Macabre Michael
@unprovoked.net
720 followers 180 following 1.8K posts
Married cat person, bureaucrat, union steward and board member, longtime listener. Previously: bookseller, roller derby official, machine operator, pizza guy, broadcaster, fry cook, and dog walker. Most of the time I just stare at the sky. #LNK #1U
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unprovoked.net
Spooky season: go. (Mike Hampton drew @sindeetones.bsky.social and me as zombies at WonderCon 2010.) #NewProfilePic
A black-and-white head-and-shoulders illustration of a woman and man in zombified form: disheveled hair, dirty and torn clothes, open mouths with rent flesh, bent and broken eyeglasses, bulging eyes, jagged teeth, smell lines, and flies swirling around. And we're obviously in love!
unprovoked.net
An epilogue: on the Q60 back to Woodside, I saw graffiti that read, "Just do it until you get it right." Stay open, receptive, and (therefore) responsive – just like you said.
unprovoked.net
(Of course that wasn't all.) Thank you, Jude, and thanks to everyone at Astoria Bookshop for a positively effervescent and illuminating discussion!
unprovoked.net
I saw @judedoyle.bsky.social at @astoriabookshop.bsky.social and all I got was my next great in-flight read.
A copy of the 2025 book DILF: Did I Leave Feminism? A Trans and/or Feminist Manifesto by Jude Ellison S. Doyle. The cover layout calls to mind mid-1970s futurist design, with the acronym DILF rendered in large white asymmetrical letters, and the subtitle and author name in plain black text. There is also a cover blurb from Julia Serano that reads, "A thoughtful and passionate book that speaks directly to our current moment." Serano is the author of Whipping Girl. The chosen color palette is a gradient of the trans pride flag colors, with a deep blue at lower left blending to a not-quite-bubblegum-pink at top right.
unprovoked.net
Someone in this restaurant just said, "And I was like, 'Is this what publishing is now?'" I mean, I am not a writer but am online enough to know... yeah. (This was a pivot from insider-ish talk about theatre.) And, just now, "It's a casino" x2.
unprovoked.net
I fumbled my way into having a gigantic slice of absolutely dreamy cheesecake for dinner on Saturday before a Broadway show. Totally worth it, would recommend and do again.
Reposted by Macabre Michael
oriion.bsky.social
Miss Major was known as many things in her community — a caretaker for other Black trans women, a defender of the homeless and the incarcerated, and a Stonewall veteran who did not want the past to be used as an excuse for inaction.

Read our full obituary here:
Legendary transgender activist Miss Major dies at 78
Known as a surrogate mother of her community, Miss Major Griffin-Gracy leaves behind a legacy as a fierce advocate for trans and LGBTQ+ rights.
19thnews.org
Reposted by Macabre Michael
unprovoked.net
"Paradise City" came on, and then "Three Little Birds," so there was more coffee and vibing. Will I fall asleep before sunrise? "Concentrate and ask again."
unprovoked.net
Having a midnight meal in a for-real 24-hour diner and I managed to outlast the party of four a couple tables over (spirited Korean youth). Later, I may regret eating like this at an hour like this, but right now the vibes are immaculate.
Reposted by Macabre Michael
pressonsouth.bsky.social
We honor the strength, resilience & sovereignty of Indigenous peoples today & all-year-round. Check out our collaborative guide on how to report on the missing & murdered Indigenous women crisis in the U.S. South with the care & accuracy it deserves @ bit.ly/mmiwjustice. #NoMoreStolenSisters
unprovoked.net
If not treat then why treat-shaped?
unprovoked.net
Okay, there exists a concept of a plan.
unprovoked.net
Monday's fixed agenda is pretty light. I thought to explore a few different areas, but it's going to rain all day and the humidity's in the 80 percent range. It feels a shame to burn a day, but I'm not above eating a hotel breakfast and going back to bed until showtime.
unprovoked.net
Why would there be? Just gaze upon all the innocence here.
unprovoked.net
Monday's fixed agenda is pretty light. I thought to explore a few different areas, but it's going to rain all day and the humidity's in the 80 percent range. It feels a shame to burn a day, but I'm not above eating a hotel breakfast and going back to bed until showtime.
unprovoked.net
Liking this in solidarity, not necessarily because I like it. Apropos the coming chilly season, probably.
unprovoked.net
Trinity: In five minutes, I'll tear that whole goddamn building down.
unprovoked.net
The Oracle: Because you didn't come here to make the choice; you've already made it. You're here to try to understand why you made it. I thought you'd have figured that out by now.
unprovoked.net
The Oracle: Because you didn't come here to make the choice; you've already made it. You're here to try to understand why you made it. I thought you'd have figured that out by now.
unprovoked.net
O frabjous day, ST! 🥳
Reposted by Macabre Michael
careycuprisin.bsky.social
this is good imo because it makes clear the inherent incompatibility of biological determinism (the source of TERFy energy) and bodily autonomy (one of feminism’s contributions to the world).
judedoyle.bsky.social
Here I am, talking about how the second wave became TERFy, why it didn't need to, and how feminism can be better for everybody.
assignedmedia.org
"As much as our enemies are louder and crueler, and in many cases more powerful than ever, we have more allies than ever too."

Assigned Media interviews transmasc feminist @judedoyle.bsky.social
Reposted by Macabre Michael
judedoyle.bsky.social
I'm glad that the world is embracing my enlightened Taylor Swift opinions, but I do need to point out that this came out on September 13, and that people were mad jude-doyle.ghost.io/po/
But it is not Taylor Swift’s job to liberate girls from patriarchy. It is not even her job to make music. It is her job to appeal to the largest possible number of people, so that she can make the biggest possible heap of money, and that job necessitates playing along with the demands of a patriarchal culture.

“Taylor Swift,” as you and I experience her, is not a person, but a billion-dollar corporation; the songs are not ends in themselves, they are content, dropped at regular intervals, to generate a new round of merchandising and licensing opportunities. That corporation is highly profitable, and working under an obligation to protect its bottom line; as such, it cannot take risks. Taylor Swift cannot self-express, she cannot innovate, she cannot stretch the limits of the form – she cannot do anything that a capital-A Artist might need or want to do – because that interferes with her job, which is to be universally likable, or at least inoffensive, and thereby attract the broadest possible base of consumers.