Count me in for HEIC too

That's what it says, I believe it's a sort of Italian version of Punch.

But to have my work showcased alongside the work of one of my key artistic inspirations, Barney Bubbles (Colin Fulcher), who designed all of Costello's early LP covers and was the house designer for Stiff Records, the locus solus of British New Wave, is an honor I do not deserve.

The fact that Elvis Costello, one of our greatest living songwriters and a personal hero of mine, even knows my work exists was thrilling enough for me.

On his end, he re-designed the whole package to showcase my pieces, then went on Colbert and showed them, and named me on air.

I countered with "What if I do a whole lot of pieces for your deluxe Armed Forces box set?" He agreed, and I ended up doing two "album" pieces, plus separate pieces for each song on the album.

Anyway, I hope this chapter of American history ends soon.

Kirk's Turning Point USA was funded by wealthy asshole Bill Montgomery, who owned the libs by dying of COVID in 2020. Bill O'Reilly was plucked from newsmagazine obscurity to spread hate on Fox by Rupert Murdoch, Milo was a puppet for Andrew Breitbart, and on and on and on.

and dear departed Charlie Kirk, were ALL just random assholes who had failed at life and were approached by rich men to push hate in the mass media, because it serves their goals of acquiring wealth and maintaining power.

I bring this up because it shows that all of these guys -- Bill O'Reilly, Rush Limbaugh, Milo Yiannapolis, Alex Jones, Ben Shapiro, Jordan Peterson, Tucker Carlson, Curtis Yarvin --

He was shot to death in front of a laundromat, not by a liberal, a Black, a Jew or an intellectual, but by a guy he owed money to.

He eventually got enough backing to run for governor of Virginia, but he didn't do very well in the election. He did, however, in his brief run, invent Holocaust denial and the term "White Power."

That's why your Stephen Millers and Elon Musks are always happy to throw their white-supremacist hand gestures around: because it makes rich people send in money.

That's why he insisted on wearing it, displaying it, festooning his "hate bus" (because he had a "hate bus") with it. He knew that it filled decent people with blinding rage, and that that would make rich people send him more money.

He insisted on putting the swastika front and center in all his appearances. He knew the symbol was an obscenity and an affront to everything the world went through for over a decade.

If the university refused to allow him to march, so much the better -- he could cry about how liberals hate free speech and collect even more money from his donors. If he were alive today, the New York Times would say "George Lincoln Rockwell does politics the right way."

If, however, he marched onto a university campus, the liberals would be required to let him speak in the interest of free expression and a robust exchange of ideas. If the rally went well, he'd get money in the mail from rich people.