Hi! Sorry about the delay, I'm not here very often. It's not exactly what you are describing, but Buenos Aires is pioneering a blockchain-based identity system based off of an ethereum rollup cointelegraph.com/news/buenos-... . Have you discovered any examples since you asked the question?

Here's the blog post Glen is referencing: graymirror.substack.com/p/a-conversa...

cc @glenweyl.bsky.social

And in another interview, when a photographer mentions that his editor requested a sad picture of Eunice and her children, she insists, “We will smile.”

This is Brazil. 🇧🇷💛💚

Here’s the English trailer, which includes some of my favorite scenes. When Rubens Paiva’s death certificate is finally issued, a journalist asks Eunice, “Doesn’t the State have more urgent issues than fixing the past?” to which she placidly replies, “No.”
www.youtube.com/watch?v=gDun...

This film is a gift to humanity. As Brazilians, we are extremely proud of our country, our culture, and our robust institutions—of our ability to reckon with our dark past, learn its lessons, and move forward with dignity, strength, and the joy that defines us.

At the same time, our electoral justice system has proven remarkably effective, temporarily barring Bolsonaro and other enemies of democracy, like Pablo Marçal, from running for office.

Its release was particularly timely, coinciding with the revelation of Bolsonaro’s recent coup plans, which included the planned murder of President Lula, VP Alckmin, and Supreme Court Justice Alexandre de Moraes (who is now being sued and maligned by Trump and Elon).

The acting—especially by Fernanda Torres and her mother, the mythical Fernanda Montenegro—is magnificent. The film received a 10-minute standing ovation at the Venice Film Festival.

Stories like this remained silenced until the establishment of the Truth Commission by President Dilma Rousseff, allowing Brazil to finally confront its own history.

Eunice evolves from a housewife into a lawyer and prominent indigenous rights defender.

Eunice Paiva, faced with the unimaginable, is transformed by the experience. Recognizing that the state violence her family endured under the dictatorship is the same that indigenous peoples continue to suffer even beyond that era,