https://letterboxd.com/reaky/
Cafe Bohemia, 1958
[Marvin Koner]
Cafe Bohemia, 1958
[Marvin Koner]
crimereads.com/10-underappr...
crimereads.com/10-underappr...
Apologies for the spoiler, but it’s hard to avoid with this question.
Dix in the Asphalt Jungle staggering mortally wounded towards his lost horse farm and only reaching it in death is a heartbreaker worthy of Robert Bresson.
Apologies for the spoiler, but it’s hard to avoid with this question.
Dix in the Asphalt Jungle staggering mortally wounded towards his lost horse farm and only reaching it in death is a heartbreaker worthy of Robert Bresson.
Of course it’s Out of the Past. @adriandoran.bsky.social will be pleased I got there eventually.
(I love how the shadow makes a little bat out of Jane Greer’s gun.)
Of course it’s Out of the Past. @adriandoran.bsky.social will be pleased I got there eventually.
(I love how the shadow makes a little bat out of Jane Greer’s gun.)
I’ve probably seen Double Indemnity more often than any other noir, to the point of being able to recite the script. I even have a poster of it in my living room.
I’ve probably seen Double Indemnity more often than any other noir, to the point of being able to recite the script. I even have a poster of it in my living room.
Jacques Becker stops the meter in Touchez Pas Au Grisbi and gives us a scene where gangsters Max and Riton tuck into some cheese and crackers in their safe house.
Jacques Becker stops the meter in Touchez Pas Au Grisbi and gives us a scene where gangsters Max and Riton tuck into some cheese and crackers in their safe house.
Tchao Pantin was a great discovery this year - a past-his-best garage attendant gets embroiled with gangsters in a nocturnal 80s Paris.
Tchao Pantin was a great discovery this year - a past-his-best garage attendant gets embroiled with gangsters in a nocturnal 80s Paris.
“You could feel the lust of murder like a wind stinging your eyes, and you could smell the death, reeking up out of the sea.”
“You could feel the lust of murder like a wind stinging your eyes, and you could smell the death, reeking up out of the sea.”
French Noir posters are outstanding, and this one by Boris Grisson and Rene Peron for The Big Clock is a particular beauty.
French Noir posters are outstanding, and this one by Boris Grisson and Rene Peron for The Big Clock is a particular beauty.