Ricky Pound
@whitegoldsword1708.bsky.social
Interested in Jacobites and the 17th and 18th centuries- art, architecture, material culture, symbolism, JMW Turner, John Soane and ceramics. Historic House Manager.
Behind door number 10 of my advent calendar is this well painted #Meissen slop bowl. The bowl is finally painted with landscape & harbour scenes within quatrefoil gilded cartouches. The interior has another harbour scene within double red concentric circles. Circa 1730-35.
December 10, 2025 at 12:15 AM
Behind door number 10 of my advent calendar is this well painted #Meissen slop bowl. The bowl is finally painted with landscape & harbour scenes within quatrefoil gilded cartouches. The interior has another harbour scene within double red concentric circles. Circa 1730-35.
Is this the most obscure Last Supper painting you have ever seen?
December 9, 2025 at 1:35 PM
Is this the most obscure Last Supper painting you have ever seen?
Behind door number eight of my Christmas advent calendar lies two 19th century pug dogs and a pup! All three are beautifully painted with one on a mossy stand. Blue Crossed swords with impressed and scratched numbers.
December 8, 2025 at 12:12 AM
Behind door number eight of my Christmas advent calendar lies two 19th century pug dogs and a pup! All three are beautifully painted with one on a mossy stand. Blue Crossed swords with impressed and scratched numbers.
Behind door number 7 of my advent calendar, we have this #Yongzheng saucer, c. 1730, showing a dragon chasing the fiery pearl. On the base are concentric circles containing scholars objects. Similar patterns were copied by English manufacturers such as Worcester. www.vam.ac.uk/blog/blue-an...
December 7, 2025 at 10:34 AM
Behind door number 7 of my advent calendar, we have this #Yongzheng saucer, c. 1730, showing a dragon chasing the fiery pearl. On the base are concentric circles containing scholars objects. Similar patterns were copied by English manufacturers such as Worcester. www.vam.ac.uk/blog/blue-an...
Behind door number six of my Christmas ceramics calendar we have this #Meissen saucer decorated in the Imari style. On the base triple iron red concentric circles derived from Asian examples. Blue crossed swords with number 5 between the blades. Circa 1735.
December 6, 2025 at 10:10 PM
Behind door number six of my Christmas ceramics calendar we have this #Meissen saucer decorated in the Imari style. On the base triple iron red concentric circles derived from Asian examples. Blue crossed swords with number 5 between the blades. Circa 1735.
Day 2 of the JMW Turner symposium at Tate. Very interesting! @tate.bsky.social
December 5, 2025 at 11:16 AM
Day 2 of the JMW Turner symposium at Tate. Very interesting! @tate.bsky.social
Day 2 of the JMW Turner symposium at Tate Britain followed by a volunteers drink reception at Sir John Soane’s museum this evening. Turner & Soane- a match made in heaven (or at least somewhere near…)
December 5, 2025 at 8:36 AM
Day 2 of the JMW Turner symposium at Tate Britain followed by a volunteers drink reception at Sir John Soane’s museum this evening. Turner & Soane- a match made in heaven (or at least somewhere near…)
Behind door number five of my Christmas advent calendar are these three lovely Meissen cups, all of which date circa 1735 and 1740. They all have either landscape or harbour scenes within a quatrefoil cartouche and set against a yellow ground. Gilder’s number and crossed swords to the base.
December 5, 2025 at 6:49 AM
Behind door number five of my Christmas advent calendar are these three lovely Meissen cups, all of which date circa 1735 and 1740. They all have either landscape or harbour scenes within a quatrefoil cartouche and set against a yellow ground. Gilder’s number and crossed swords to the base.
Another series of excellent talks at today’s JMW Turner symposium at Tate Britain. Curator Andrew Loukes to finish day number 1. @Tate
December 4, 2025 at 5:02 PM
Another series of excellent talks at today’s JMW Turner symposium at Tate Britain. Curator Andrew Loukes to finish day number 1. @Tate
I’m looking forward to the two day symposium on JMW Turner which takes place today at Tate Britain. If you’re going, please come and say “hello”
December 4, 2025 at 6:51 AM
I’m looking forward to the two day symposium on JMW Turner which takes place today at Tate Britain. If you’re going, please come and say “hello”
Behind door number 4 of my Christmas Callander is this lovely 18th century nephrite jade dog with natural russet inclusions. The dog sits in a natural position, its body slightly turned to the right.
December 4, 2025 at 6:48 AM
Behind door number 4 of my Christmas Callander is this lovely 18th century nephrite jade dog with natural russet inclusions. The dog sits in a natural position, its body slightly turned to the right.
Just putting it back out there…..
Masonic Symbolism in the Blue Velvet Room at Chiswick House’.
First published in ‘The Square’, 2018 #Freemasonry #Masonic #MasonicSymbolism #EighteenthCentury
Masonic Symbolism in the Blue Velvet Room at Chiswick House’.
First published in ‘The Square’, 2018 #Freemasonry #Masonic #MasonicSymbolism #EighteenthCentury
December 3, 2025 at 5:08 PM
Just putting it back out there…..
Masonic Symbolism in the Blue Velvet Room at Chiswick House’.
First published in ‘The Square’, 2018 #Freemasonry #Masonic #MasonicSymbolism #EighteenthCentury
Masonic Symbolism in the Blue Velvet Room at Chiswick House’.
First published in ‘The Square’, 2018 #Freemasonry #Masonic #MasonicSymbolism #EighteenthCentury
Behind door number 3 on my Christmas advent colander is ‘Bugs the word!’! A #Meissen saucer and cup with scattered, shadowed insects after Johann Gottfried Klinger, with flowers and buds. Circa 1740-50.
December 3, 2025 at 7:02 AM
Behind door number 3 on my Christmas advent colander is ‘Bugs the word!’! A #Meissen saucer and cup with scattered, shadowed insects after Johann Gottfried Klinger, with flowers and buds. Circa 1740-50.
Behind door number two of my ceramics Christmas calendar is this beautiful #Meissen saucer, painted with a scene of a ling cat and cubs. The outside with decorated with purple scale. This type of decoration was introduced into Meissen during the Seven Years War (1756-63). Circa 1760.
December 2, 2025 at 7:28 AM
Behind door number two of my ceramics Christmas calendar is this beautiful #Meissen saucer, painted with a scene of a ling cat and cubs. The outside with decorated with purple scale. This type of decoration was introduced into Meissen during the Seven Years War (1756-63). Circa 1760.
I can’t help but think that this depiction of a gentleman on a piece of early 18th Meissen porcelain looks like a tv aerial. If not that then a garden rake. What do people think?
November 28, 2025 at 10:31 AM
I can’t help but think that this depiction of a gentleman on a piece of early 18th Meissen porcelain looks like a tv aerial. If not that then a garden rake. What do people think?
A very rare #Meissen pouring cup, this example decorated with #chinoiserie figures set within a quatrefoil cartouches with gilding to the base ring and inside edge of the cup. Yellow ground. Early crossed swords with blue concentric circle. Decorated interior of the cup.
November 27, 2025 at 9:04 AM
A very rare #Meissen pouring cup, this example decorated with #chinoiserie figures set within a quatrefoil cartouches with gilding to the base ring and inside edge of the cup. Yellow ground. Early crossed swords with blue concentric circle. Decorated interior of the cup.
Ceramics currently on view at the Twickenham Museum. In the 18th century the building (which today houses the museum) was owned by the Twining family, giants in burgeoning tea trade. Includes #Kangxi period wares, #Meissen and #Wedgwood. @twickenhammuseum.bsky.social
November 25, 2025 at 8:27 AM
Ceramics currently on view at the Twickenham Museum. In the 18th century the building (which today houses the museum) was owned by the Twining family, giants in burgeoning tea trade. Includes #Kangxi period wares, #Meissen and #Wedgwood. @twickenhammuseum.bsky.social
Two tickets have become available for this Saturday’s Pope’s Grotto opening (Saturday 22nd November) between 10.00am and 12.30am. If you would like to visit this remarkable 18th century survival, tickets are £10 and can be purchased here-
www.ticketsource.co.uk/booking/sele...
A perfect treat!
www.ticketsource.co.uk/booking/sele...
A perfect treat!
November 18, 2025 at 3:54 PM
Two tickets have become available for this Saturday’s Pope’s Grotto opening (Saturday 22nd November) between 10.00am and 12.30am. If you would like to visit this remarkable 18th century survival, tickets are £10 and can be purchased here-
www.ticketsource.co.uk/booking/sele...
A perfect treat!
www.ticketsource.co.uk/booking/sele...
A perfect treat!
I think the influence of Piranesi’s etching, “Dark Prison with a Courtyard for the Torture of Criminals …”, c1750 was a major influence for the arrangement of facing arches in Sir John Soane’s dome at his museum at number 13 Lincoln’s Inn Fields.
November 13, 2025 at 10:22 PM
I think the influence of Piranesi’s etching, “Dark Prison with a Courtyard for the Torture of Criminals …”, c1750 was a major influence for the arrangement of facing arches in Sir John Soane’s dome at his museum at number 13 Lincoln’s Inn Fields.
Really looking forward to David Olusago’s new series ‘Empire’ this evening and for the next three Fridays. A great historian, so unassuming and without an ounce of arrogance or pretentiousness. My kind of historian.
November 7, 2025 at 5:55 PM
Really looking forward to David Olusago’s new series ‘Empire’ this evening and for the next three Fridays. A great historian, so unassuming and without an ounce of arrogance or pretentiousness. My kind of historian.
P is for Palladio (1508-80). He is widely regarded as the most influential architect in the history of the Western world.
November 4, 2025 at 5:58 PM
P is for Palladio (1508-80). He is widely regarded as the most influential architect in the history of the Western world.
‘An abstract Deist rather than a conventional Anglican, John Soane consciously eschewed all Christian symbolism in his designs for monuments and mausolea. He chose instead to pepper them with pagan symbols of eternity, above all the serpent biting its own tail’ (the ouroboros).
November 2, 2025 at 3:51 PM
‘An abstract Deist rather than a conventional Anglican, John Soane consciously eschewed all Christian symbolism in his designs for monuments and mausolea. He chose instead to pepper them with pagan symbols of eternity, above all the serpent biting its own tail’ (the ouroboros).
I’m first visit to Winchester Cathedral and it was fantastic. We also got to tour the Norman crypt which was amazing. Our guide is just what you want- passionate, knowledgeable and funny. @wincathedral.bsky.social
October 28, 2025 at 4:17 PM
I’m first visit to Winchester Cathedral and it was fantastic. We also got to tour the Norman crypt which was amazing. Our guide is just what you want- passionate, knowledgeable and funny. @wincathedral.bsky.social
An Alchemical #Ouroboros, the self-eating snake of eternity. As seen in an 19th century memorial at Winchester Cathedral.
And my silver Ouroboros!
And my silver Ouroboros!
October 28, 2025 at 3:43 PM
An Alchemical #Ouroboros, the self-eating snake of eternity. As seen in an 19th century memorial at Winchester Cathedral.
And my silver Ouroboros!
And my silver Ouroboros!