A Hitchcockian noir about a concerned uncle who believes but cannot prove his recently-widowed sister-in-law intends to murder his niece for her inheritance. Crackling good thriller at 73 minutes.
A Hitchcockian noir about a concerned uncle who believes but cannot prove his recently-widowed sister-in-law intends to murder his niece for her inheritance. Crackling good thriller at 73 minutes.
What crime stories and noir offered was a chance to inhabit the mind of antiheroes and villains, often watching the transition from one to the other, as here where a mousy, put-upon pharmacist snaps and plots his wife's murder.
What crime stories and noir offered was a chance to inhabit the mind of antiheroes and villains, often watching the transition from one to the other, as here where a mousy, put-upon pharmacist snaps and plots his wife's murder.
I love a well-documented procedural like this one, which follows a US narcotics agent in pursuit of a shipment of opium who uncovers the burgeoning worldwide post-WW2 network of drug trafficking.
I love a well-documented procedural like this one, which follows a US narcotics agent in pursuit of a shipment of opium who uncovers the burgeoning worldwide post-WW2 network of drug trafficking.
Not a fan of melodrama per se, but I couldn't get enough of this one about the long-term toxic relationship between a mother and a daughter, even with the noir stylings more or less tacked onto this literary adaptation. Nonetheless, those stylings hooked me in the story.
Not a fan of melodrama per se, but I couldn't get enough of this one about the long-term toxic relationship between a mother and a daughter, even with the noir stylings more or less tacked onto this literary adaptation. Nonetheless, those stylings hooked me in the story.
One cinematic trick I'll always be a sucker for is when a movie flips its script and becomes a different movie in its second or third act, as happens here in this suitably entertaining mystery.
One cinematic trick I'll always be a sucker for is when a movie flips its script and becomes a different movie in its second or third act, as happens here in this suitably entertaining mystery.
(Here's the opening of "The Mystery of the Pale King")
(Here's the opening of "The Mystery of the Pale King")