Much appreciated. Hitting the sky with a CPL at the right angle really helps to narrow the dynamic range of the scene, keeping it within what P2 can handle.

Sick!

Much appreciated. For me it is more about supporting Harman while they work into the color negative market. The film can be cool--I've been very happy with a few shots--but it is more temperamental and less predictable than slide film: a fun challenge to work with...sometimes, haha.

You got it. The king tide washed them up into the coastal vegetation--where the remained stuck after the tide went back out.

Thanks for sharing, man. When a shot really catches my eye, I like to think about why and let the photographer know what sucked me in--offer a little more than just a thumbs up, haha. Great shot, man.

Killer shot. The combination of the bright colors and the hard transitions between foreground elements and the reflection really slaps--taken as a whole, my eye sees it as contrasty merging of perspectives, more akin to a multi-exp than just a reflection shot. Nicely done!

Haha, I second that...at least until after Thanksgiving. This was an idea I had for a while. I eventually bought a Santa costume to force myself to execute on the concept, haha.

The 50mm f/1.2 has always served me well when the f/2.8 on the 24-70 couldn't cut it, but I still wonder at times if the 35mm f/1.4 is the one that got away. You are super comfortable with wider angle lenses, which I think is a unique requirement to make the 35mm work and shine.

Much appreciated! It's satisfying to assemble a multiframe study and have it come together. I'm glad you enjoyed it!