Great cinematography indeed. Someone should make a Joy Division or early Section 25 video out of this.

Can't wait to see them early July in Paris.

🔴 I demand safe passage for the humanitarian ship Freedom Flotilla🔴 I demand an end to the blockade and justice for Gaza.#FreedomFlotilla #SafePassageNow @emmanuelmacron @bundeskanzler @lulaoficial @sanchezcastejon @kristerssonulf @minpres @rterdogan @kyriakos_ @alsisiofficial

the Social Platforms Terms and Conditions" like a mad Chatbot from 2010 (!).

Anyway, i have signed with another one and hope for the best.
If you're interested, i'll let you know.

because i had proof that my tracks didn't break any rules but to no success.
I also asked them to tell me, in detail, what was wrong with these tracks so i wouldn't make the same mistake again.
But the exchange always end the same way with this answer refering to "section 1.(c) of...

You've read this right ! It's at their "SOLE DISCRETION" and that's it You can't do nothing else, move on. And they never ever told me what was wrong with these tracks.

Of course, i tried several times to talk with someone more competent at #Tunecore ...

“TuneCore reserves the right, in its sole discretion, to refuse to provide its services to you or any customer for any or no reason whatsoever and shall be under no obligation to provide notification of such refusal.”
Then they closed the ticket and i couldn't answer back...

they finally put an end to the discussion stating that they "cannot monetize these recordings" on my behalf because "this service is at TuneCore’s sole discretion".

They refer to section 1.(c) of the Social Platforms Terms and Conditions:

“TuneCore reserves the right, in its sole discretion...

I just wanted to add why i think that it's the worst service client ever : I had a couple of tracks that #Tunecore refused to monetize on Meta (Facebook/Instragam). When i asked them what is wrong with those tracks, and when i proved to them that they complied with the rules of Meta...

Thank you. fantastic indeed. 1983/1985 is my fave period of NO. The whole recording is on archives.org : archive.org/details/NewO...