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Purposefully breaking the shots up so they feel unrelated makes it feel like we're getting glimpses into what happened over the course of a long night
Purposefully breaking the shots up so they feel unrelated makes it feel like we're getting glimpses into what happened over the course of a long night
Maybe if I was to completely reject the structure I had planned, it could work?
Like purposefully break any connection between each action so it reads more like a montage than a continuous play by play
Maybe if I was to completely reject the structure I had planned, it could work?
Like purposefully break any connection between each action so it reads more like a montage than a continuous play by play
The little interactions I think are what make longer form animations have more power than simple loops or 30 second slow-fast-cum loops made from the same base animation.
The little interactions I think are what make longer form animations have more power than simple loops or 30 second slow-fast-cum loops made from the same base animation.
The jump feels jarring because one obviously leads into the other, but it skips the half second in between
I could try a black fade, but I'm not sure it'd work and too many would look weird
The jump feels jarring because one obviously leads into the other, but it skips the half second in between
I could try a black fade, but I'm not sure it'd work and too many would look weird
120 hours of your life is a lot to put into something that maybe only a handful of people will see and even less will pay to support, even with whatever artistic satisfaction I can get out of it
120 hours of your life is a lot to put into something that maybe only a handful of people will see and even less will pay to support, even with whatever artistic satisfaction I can get out of it