Tahoma Literary Review
@tahomareview.bsky.social
We publish poetry, fiction, and nonfiction twice a year. Professional pay rates.
All online since 2024!
Current issues, submission periods, etc. at tahomaliteraryreview.com
All online since 2024!
Current issues, submission periods, etc. at tahomaliteraryreview.com
She was a professor at Vermont College of Fine Arts while I was studying there for my MFA in Writing. The last line in “Poem Ending with a Line by Deborah Digges” is from her poem, “Lilacs” in her posthumously published collection Trapeze.
November 26, 2025 at 10:25 PM
She was a professor at Vermont College of Fine Arts while I was studying there for my MFA in Writing. The last line in “Poem Ending with a Line by Deborah Digges” is from her poem, “Lilacs” in her posthumously published collection Trapeze.
"inspired by the social currencies of adolescence and the pressures of girlhood; the desire to fit in without understanding why we should even want to; the wounds of friendships that have become something else in the name of these pressures; &, last but not least, A Walk in the Woods by Bill Bryson"
October 27, 2025 at 11:33 PM
"inspired by the social currencies of adolescence and the pressures of girlhood; the desire to fit in without understanding why we should even want to; the wounds of friendships that have become something else in the name of these pressures; &, last but not least, A Walk in the Woods by Bill Bryson"
Listen to Jenny Molberg read “Jackson Pollack” here on.soundcloud.com/MEz5n4iVZIsp...
Jackson Pollock by Jenny Molberg, poetry
My poem, “Jackson Pollock,” is part of a manuscript-in-progress that interrogates famous men in the visual arts and their talented partners and wives who have been overshadowed, silenced, or lost to h
on.soundcloud.com
October 12, 2025 at 3:54 PM
Listen to Jenny Molberg read “Jackson Pollack” here on.soundcloud.com/MEz5n4iVZIsp...
Poet’s Note:
This piece is part of a larger project called “My Prayer a Slit Throat: erasing the inheritance of war.” My source materials come from war ephemera in the Western canon; different modes of erasure are explored with each source text.
This piece is part of a larger project called “My Prayer a Slit Throat: erasing the inheritance of war.” My source materials come from war ephemera in the Western canon; different modes of erasure are explored with each source text.
October 1, 2025 at 7:12 PM
Poet’s Note:
This piece is part of a larger project called “My Prayer a Slit Throat: erasing the inheritance of war.” My source materials come from war ephemera in the Western canon; different modes of erasure are explored with each source text.
This piece is part of a larger project called “My Prayer a Slit Throat: erasing the inheritance of war.” My source materials come from war ephemera in the Western canon; different modes of erasure are explored with each source text.
“And everywhere she went, always in the distance lay o le sami, the sea, turquoise indigo with a faint silver lining that caught her eye, glittering in the sun.”
September 10, 2025 at 1:03 PM
“And everywhere she went, always in the distance lay o le sami, the sea, turquoise indigo with a faint silver lining that caught her eye, glittering in the sun.”
September 10, 2025 at 12:54 PM