)
From Karmi Lapatsa, Surface deposit outside Tomb 3, no. 1
Chau Chak Wing Museum, The University of Sydney NM93.1
www.sydney.edu.au/museums/coll...
December 7, 2025 at 5:03 AM
Archaeology Advent Calendar Day 7
Red Polished askos, shaped like a quadruped animal
Early Cypriot III (c. 2100-1950 BCE)
From Karmi Lapatsa, Surface deposit outside Tomb 3, no. 1
Chau Chak Wing Museum, The University of Sydney NM93.1
www.sydney.edu.au/museums/coll...
Red Polished askos, shaped like a quadruped animal
Early Cypriot III (c. 2100-1950 BCE)
From Karmi Lapatsa, Surface deposit outside Tomb 3, no. 1
Chau Chak Wing Museum, The University of Sydney NM93.1
www.sydney.edu.au/museums/coll...
I adore the bonkers marketing of To My Ships tomyships.com
December 7, 2025 at 10:44 AM
I adore the bonkers marketing of To My Ships tomyships.com
Book project stocktake, with help from Artefact Cards.
December 4, 2025 at 10:03 AM
Book project stocktake, with help from Artefact Cards.
A visual summary of the year on Bluesky - the word cloud looks about right, with thanks to @anisota.net
December 3, 2025 at 9:28 AM
A visual summary of the year on Bluesky - the word cloud looks about right, with thanks to @anisota.net
Once again, huge thanks to @magnifyzoology.bsky.social for inventing and running #museum30!
December 1, 2025 at 2:55 PM
Once again, huge thanks to @magnifyzoology.bsky.social for inventing and running #museum30!
Who’s Who in Cypriote Archaeology - how have I never come across this before? Published in 1971. About half the entries are men, just under 20% women, and the rest unclear (possibly women using their initials for strategic reasons - but probably skewing male). Time for an updated version!
December 1, 2025 at 10:56 AM
Who’s Who in Cypriote Archaeology - how have I never come across this before? Published in 1971. About half the entries are men, just under 20% women, and the rest unclear (possibly women using their initials for strategic reasons - but probably skewing male). Time for an updated version!
Ah, The Brotherton, how I have missed you.
December 1, 2025 at 10:16 AM
Ah, The Brotherton, how I have missed you.
Actually, this is the lore behind choosing my career path.
Whatever the privations of this world were, she went to sleep every night profoundly grateful for the fact that whatever she had to face in the morning it wouldn't be a hundred almost identical photographs of moodily lit tubes of toothpaste.
November 30, 2025 at 2:49 PM
Actually, this is the lore behind choosing my career path.
Day 30: Why museums? For the joy, wonder, excitement and curiosity that can be sparked by an encounter with an ancient object. #Museum30
November 30, 2025 at 8:55 AM
Day 30: Why museums? For the joy, wonder, excitement and curiosity that can be sparked by an encounter with an ancient object. #Museum30
From my commonplace book, circa 1995. RIP Tom Stoppard ❤️
November 29, 2025 at 7:23 PM
From my commonplace book, circa 1995. RIP Tom Stoppard ❤️
Day 28: Water. This animated background creates the perfect setting for these ancient Cypriot model boats, at the Rijksmuseum van Oudheden, Leiden #Museum30
November 29, 2025 at 1:40 PM
Day 28: Water. This animated background creates the perfect setting for these ancient Cypriot model boats, at the Rijksmuseum van Oudheden, Leiden #Museum30
Day 28: Mural. I love this mural titled ‘Echoes’ on a pub in Mabgate, inspired by Burmantofts tiles and a tribute to the cultural heritage of Leeds, by the artist Add Fuel #Museum30
November 28, 2025 at 11:01 AM
Day 28: Mural. I love this mural titled ‘Echoes’ on a pub in Mabgate, inspired by Burmantofts tiles and a tribute to the cultural heritage of Leeds, by the artist Add Fuel #Museum30
Once again I find myself in the car outside my daughter’s ballet lesson with a flask of coffee and a new journal article #NotAllBad
November 27, 2025 at 5:40 PM
Once again I find myself in the car outside my daughter’s ballet lesson with a flask of coffee and a new journal article #NotAllBad
Day 27: Achievement. The repatriation of an ancient Cypriot Black on Red juglet which was put up for sale at a UK auction house - an achievement for all concerned. #Museum30
Cypriot antiquity repatriated from Britain
Cypriot antiquity repatriated from Britain
cyprus-mail.com
November 27, 2025 at 9:27 AM
Day 27: Achievement. The repatriation of an ancient Cypriot Black on Red juglet which was put up for sale at a UK auction house - an achievement for all concerned. #Museum30
Day 24: Specialist. Recently I learned that precise dating of pottery repairs is of interest to specialist conservators, allowing them to study developing conservation techniques. So a 1936 letter saying ‘The pottery arrived broken but I have mended it’ is of more than historical interest! #Museum30
November 24, 2025 at 8:37 AM
Day 24: Specialist. Recently I learned that precise dating of pottery repairs is of interest to specialist conservators, allowing them to study developing conservation techniques. So a 1936 letter saying ‘The pottery arrived broken but I have mended it’ is of more than historical interest! #Museum30
Opened a box I don’t think I’ve unpacked since university. That is… going back a bit.
November 23, 2025 at 10:55 AM
Opened a box I don’t think I’ve unpacked since university. That is… going back a bit.
Day 23: Animal. I love zoomorphic ancient Cypriot ceramics, half way between pot and animal - this one from the Cyprus Museum, Nicosia #Museum30
November 23, 2025 at 9:46 AM
Day 23: Animal. I love zoomorphic ancient Cypriot ceramics, half way between pot and animal - this one from the Cyprus Museum, Nicosia #Museum30
Day 21: Careers. Thinking today of Violet Crowther (1884-1969), daughter of Henry Crowther, museum curator in Leeds. She and her sisters Virté and Vera 'helped' Crowther considerably in his museum work, and Violet ran the Abbey House Museum but was never promoted above Assistant Curator 🤔 #Museum30
November 21, 2025 at 1:59 PM
Day 21: Careers. Thinking today of Violet Crowther (1884-1969), daughter of Henry Crowther, museum curator in Leeds. She and her sisters Virté and Vera 'helped' Crowther considerably in his museum work, and Violet ran the Abbey House Museum but was never promoted above Assistant Curator 🤔 #Museum30
Day 20: Diary. Sometimes a diary entry can shed new light on collection histories. The diary of William Aldam (1813-1890) for 28 Sept 1870 reveals that he paid for the Cypriot amphora donated by him to the Museum of the Leeds Philosophical and Literary Society, but didn't choose or own it. #Museum30
November 20, 2025 at 9:18 AM
Day 20: Diary. Sometimes a diary entry can shed new light on collection histories. The diary of William Aldam (1813-1890) for 28 Sept 1870 reveals that he paid for the Cypriot amphora donated by him to the Museum of the Leeds Philosophical and Literary Society, but didn't choose or own it. #Museum30
Day 19: Magic. In her book 'Deaccessioning Museum Objects', @durrantjenny.bsky.social describes the 'magic moment' when a visitor connects with a museum object. Much of my work is about this 'magic moment', facilitating object encounters, meeting them myself, and trying to capture them in writing.
November 19, 2025 at 11:14 AM
Day 19: Magic. In her book 'Deaccessioning Museum Objects', @durrantjenny.bsky.social describes the 'magic moment' when a visitor connects with a museum object. Much of my work is about this 'magic moment', facilitating object encounters, meeting them myself, and trying to capture them in writing.
Day 18: Photograph. Sometimes photographs bring out details more clearly, such as this amphora handle stamp, ΚΛΕΑΡΧΟΥ ΝΑΜΟΥ, identifying its place and period of production #Museum30
November 18, 2025 at 10:06 AM
Day 18: Photograph. Sometimes photographs bring out details more clearly, such as this amphora handle stamp, ΚΛΕΑΡΧΟΥ ΝΑΜΟΥ, identifying its place and period of production #Museum30